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  • Trajectory Drift
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part of
double bill #4

Trajectory Drift

Iván Castiñeiras Gallego, France, United Kingdom, 2018, 24’
IndieLisboa

2018

In a container, sitting between crates of merchandise, two men talk about their exile. Their stories about the crossing of endless borders come together in a common dream: to reach England.

Bio Iván Castiñeiras Gallego

Filmmaker Iván Castiñeiras Gallego (1980, Spain) lives and works in Barcelona. He teaches at Escola Superior de Cinema i Audiovisuals de Catalunya (ESCAC) and Escola Afilm. The starting point of his work is an artisan process in which the reality and the socio-political context of the characters portrayed are the pillars. Fiction and documentary are intertwined and diluted to construct a narrative from a slightly displaced prism. Gallego’s films, including A Raia (2012), Where is the Jungle? (2015) and Trajectory Drift (2018), have been selected at festivals such as IndieLisboa, DocLisboa, and Punto de Vista.

Credits

Script
Iván Castiñeiras Gallego
Cast
Albano Lutcher, Sagar Abn-alarab
Camera
Iván Castiñeiras Gallego
Editor
Iván Castiñeiras Gallego
Sound
Nacho Canosa, Remi Mencucci
Music
Romain Trouillet
Production
Le G.R.E.C.
76
documentary drama

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Anton Cla, Belgium, 2023, 12’

On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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Ours is a Country of Words

Mathijs Poppe, Belgium, Lebanon, 2017, 42’

Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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Martí Madaula Esquirol, Spain, USA, 2024, 18’

Martí arrives in Bilbao for an artistic residency. In his new room, his clothes occupy only a small portion of the enormous wardrobe. But when he meets someone, the wardrobe slowly begins to fill up. Where has the emptiness gone, the free space, the little corner that was his?

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Oh Willy...

Emma De Swaef, Marc James Roels, Belgium, 2011, 17’

A gentle, middle-aged man returns to the nudist colony he grew up in to visit his elderly mother. Her sudden death leaves Willy in a state of sadness. He soon finds himself lost in the midst of a savage wilderness, trying to find comfort.

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Water and Salt

Luisa Mello, Belgium, Brazil, 2019, 10’

A journey through the consciousness of a woman whose country is under threat from a fascist government.

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Kayt Schneider, Belgium, 1991, 10’

Passing through the Noon Market in Brussels, filmmaker Kayt Schneider captures the peaceful, poetic coexistence of people and cultures.

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Love Goes Through The Stomach

NEOZOON, Germany, 2017, 15’

Dedicated to nutrition and the human attitude towards “production animals”, this YouTube-found footage collage provides disturbing insights into the behaviour of a Western affluent society towards animal products.

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Carnations

Martijn Van de Wiele, Belgium, 2021, 16’

An artificial summer rules the greenhouse. Workers tend to carnations. In a multitude of splendid colours, they grow towards the sun until they’re ready to fulfill their cut-flower destiny. Carnations is an audiovisual meditation on movements within a carnation nursery close to filmmaker Martijn van de Wiele’s home.

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