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part of
double bill #3

The Migrating Image

Stefan Kruse Jørgensen, Denmark, 2018, 28’
Visions du Réel

2018

Courtisane

2019

25FPS Int’l Experimental Film and Video Festival

Audience Award 2018

By following a fictional group of refugees across Europe, the film questions the overproduction of images surrounding real-life tragedies and deaths. Each segment of the project takes its cue from the destination of the refugees, from the Mediterranean Sea to being stuck in a warehouse somewhere in Belgrade. Where do all these images about refugees come from? How do they reshape the geography of Europe?

Giona A. Nazzaro, Visions du Réel

Bio Stefan Kruse Jørgensen

Stefan Kruse (Denmark, 1987) is a filmmaker and visual artist with a background in graphic design. In July 2017, he graduated from The Royal Danish Academy of Fine Arts School of Design. In his work, he investigates the relationship between humankind and its images.

Within the raw and cold analysis of images in this 28-minute-long film, without being overly didactic, Stefan Kruse Jørgensen shows how artificial images can easily take the form of any function and purpose. By leaving out music and focusing strictly on found footage, The Migrating Image immerses us in the complex visual culture of a new media world. Jørgensen questions the possibility of a true depiction of “the migrant” because individuality easily blurs and blends into an amalgam, like a huge wave floating over European shores. Dehumanizing pictures of thousands of migrants are tangled up with exalting videos of Italian saviors. This raises difficult questions about the power of film as a medium and the dark and manipulative side of image production. While the film investigates the origin and meaning of its images, we are left alone on the slippery road to find the truth in them.

Aleksandra Ławska
33
essay documentary politics history

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D’un château l’autre

Emmanuel Marre, Belgium, 2018, 40’

Pierre, 25 years old and on a scholarship for a prestigious Parisian university, is lodged by Francine, who is 75, disabled, and confined to her wheelchair. Both puzzled and disoriented, they witness the French presidential elections of 2017 play out.

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The Jungle Knows You Better Than You Do

Juanita Onzaga, Belgium, Colombia, 2017, 20’

Two siblings roam the mystical landscapes of Colombia, searching for their dead father's spirit. Their journey takes them from the city of Bogotá to the jungle, through realms of thought and deep into their haunted dreams.

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A Letter to Mohamed

Christine Moderbacher, Belgium, Tunisia, Austria, 2013, 35’

This is a cinematic letter to the title character, who left Tunisia and now lives in Belgium. Shot in the first year after the Tunisian revolution, this is a poetic journey through a troubled landscape. Between order and chaos, the film reveals a land of disillusionment but also of humour and hope.

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Old Child

Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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Scum Mutation

Ov, France, 2020, 10’

In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.

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I Don’t Feel At Home Anywhere Anymore

Viv Li, Belgium, China, 2020, 16’

A wistful but witty account of a trip to Beijing by filmmaker Viv Li, a Chinese art student who has been living abroad for ten years. Her stay with her family mercilessly exposes how uprooted she has become by her life abroad.

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0.2 Milligrams of Gold

Diego Quinderé de Carvalho, Belgium, Hungary, Portugal, 2021, 24’

Eight thousand five hundred kilometres lie between the Amazon and the Ardennes. In his home country of Brazil, filmmaker Diego looks at the inaccessible forest from the outside. Its Belgian counterpiece, however, is easier to explore.

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Love Goes Through The Stomach

NEOZOON, Germany, 2017, 15’

Dedicated to nutrition and the human attitude towards “production animals”, this YouTube-found footage collage provides disturbing insights into the behaviour of a Western affluent society towards animal products.

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