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D’un château l’autre

Emmanuel Marre, Belgium, 2018, 40’
Locarno Film Festival

2018

Kurzfilm Festival Hamburg

2019

Clermont-Ferrand Int’l Short Film Festival

2019

Spring 2017, during the French presidential election. Pierre, 25 years old and on a scholarship for a prestigious Parisian university, is lodged by Francine, 75, disabled, and confined to her wheelchair. Both puzzled and disoriented, they witness the electoral fair playing out. Both their political opinions and social backgrounds are polar opposites, but they still confide in each other. While waiting for the verdict of the polls, Pierre tries to look after Francine's body and Francine tries to heal Pierre's resentment.

D’un château l’autre (Emmanuel Marre, 2018)
D’un château l’autre (Emmanuel Marre, 2018)
essay
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Van links naar rechts

Emmanuel Marre’s D’un château l’autre

Öykü Sofuoğlu
03.04.2023

The year is 2017. As the French presidential elections approach, the spirit of the times marches at full speed into unrest. Pierre Nisse portrays a young adult whose inner conflicts resonate with those of the outside world. Exasperated trying to fit in with the upper-class frivolities of his university, Pierre looks for answers in the dominant political discourses. D’un château l’autre follows his steps and sneaks into the political rallies of Emmanuel Macron and Marine Le Pen to show us the self-evident artificiality of these gatherings à la Trump.

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Credits

Script
Emmanuel Marre, Julie Lecoustre
Cast
Francine Atoch, Pierre Nisse
Camera
Emmanuel Marre
Editor
Nicolas Rumpl
Sound
Vincent Villa
Producer
Alice Lemaire, François-Pierre Clavel, Sébastien Andres
Production
Dérives, Kidam, Michigan Films
120
documentary politics drama portrait

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Loveboard

Felipe Casanova, Belgium, Switzerland, 2023, 17’

A broken phone and the digital memory of a broken queer relationship. Through the careful manipulation of discarnate metal components and the filmmaker’s attentive look at an intimate archive, a fading first love surfaces. Loveboard is a playful reflection on what remains.

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Love Goes Through The Stomach

NEOZOON, Germany, 2017, 15’

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Cynthia Madansky, Turkey, 2003, 34’

A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of rituals.

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Passing through the Noon Market in Brussels, filmmaker Kayt Schneider captures the peaceful, poetic coexistence of people and cultures.

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Gerard-Jan Claes, Olivia Rochette, Belgium, 2010, 47’

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Juanita Onzaga, Belgium, Colombia, 2017, 20’

Two siblings roam the mystical landscapes of Colombia, searching for their dead father's spirit. Their journey takes them from the city of Bogotá to the jungle, through realms of thought and deep into their haunted dreams.

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Lee Kyeong-won, South Korea, 2021, 28’

After going missing, a woman is unable to remember her past until her former husband pays her a visit and she recalls a memory of where she lived with the man a long time ago.

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Empty House

Gina Kim, South Korea, USA, 1999, 24’

This video diary depicts a young woman’s flat, the fears and fantasies about her body plainly revealed as she wakes up with a bloated face, full of self-loathing after a night of compulsive over-eating.

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