Skip to main content
yanco Home
Menu
  • Home
  • watch
  • magazine
  • calendar
  • index
  • Subscribe
Search Log in
  • nl
  • en
You are here
  • Home
  • Watch
  • The Migrating Image
watch as a subscriber € 30
Rent this film € 2,5
  • Availability worldwide
  • Language English
  • Subtitles Dutch

part of
double bill #3

The Migrating Image

Stefan Kruse Jørgensen, Denmark, 2018, 28’
Visions du Réel

2018

Courtisane

2019

25FPS Int’l Experimental Film and Video Festival

Audience Award 2018

By following a fictional group of refugees across Europe, the film questions the overproduction of images surrounding real-life tragedies and deaths. Each segment of the project takes its cue from the destination of the refugees, from the Mediterranean Sea to being stuck in a warehouse somewhere in Belgrade. Where do all these images about refugees come from? How do they reshape the geography of Europe?

Giona A. Nazzaro, Visions du Réel

Bio Stefan Kruse Jørgensen

Stefan Kruse (Denmark, 1987) is a filmmaker and visual artist with a background in graphic design. In July 2017, he graduated from The Royal Danish Academy of Fine Arts School of Design. In his work, he investigates the relationship between humankind and its images.

Within the raw and cold analysis of images in this 28-minute-long film, without being overly didactic, Stefan Kruse Jørgensen shows how artificial images can easily take the form of any function and purpose. By leaving out music and focusing strictly on found footage, The Migrating Image immerses us in the complex visual culture of a new media world. Jørgensen questions the possibility of a true depiction of “the migrant” because individuality easily blurs and blends into an amalgam, like a huge wave floating over European shores. Dehumanizing pictures of thousands of migrants are tangled up with exalting videos of Italian saviors. This raises difficult questions about the power of film as a medium and the dark and manipulative side of image production. While the film investigates the origin and meaning of its images, we are left alone on the slippery road to find the truth in them.

Aleksandra Ławska
33
essay documentary politics history

Watch more

Read more

The Motherfucker’s Birthday

Saif Alsaegh, Iraq, USA, 2024, 6’

Through dancing, The Motherfucker’s Birthday shows the evil of the dictator and the horror people endure under powerful political leaders. The film presents dancing, a universal and uniquely human activity often representing joy, with eerie footage of Saddam and his sons’ torture tools while they dance.

Read more
Read more

Self-Portrait

Jonas Mekas, USA, 1980, 20’

In what one could call Jonas Mekas’ first video blog, the Lithuanian avant-garde filmmaker reflects on his life and the art of cinema and representation.

Read more
Read more

All We Ever Wanted Was Everything

Enzo Smits, Belgium, 2014, 19’

A portrait of young skateboarders growing up in a Flemish suburban town. We meet different characters going through their daily routines: riding around on their skateboards, waiting, hanging out, daydreaming...

Read more
Read more

Yarokamena

Andrés Jurado, Colombia, Portugal, 2022, 21’

In 20th-century Colombia, resistance fighter Yarokamena, a member of the indigenous Uitoto tribe, called for rebellion against violent exploitation of the rubber mining industry in the Amazone and invoked the spiritual powers of war.

Read more
Read more

D’un château l’autre

Emmanuel Marre, Belgium, 2018, 40’

Pierre, 25 years old and on a scholarship for a prestigious Parisian university, is lodged by Francine, who is 75, disabled, and confined to her wheelchair. Both puzzled and disoriented, they witness the French presidential elections of 2017 play out.

Read more
Expires in 28 days
Read more

Women I Love

Barbara Hammer, USA, 1976, 23’

A series of cameo portraits of Barbara Hammer’s friends and lovers intercut with a playful celebration of fruits and vegetables in nature. The culminating footage evokes a tantric painting of sustained sexuality.

Read more
Read more

elephantfish

Meltse Van Coillie, Belgium, 2018, 27’

A ship drifts in the middle of an endless sea. Aboard is a crew of five. They all cope with boredom — some by trying to overpower it; others by escaping into a parallel world guided by dreams.

Read more
Read more

À Gis

Thiago Carvalhaes, Belgium, Portugal, 2017, 20’

The Brazilian trans woman Gisberta lived as an immigrant in Portugal. After she was brutally murdered, she became an icon for the transgender rights cause.

Read more
Log in or register to start watching.

Subscribe for €30 and get one-year access to the 70+ films in our streaming library. This supports not only our magazine but also the filmmakers we represent. 

subscribe

yanco is a magazine and streaming library for short-form moving image

kortfilm.be vzw
Boondaalse Steenweg 249
1050 Elsene
BE 0478 441 315
info@yanco.be

with the support of the Flanders Audiovisual Fund (VAF) of the Flemish Government

VAF
  • about
  • colophon
  • privacy policy
Facebook Instagram LinkedIn YouTube Letterboxd
design by de Ronners
website by eps en kaas