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Incident by a Bank
Incident by a Bank (Ruben Östlund, 2010)

    Incident by a Bank

    Händelse vid bank
    Ruben Östlund, Sweden, 2010, 12’

    This short film put (now two-time Golden Palm winner) Ruben Östlund on the map of European cinema: Incident by a Bank is based on true facts and stages a surreal, failed bank robbery that the filmmaker himself witnessed in 2006, in central Stockholm.

    The film is composed of one single shot in which just under a hundred people carefully portray the incident. As he often does, Östlund observes the human behaviour of individuals but also of the group. How does one react to these events? Who intervenes? How paralysing is the bystander effect? Moreover, Östlund translates his core interests into cinematic language, which adopts the behaviour of a surveillance camera, zooming and panning to constantly reframe its gaze, and therefore also the audience’s.

    By constantly keeping the viewer at a sterile distance from the main action, Östlund slowly shifts the focus from the robbery to those witnessing the situation from a safe distance. The passivity of each character is far more interesting than the money, stolen or not. An old man is the only one who intervenes, pushing over the thieves' scooter. Other than that, no one even bothers to call the police. Everyone just stares incredulously at the situation and finally ignores it.

    Bio Ruben Östlund

    Ruben Östlund (1974) is one of Sweden’s most prominent and daring filmmakers, renowned for his satirical sharpness and his exploration of social behaviours and moral dilemmas. With films such as Force Majeure (2014), The Square (2017), and Triangle of Sadness (2022), he has achieved international success and won prestigious awards, including the Palme d’Or at Cannes twice. Östlund’s films challenge viewers to reflect on societal norms and group dynamics, solidifying his position as one of contemporary cinema’s most unique filmmakers.

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    114
    • This film was #44 in the “Greatest” Short Films of All Time 2025
      voted by Laura Stöckler, Lauma Kaudzite, Marcin Luczaj, Laurence Boyce, Sandra Leege, Jason Anderson
    fiction action satire

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    Ana’s life changes radically when she divorces at the age of 40. In front of her family, it gets harder every day to keep pretending everything is fine.

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    NEOZOON, Germany, 2017, 15’

    Dedicated to nutrition and the human attitude towards “production animals”, this YouTube-found footage collage provides disturbing insights into the behaviour of a Western affluent society towards animal products.

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    Following the Object to Its Logical Beginning

    Lynne Sachs, USA, 1987, 7’

    Like an animal in one of Eadweard Muybridge’s scientific photo experiments, five undramatic moments in a man’s life are observed by a woman. A study in visual obsession and a twist on the notion of the “gaze”.

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    The Summer Movie

    Emmanuel Marre, Belgium, 2017, 30’

    A film about highways, tourists, concrete picnic tables, and lukewarm melons. About a man who wants to leave and a child who stops him. A summer movie.

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    Blow Up My Town

    Chantal Akerman, Belgium, 1968, 13’

    A young woman, played by Chantal Akerman herself, enters her flat in Brussels and begins a household routine that gradually degenerates. Parodying the everyday, she mops the floor, polishes her shoes, and sticks tape over the cracks in the door, thereby giving domestic life an explosive twist.

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