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  • Trajectory Drift
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part of
double bill #4

Trajectory Drift

Iván Castiñeiras Gallego, France, United Kingdom, 2018, 24’
IndieLisboa

2018

In a container, sitting between crates of merchandise, two men talk about their exile. Their stories about the crossing of endless borders come together in a common dream: to reach England.

Bio Iván Castiñeiras Gallego

Filmmaker Iván Castiñeiras Gallego (1980, Spain) lives and works in Barcelona. He teaches at Escola Superior de Cinema i Audiovisuals de Catalunya (ESCAC) and Escola Afilm. The starting point of his work is an artisan process in which the reality and the socio-political context of the characters portrayed are the pillars. Fiction and documentary are intertwined and diluted to construct a narrative from a slightly displaced prism. Gallego’s films, including A Raia (2012), Where is the Jungle? (2015) and Trajectory Drift (2018), have been selected at festivals such as IndieLisboa, DocLisboa, and Punto de Vista.

Credits

Script
Iván Castiñeiras Gallego
Cast
Albano Lutcher, Sagar Abn-alarab
Camera
Iván Castiñeiras Gallego
Editor
Iván Castiñeiras Gallego
Sound
Nacho Canosa, Remi Mencucci
Music
Romain Trouillet
Production
Le G.R.E.C.
76
documentary drama

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10th of November | 09:05

Els Opsomer, Belgium, Turkey, 2008, 14’

Every year on the 10th of November, at 09:05 in the morning, individuals across Turkey cease all activities. Cars pull over, and pedestrians stop and stand still, in remembrance of Mustafa Kemal Atatürk (founder and first president of the Republic of Turkey), who died on this day and time in 1938. Els Opsomer captures such a moment on film.

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Nowhere Else

Lee Kyeong-won, South Korea, 2021, 28’

After going missing, a woman is unable to remember her past until her former husband pays her a visit and she recalls a memory of where she lived with the man a long time ago.

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Cyclepaths

Anton Cla, Belgium, 2023, 12’

On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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The Summer Movie

Emmanuel Marre, Belgium, 2017, 30’

A film about highways, tourists, concrete picnic tables, and lukewarm melons. About a man who wants to leave and a child who stops him. A summer movie.

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Pirate Boys

Pol Merchan, Germany, 2018, 13’

Punk author Kathy Acker’s work is the starting point for a conversation about gender identity and body transformation and is linked to the punk movement of the 1970s and 1980s.

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Atopia

Olivier De Vos, Belgium, 2021, 18’

An introspective essay about the search for a place between reality and imagination: a placeless place made up out of dreams and a longing for fluidity. Slowly, the grains of the compressed image become the sands of the atopic beach, revealing an imaginary place.

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she asked me where i was from

Aulona Fetahaj, Belgium, Kosovo, 2020, 24’

Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.

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À l’usage des vivants

Pauline Fonsny, Belgium, 2019, 28’

In 1998, Semira Adamu, a 20-year-old Nigerian immigrant, died on Belgian soil of suffocation under a police pillow. Twenty years later, two women tell her story in a cry for justice.

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