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a constantly growing and annotated catalogue of all the short films featured in our releases, publications, or screenings

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26

elephantfish

Meltse Van Coillie, Belgium, 2018, 27’

A ship drifts in the middle of an endless sea. Aboard is a crew of five. They all cope with boredom — some by trying to overpower it; others by escaping into a parallel world guided by dreams.

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27

Sirens

Raoul Servais, Belgium, 1968, 9’

A lonesome angler becomes witness to an eccentric idyll between a cabin boy and a mermaid. Dream or reality?

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31

Exalted Mars

Jean-Sébastien Chauvin, France, 2022, 18’

A sleeping man dreams of a city at dusk. He is every angelic lover, caught off guard. The film goes in and out of his pulsating erotic dream: heated up, he dreams of landscapes, even of becoming the landscape.

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32

The Summer Movie

Emmanuel Marre, Belgium, 2017, 30’

A film about highways, tourists, concrete picnic tables, and lukewarm melons. About a man who wants to leave and a child who stops him. A summer movie.

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33

The Migrating Image

Stefan Kruse Jørgensen, Denmark, 2018, 28’

Following a fictional group of refugees across Europe, the film questions the overproduction of images surrounding real-life tragedies and deaths.

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35

Under the Sun

Eduardo Esquivel, Mexico, 2017, 15’

Ana’s life changes radically when she divorces at the age of 40. In front of her family, it gets harder every day to keep pretending everything is fine.

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36

Mother’s

Hippolyte Leibovici, Belgium, 2019, 22’

In the dressing room of Cabaret Mademoiselle, Brussels’ hotspot for drag queens, four queer performers are getting ready in front of the mirror. It’s the perfect moment to talk and open up: an intergenerational conversation about coming out and a mother’s love.

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63

Note on Multitude

Ibro Hasanović, Belgium, Kosovo, 2015, 8’

Intimate, emotional, and sometimes violent moments of farewell: men, women, and children leave their homes for an (unknown) future as migrants.

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64

The Age of Anxiety

Taiki Sakpisit, Thailand, 2013, 14’

An audiovisual meditation on the fin de siècle in Thailand.

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66

Trains de plaisir

Henri Storck, Belgium, 1930, 8’

The beach and its sunbathers. A series of sketches, small moments that culminate in a wry, loving portrait of a Sunday at the beach.

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74

À l’usage des vivants

Pauline Fonsny, Belgium, 2019, 27’

In 1998, Semira Adamu, a 20-year-old Nigerian immigrant, died on Belgian soil of suffocation under a police pillow. Twenty years later, two women tell her story in a cry for justice. Through this film, they highlight the reality of detention centres: the harsh conditions of confinement, the suffering of detainees and the abuse by guards and police officers.

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76

Trajectory Drift

Iván Castiñeiras Gallego, France, United Kingdom, 2018, 24’

In a container, sitting between crates of merchandise, two men talk about their exile. Their stories about the crossing of endless borders come together in a common dream: to reach England.

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Fireworks
Fireworks (Kenneth Anger, 1947)
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78

Fireworks

Kenneth Anger, USA, 1947, 14’

1947’s Fireworks is a milestone, as the first American film with a gay narrative. At age seventeen, Anger himself plays the lead character. The film illustrates the awakening of a suppressed desire, a gross fantasy.

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82

All We Ever Wanted Was Everything

Enzo Smits, Belgium, 2014, 19’

A portrait of young skateboarders growing up in a Flemish suburban town. We meet different characters going through their daily routines: riding around on their skateboards, waiting, hanging out, daydreaming...

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83

I Am Good At Karate

Jess Dadds, United Kingdom, 2021, 11’

Portrait of a young teenager with mental health issues who is passionate about karate. They wander around a housing estate in East Kent, locked in verbal and physical battles with a hallucinatory demon.

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85

Water and Salt

Luisa Mello, Belgium, Brazil, 2019, 10’

A journey through the consciousness of a woman whose country is under threat from a fascist government.

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86

Snow Edge

Juan Francisco Rodríguez, Colombia, 2021, 15’

The thaw of the so-called eternal snow of Páramo, a neotropical alpine ecosystem in the high Andes, exposes a layer of meaning about the origins and survival of the landscape.

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99

Waithood

Louisiana Mees-Fongang, Belgium, 2019, 21’

In Athens, five youngsters avoid waiting for an empty future by seeking entertainment in the luxurious Airbnb establishments that one of them is cleaning for a meagre fee.

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The House Is Black
The House is Black (Forugh Farrokhzad, 1963)
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101

The House Is Black

Forugh Farrokzhad, Iran, 1963, 22’

In 1962, beloved and controversial poetess Forugh Farrokhzad went to Azerbaijan and made her only short film: a portrait of a leper colony. The House is Black is an empathetic portrait that illuminates a world burdened by tragedy, yet sustained by community.

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103

Copa-Loca

Christos Massalas, Greece, 2017, 14’

This is the story of Copa-Loca. Paulina is the girl at the heart of this abandoned Greek summer resort. Everyone cares for her and she cares about everyone – in every possible way.

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Elephant
Elephant (Alan Clarke, 1989)
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104

Elephant

Alan Clarke, United Kingdom, 1989, 37’

Elephant is, without question, Alan Clarke’s bleakest film: a compilation of eighteen murders on the streets of Belfast, without explanatory narrative. After each killing, the camera dwells on the bodies, forcing the viewer to confront the brutality of their deaths.

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La Jetée
La Jetée (Chris Marker, 1962)
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106

La Jetée

Chris Marker, France, 1962, 28’

Set in a post-apocalyptic near-future, La Jetée tells the story of an unnamed man whose vivid childhood recollections make him the perfect guinea pig for an experiment in time travel. After a lengthy period of conditioning, he is sent back in time, where he falls in love with a woman whom he once saw on a pier.

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Incident by a Bank
Incident by a Bank (Ruben Östlund, 2010)
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114

Incident by a Bank

Ruben Östlund, Sweden, 2010, 12’

Incident by a Bank is based on true facts and stages a surreal, failed bank robbery that the filmmaker himself witnessed in 2006, in central Stockholm. By constantly keeping the viewer at a sterile distance from the main action, Östlund slowly shifts the focus from the robbery to those witnessing the situation from a safe distance.

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The Black Tower
The Black Tower (John Smith, 1987)
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117

The Black Tower

John Smith, United Kingdom, 1987, 24’

A man finds himself haunted by a mysterious black tower in London that appears to follow him wherever he goes. The Black Tower is an example of a film that succesfully plays with emotions and the language of film.

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118

The Jungle Knows You Better Than You Do

Juanita Onzaga, Belgium, Colombia, 2017, 20’

Two siblings roam the mystical landscapes of Colombia, searching for their dead father's spirit. Their journey takes them from the city of Bogotá to the jungle, through realms of thought and deep into their haunted dreams.

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119

Nowhere Else

Lee Kyeong-won, South Korea, 2021, 28’

After going missing, a woman is unable to remember her past until her former husband pays her a visit and she recalls a memory of where she lived with the man a long time ago.

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120

D’un château l’autre

Emmanuel Marre, Belgium, 2018, 40’

Pierre, 25 years old and on a scholarship for a prestigious Parisian university, is lodged by Francine, who is 75, disabled, and confined to her wheelchair. Both puzzled and disoriented, they witness the French presidential elections of 2017 play out.

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127

À Gis

Thiago Carvalhaes, Belgium, Portugal, 2017, 20’

The Brazilian trans woman Gisberta lived as an immigrant in Portugal. After she was brutally murdered, she became an icon for the transgender rights cause.

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128

Herman@s (Les Adelphes)

Hélène Alix Mourrier, France, 2021, 29’

Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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130

she asked me where i was from

Aulona Fetahaj, Belgium, Kosovo, 2020, 24’

Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.

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131

Red Giant

Anne Verbeure, Belgium, 2021, 11’

Day and night, a giant sits on a hill, far away from his smaller fellow man. He fills his days organising things and making sure everything is in the right place at the right time.

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159

+6 Gain

Jorn Plucieniczak, Belgium, 2019, 26’

Symen and Sam pass their time in the monotony of a post-industrial suburb. They seem to linger in a kind of perpetual twilight countered by the invisible presence of ‘hardcore’. While gaming, they end up searching for the core of their desires.

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160

Akaboum

Manon Vila, France, 2019, 30’

A portrait of contemporary suburban youth seeking to invent new contours of collective identity, against the backdrop of France in the throes of recession.

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Un Chien Andalou
Un Chien Andalou (Luis Buñuel, 1928)
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163

Un Chien Andalou

Luis Buñuel, France, 1929, 21’

Spanish surrealist Luis Buñuel wrote his first feat together with Salvador Dalí, based on their dreams. Don’t get stuck on the plot. Buñuel deliberately omits chronology and opts for Freudian dream logic, in which scenes do not necessarily follow one another logically.

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165

Houses With Small Windows

Bülent Öztürk, Belgium, 2013, 15’

Dilan pays with her life for her forbidden love for a young man in a neighbouring village—a powerful poetic portrait of an honour killing in the rural Kurdish southeast of Turkey.

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166

Mother Prays All Day Long

Hoda Taheri, Germany, 2022, 24’

Confused about German bureaucracy and questioning her sexuality, Hoda, an Iranian asylum seeker in Berlin, finds herself hooked on Magdalena, who promised to ensure her asylum by marrying her. Due to changes in Magdalena’s private life, her decision to marry Hoda becomes more complex.

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167

This Day Won’t Last

Mouaad el Salem, Belgium, Tunisia, 2020, 25’

In this urgent diary film about longing for freedom and community, the filmmaker reflects on the individual yet collective experience of growing up queer in Tunisia today.

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168

Scum Mutation

Ov, France, 2020, 10’

In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.

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Scorpio Rising
Scorpio Rising (Kenneth Anger, 1964)
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175

Scorpio Rising

Kenneth Anger, USA, 1964, 27’

Scorpio Rising is perhaps Kenneth Anger’s best-known work. Set to the beats of 1960s pop music, the film follows a group of bikers and explores the occult, homosexuality, and Nazism. It also idolises rebellious public figures such as James Dean and Marlon Brando.

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183

Oh Willy...

Emma De Swaef, Marc James Roels, Belgium, 2011, 17’

A gentle, middle-aged man returns to the nudist colony he grew up in to visit his elderly mother. Her sudden death leaves Willy in a state of sadness. He soon finds himself lost in the midst of a savage wilderness, trying to find comfort.

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184

Impossible Figures and Other Stories II

Marta Pajek, Poland, 2016, 15’

A woman trips and falls while rushing around the house. She gets up only to discover that her home has unusual features—it is built from paradoxes, filled with illusions, and covered with patterns.

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188

Atopia

Olivier De Vos, Belgium, 2021, 18’

An introspective essay about the search for a place between reality and imagination: a placeless place made up out of dreams and a longing for fluidity. Slowly, the grains of the compressed image become the sands of the atopic beach, revealing an imaginary place.

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189

Pirate Boys

Pol Merchan, Germany, 2018, 13’

Punk author Kathy Acker’s work is the starting point for a conversation about gender identity and body transformation and is linked to the punk movement of the 1970s and 1980s.

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191

0.2 Milligrams of Gold

Diego Quinderé de Carvalho, Belgium, Hungary, Portugal, 2021, 24’

Eight thousand five hundred kilometres lie between the Amazon and the Ardennes. In his home country of Brazil, filmmaker Diego looks at the inaccessible forest from the outside. Its Belgian counterpiece, however, is easier to explore.

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Sherlock Jr.
Sherlock Jr. (Buster Keaton, 1924)
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194

Sherlock Jr.

Buster Keaton, USA, 1927, 44’

During his heyday, Buster Keaton was also known as The Great Stone Face. The American comedian is best known for his silent films, which focus on physical comedy and his deadpan facial expressions.

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198

Yarokamena

Andrés Jurado, Colombia, Portugal, 2022, 21’

In 20th-century Colombia, resistance fighter Yarokamena, a member of the indigenous Uitoto tribe, called for rebellion against violent exploitation of the rubber mining industry in the Amazone and invoked the spiritual powers of war.

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204

Blow Up My Town

Chantal Akerman, Belgium, 1968, 13’

A young woman, played by Chantal Akerman herself, enters her flat in Brussels and begins a household routine that gradually degenerates. Parodying the everyday, she mops the floor, polishes her shoes, and sticks tape over the cracks in the door, thereby giving domestic life an explosive twist.

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209

Back and Forth

Lisa Foster, Belgium, 2018, 4’

We all have a different rhythm. This film is a dance about individual rhythms that go together, seem to clash, or just stay separate.

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One Week
One Week (Buster Keaton, 1920)
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214

One Week

Buster Keaton, Edward F. Cline, USA, 1920, 24’

One Week is the first independent film Buster Keaton released himself, full of new stunts in and around houses and on ladders.

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230

Gestes du repas

Luc de Heusch, Belgium, 1958, 23’

This satirical ethnographic film shows eating Belgians in diverse contexts. Dinner scenes at weddings, funerals, Christmas, and New Year’s Eve portray a country: loneliness and community alternate, just as wealth and poverty.

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231

Love Goes Through The Stomach

NEOZOON, Germany, 2017, 15’

Dedicated to nutrition and the human attitude towards “production animals”, this YouTube-found footage collage provides disturbing insights into the behaviour of a Western affluent society towards animal products.

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The Seasons
The Seasons (Artavazd Peleshian, 1975)
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238

The Seasons

Artavazd Peleshian, Soviet Union, 1975, 29’

In The Seasons, Artavazd Pelechian captures a reclusive farming community in its incessant struggle against the elements of nature. The film shows humanity trapped in a cruel but stunningly beautiful existence.

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241

Mars, Oman

Vanessa del Campo, Belgium, 2019, 20’

Oman’s vast plains look so much like Mars that they are used as a training ground for astronauts. Two local girls gaze at the starry sky like curious scientists while the astronauts philosophise about living on the Red Planet.

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242

The End of Suffering (A Proposal)

Jacqueline Lentzou, Greece, 2020, 14’

Sofia is panicky again. The Universe decides to contact her—an other-worldly dialogue. Jacqueline Lentzou’s short film is a planet symphony for Mars, where people dream awake and fight for love.

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Zero for Conduct
Zero for Conduct (Jean Vigo, 1933)
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256

Zero for Conduct

Jean Vigo, France, 1933, 41’

In Zero for Conduct, four rebellious pupils plan a revolt to take over the school. The film was first shown in Paris in 1933, but shocked so many viewers that it was subsequently banned from screens until the end of World War II.

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268

And How Miserable Is The Home of Evil

Saleh Kashefi, Iran, 2023, 7’

The dream of an Iran post-Islamic Republic is not only part of the online discourse, but also of the protests on the streets. This is precisely what Iranian visual artist Saleh Kashefi depicts in their award-winning video And How Miserable is the Home of Evil: Iran’s Supreme Leader (finally) falls.

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271

A Letter to Mohamed

Christine Moderbacher, Belgium, Tunisia, Austria, 2013, 35’

This is a cinematic letter to the title character, who left Tunisia and now lives in Belgium. Shot in the first year after the Tunisian revolution, this is a poetic journey through a troubled landscape. Between order and chaos, the film reveals a land of disillusionment but also of humour and hope.

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276

Da-Dzma

Jaro Minne, Belgium, 2019, 16’

Winter. A fifteen-year-old girl in a remote Georgian town tries to get closer to her older brother just as he decides to leave home in search of work abroad.

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277

Magic, a portrait of Joris

Chloë Delanghe, Belgium, 2018, 15’

In Magic, a portrait of Joris, images sourced from different periods in time are glued together. Worn-out VHS footage filmed by the artist’s father is placed beside 8mm images she filmed herself. Both have the same subject: one boy, both a son and a brother. Connecting images of then and now, a new narrative of remembering opens up.

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284

Very Nice, Very Nice

Arthur Lipsett, Canada, 1961, 7’

This avant-garde work exposes how we hide behind a façade in times of crisis, as if nothing is wrong. Arthur Lipsett’s first collage film mixes dozens of black-and-white photographs with audio fragments. The film’s subtle criticism of the 1960s zeitgeist in the United States earned it an Oscar nomination.

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