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  • Un Chien Andalou
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Un Chien Andalou

Luis Buñuel, France, 1929, 21’

This French short film is highly regarded in any film history book. Spanish surrealist Luis Buñuel wrote his first feat together with Salvador Dalí, based on their dreams. The first official screening featured guests like Pablo Picasso and Jean Cocteau. Initially, the film was to be shown only on a limited basis, but it soon grew into a popular attraction, remaining on show at Paris’ Studio des Ursulines for eight months.

Don’t get stuck on the plot. Buñuel deliberately omits chronology and opts for Freudian dream logic, in which scenes do not necessarily follow one another logically. Un Chien Andalou is a film-historical milestone that, at the time, opened the doors for Dalí and Buñuel to join the ranks of surrealist André Breton.

Bio Luis Buñuel

Spanish and Mexican filmmaker Luis Buñuel (1900-1983) is widely recognised as one of the greatest and most influential filmmakers of all time. A daring iconoclast and mischief-maker, Buñuel combined surrealist non sequiturs with taboo-shattering attacks on the bourgeoisie, the church, and social hypocrisy. This resulted in some of the most incendiary films of the twentieth century. He collaborated with Salvador Dalí on the scandalous avant-garde landmark L’âge d’or (1930) and Un Chien Andalou (1929), a seminal work of surrealist cinema.

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“Greatest” Short Films of All Time 2025

02.02.2026

As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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  • This film was #5 in the “Greatest” Short Films of All Time 2025
    voted by Nihan Sivridag, Hadi Alipanah, Yorgos Angelopoulos, Amarsanaa Battulga, Nicolas Pedrero-Setzer, Carmen Gray, Didi Cheeka, Jaime Grijalba, Yun-hua Chen, Radu Jude, Salome Lamas, Najrin Islam, Alejo Franzetti, Veton Nurkollari, Marcin Luczaj, Paul Landriau, Ngọc Duy Lê, Jose Cabrera, Nuno Rodrigues, Scott Hoy, Roee Rosen, Helen Faradji, Per Fikse, Sven Pötting, Eroll Bilibani, Miguel Dias, Tony Hill, Jason Anderson, Adam Piron
experimental fiction fantasy surrealism

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what else grows on the palm of your hand?

Dhiaa Biya, Morocco, Belgium, 2023, 16’

The routines of two women fuse together over time. One is busy with her bread, the other with her memories. Their similar gestures, repeated again and again, slowly unfold the special bond that unites them.

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I Am Good At Karate

Jess Dadds, United Kingdom, 2021, 11’

Portrait of a young teenager with mental health issues who is passionate about karate. They wander around a housing estate in East Kent, locked in verbal and physical battles with a hallucinatory demon.

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The Hymns of Muscovy

Dimitri Venkov, Russia, 2018, 14’

The Hymns of Muscovy is a trip to the eponymous planet, which is an upside-down space twin of the city of Moscow. Gliding along its surface, we look down at the sky and see historic architectural styles fly by—the exuberant Socialist Classicism, aka the Stalinist Empire, the laconic and brutalist Soviet Modernism, and the hodgepodge of their contemporary knock-offs and revivals.

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Working Knowledge of Ritual

Hannan Jones, Australia, 2023, 4’

By interweaving esoteric texts and images, Working Knowledge of Ritual underscores the interconnectedness of spirituality and nature. The film muses on our energies alongside the natural world, inspired by the writings of Leonard Jones.

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Under the Sun

Eduardo Esquivel, Mexico, 2017, 15’

Ana’s life changes radically when she divorces at the age of 40. In front of her family, it gets harder every day to keep pretending everything is fine.

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The White Elephant

Shuruq Harb, Palestine, 2018, 12’

Using images shared on the Internet by Israelis during the Gulf War, the First Intifada, and trance music gatherings, Shuruq Harb paints the portrait of a Palestinian teenager in the 1990s. In the midst of Israeli pop culture and the political climate of the Oslo Accords, she comes to grips with her anxiety.

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Blow Up My Town

Chantal Akerman, Belgium, 1968, 13’

A young woman, played by Chantal Akerman herself, enters her flat in Brussels and begins a household routine that gradually degenerates. Parodying the everyday, she mops the floor, polishes her shoes, and sticks tape over the cracks in the door, thereby giving domestic life an explosive twist.

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Impossible Figures and Other Stories II

Marta Pajek, Poland, 2016, 15’

A woman trips and falls while rushing around the house. She gets up only to discover that her home has unusual features—it is built from paradoxes, filled with illusions, and covered with patterns.

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