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  • Mars, Oman
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Mars, Oman

Vanessa del Campo, Belgium, 2019, 20’
Visions du Réel

2019

IDFA

2019

DokuFest

2019

Oman’s vast plains look so much like Mars that they are used as a training ground for astronauts. Two local girls gaze at the starry sky like curious scientists while the astronauts philosophise about living on the Red Planet—people who differ greatly because of their language and culture share similar dreams.

Credits

Script
Miquel Sureda, Vanessa del Campo
Camera
Vanessa del Campo
Editor
Karel de Cock, Vanessa del Campo
Sound
Anna Novell, Asma Albadi, Julián Diaz Peñalver, Miquel Sureda
Music
Rodrigo Martin Munuera
Producer
Emmy Oost
Production
Cassette for timescapes
241
documentary portrait

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Ours is a Country of Words

Mathijs Poppe, Belgium, Lebanon, 2017, 42’

Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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Old Child

Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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The Stopover

Collectif Faire-part, Belgium, DR Congo, 2022, 14’

Filmmakers Paul Shemisi and Nizar Saleh embark on a journey from the Democratic Republic of Congo to Germany to screen their latest film. However, during a layover in Angola, their trip takes a harrowing turn when airport authorities question the authenticity of their documents.

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Because We Are Visual

Gerard-Jan Claes, Olivia Rochette, Belgium, 2010, 47’

By means of visual material gathered from online sources, filmmakers Olivia Rochette and Gerard-Jan Claes create a unique poetic realm in which thoughts, fears, desires, and worries are shared via webcam, and merge together.

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