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Zero for Conduct
Zero for Conduct (Jean Vigo, 1933)

    Zero for Conduct

    Zéro de conduite : Jeunes diables au collège
    Jean Vigo, France, 1933, 41’

    Back to school with Jean Vigo: in his influential short film Zero for Conduct, four rebellious pupils plan a revolt to take over the school. The film was first shown in Paris in 1933, but shocked so many viewers that it was subsequently banned from screens until the end of World War II.

    Jean Vigo was a pioneer in what would later become the French New Wave. Zéro de conduite draws extensively on his own experiences at boarding schools and reflects Vigo’s anarchistic views of his childhood, sketching surreal acts of defiance in a repressive educational institution.

    Bio Jean Vigo

    French director Jean Vigo (1905-1934) established poetic realism in film in the 1930s. He was a posthumous influence on the French New Wave of the late fifties and sixties. Vigo is noted for two films that affected the future development of both French and world cinema: Zero for Conduct (1933) and L’Atalante (1934). Vigo died of tuberculosis at age 29. 

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    256
    • This film was #20 in the “Greatest” Short Films of All Time 2025
      voted by Gerard-Jan Claes, Emily Wright, Radu Jude, Alejo Franzetti, Veton Nurkollari, Öykü Sofuoğlu, Matías Piñeiro, Călin Boto, Jose Cabrera, Per Fikse
    fiction coming-of-age

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    Following the Object to Its Logical Beginning

    Lynne Sachs, USA, 1987, 7’

    Like an animal in one of Eadweard Muybridge’s scientific photo experiments, five undramatic moments in a man’s life are observed by a woman. A study in visual obsession and a twist on the notion of the “gaze”.

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    what else grows on the palm of your hand?

    Dhiaa Biya, Morocco, Belgium, 2023, 16’

    The routines of two women fuse together over time. One is busy with her bread, the other with her memories. Their similar gestures, repeated again and again, slowly unfold the special bond that unites them.

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    On Its Way Down

    Sebastian Schaevers, Belgium, 2022, 22’

    Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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    Nowhere Else

    Lee Kyeong-won, South Korea, 2021, 28’

    After going missing, a woman is unable to remember her past until her former husband pays her a visit and she recalls a memory of where she lived with the man a long time ago.

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    Houses With Small Windows

    Bülent Öztürk, Belgium, 2013, 15’

    Dilan pays with her life for her forbidden love for a young man in a neighbouring village—a powerful poetic portrait of an honour killing in the rural Kurdish southeast of Turkey.

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    Oh Willy...

    Emma De Swaef, Marc James Roels, Belgium, 2011, 17’

    A gentle, middle-aged man returns to the nudist colony he grew up in to visit his elderly mother. Her sudden death leaves Willy in a state of sadness. He soon finds himself lost in the midst of a savage wilderness, trying to find comfort.

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    Because We Are Visual

    Gerard-Jan Claes, Olivia Rochette, Belgium, 2010, 47’

    By means of visual material gathered from online sources, filmmakers Olivia Rochette and Gerard-Jan Claes create a unique poetic realm in which thoughts, fears, desires, and worries are shared via webcam, and merge together.

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    Under the Sun

    Eduardo Esquivel, Mexico, 2017, 15’

    Ana’s life changes radically when she divorces at the age of 40. In front of her family, it gets harder every day to keep pretending everything is fine.

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