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  • Impossible Figures and Other Stories II
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  • Taal No dialogues
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part of
double bill #13

Impossible Figures and Other Stories II

Marta Pajek, Poland, 2016, 15’
Ottawa Int’l Animation Festival

2016

Glasgow Short Film Festival

2017

Int’l Kurzfilmtage Winterthur

2017

A woman trips and falls while rushing around the house. She gets up only to discover that her home has unusual features—it is built from paradoxes, filled with illusions, and covered with patterns. The film is the second in the triptych Impossible Figures and Other Stories. Each of the parts tells a story of aiming for perfection in a reality full of traps.

Bio Marta Pajek

Marta Pajek (Poland, 1982) graduated from the Academy of Fine Arts in Krakow, where she lives and works. She specialised in animated film in the class of Jerzy Kucia and as part of an exchange programme also studied at Turku Arts Academy under Priit Pärn. Her short films include After Apples, Nextdoor and Sleepincord.

Everything about this film is poetry. Even the synopsis reads like a poem. Nothing in this film is told in a classical narrative. Edits between pictures are fluid, situations unfold with a floating camera, and we ask ourselves: What is this? Why is this happening? Where is the heroine going? Who are those dancers? What’s with the egg? Great art is not explanatory; it leaves a mystery to be grasped by every viewer on their own. This is animation art at its strongest.

Daniel Šuljić

Credits

Script
Marta Pajek
Camera
Marta Pajek
Editor
Marta Pajek
Animation
Marta Pajek
Music
Michelle Gurevich
Production
Animoon
184
animation fiction fantasy mystery

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Ours is a Country of Words

Mathijs Poppe, Belgium, Lebanon, 2017, 42’

Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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Cyclepaths

Anton Cla, Belgium, 2023, 12’

On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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Swollen Stigma

Sarah Pucill, United Kingdom, 1998, 21’

Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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On Its Way Down

Sebastian Schaevers, Belgium, 2022, 22’

Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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