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  • Blow Up My Town
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  • Availability Belgium, Germany, Luxembourg, The Netherlands
  • Taal no dialogue

Blow Up My Town

Saute ma ville
Chantal Akerman, Belgium, 1968, 13’

A young woman, played by the filmmaker herself, enters her Brussels flat and begins a domestic routine that gradually degenerates. Parodying the mundane, she mops the floor, polishes her shoes, tapes up the door’s crevices, thereby giving an explosive twist to her domestic life.

Belgian filmmaker Chantal Akerman, who passed away in 2015, has gained worldwide fame. Nothing is quiet about her first short film, Blow Up My Town (1968). Her character is abrupt, energetic, and explosive. Something is teetering. This short film is a visionary prelude to the filmmaker’s oeuvre and life.

Bio Chantal Akerman

Chantal Akerman (1950-2015) was a Belgian filmmaker,  artist, and writer born in Brussels. At the age of 15, she discovered Jean-Luc Godard’s Pierrot le Fou (1965), which inspired her to take up filmmaking. She almost immediately left the Brussels film school (INSAS), rejecting its rigid framework. The following year, she made her debut short film, Saute ma ville (1968), the first expression of a free and radical cinema. Akerman moved to New York in the early 1970s, where she discovered the experimental cinema of Jonas Mekas and Michael Snow, which had a profound influence on the films she made there, such as La Chambre (1972) and Hotel Monte …
Saute ma ville (Chantal Akerman, 1968)
Saute ma ville (Chantal Akerman, 1968)
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Preludes van een visionair

Chantal Akermans La Chambre (1972) en Saute ma ville (1968)

Inge Coolsaet
27.05.2021
artikel

In haar vroege kortfilms tekende Chantal Akerman, moedwillig maar ook onbewust, de contouren van haar eigen toekomst uit. Alle fundamenten van haar oeuvre, vormelijk en inhoudelijk, werden er gezet.

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Credits

Script
Chantal Akerman
Cast
Chantal Akerman
Camera
René Fruchter
Editor
Geneviève Luciani
Producer
Chantal Akerman
204
  • This film was #12 in the “Greatest” Short Films of All Time 2025
    voted by Juliana Arana Toscano, Emily Wright, Emilia Mazik, Oana Ghera, Tianyu Jiang, Pedro Gonçalves Ribeiro, Jessica McGoff, Öykü Sofuoğlu, Hannes Wesselkämper, Daniella Shreir, Ana Bilankov, Angelika Ramlow, Selina Robertson, Sarah Wood
experimental fiction satire

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Ours is a Country of Words

Mathijs Poppe, Belgium, Lebanon, 2017, 42’

Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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Old Child

Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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Swollen Stigma

Sarah Pucill, United Kingdom, 1998, 21’

Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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Downside Up

Tony Hill, United Kingdom, 1984, 18’

With a single camera movement, this film explores humankind’s relationship to the ground. The viewpoint continuously changes. Places, objects, people, and events come in and out of focus. These observations gradually speed up and reveal a double-sided ground, flipping like a tossed coin, which then slows again to oscillate around the Earth’s edge.

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