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One Week
One Week (Buster Keaton, 1920)

    One Week

    Buster Keaton, Edward F. Cline, USA, 1920, 24’

    One Week is the first independent film Buster Keaton released himself, full of new stunts in and around houses and on ladders. In it, a newlywed couple receives a kit house as a gift. But a spurned suitor secretly renumbers the various parts, resulting in a crooked house and spinning walls. Many impressive visual effects were not staged but filmed in real life, such as the house spinning around its axis and colliding with a train, resulting in scenes iconic to this day.

    Bio Buster Keaton

    Joseph Frank “Buster” Keaton (1895–1966) was an American comic actor and filmmaker. Arguably the greatest comic genius of the silent era, Buster Keaton turned the adage “less is more” into slapstick gold, using his perpetually passive, poker-faced visage to wring laughs from the most absurd situations. His consistently stoic, deadpan expression earned him the nickname The Great Stone Face. With innovative films like Sherlock Jr., The General, and Steamboat Bill, Jr., Keaton took silent comedy to new heights of astonishing ambition. He was recognised by Entertainment Weekly as the seventh-greatest director of all time. In 1999, the American Film Institute ranked Keaton the 21st-greatest male star of all time.

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    214
    • This film was #28 in the “Greatest” Short Films of All Time 2025
      voted by Catarina Mourao, Nuno Rodrigues, Scott Hoy, Bart Versteirt, Roee Rosen, Thomas Logoreci, Miguel Dias, Holly Knudsen
    fiction humour

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    what else grows on the palm of your hand?

    Dhiaa Biya, Morocco, Belgium, 2023, 16’

    The routines of two women fuse together over time. One is busy with her bread, the other with her memories. Their similar gestures, repeated again and again, slowly unfold the special bond that unites them.

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    Blow Up My Town

    Chantal Akerman, Belgium, 1968, 13’

    A young woman, played by Chantal Akerman herself, enters her flat in Brussels and begins a household routine that gradually degenerates. Parodying the everyday, she mops the floor, polishes her shoes, and sticks tape over the cracks in the door, thereby giving domestic life an explosive twist.

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    Following the Object to Its Logical Beginning

    Lynne Sachs, USA, 1987, 7’

    Like an animal in one of Eadweard Muybridge’s scientific photo experiments, five undramatic moments in a man’s life are observed by a woman. A study in visual obsession and a twist on the notion of the “gaze”.

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    Un Chien Andalou

    Luis Buñuel, France, 1929, 21’

    Spanish surrealist Luis Buñuel wrote his first feat together with Salvador Dalí, based on their dreams. Don’t get stuck on the plot. Buñuel deliberately omits chronology and opts for Freudian dream logic, in which scenes do not necessarily follow one another logically.

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    she asked me where i was from

    Aulona Fetahaj, Belgium, Kosovo, 2020, 24’

    Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.

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    The End of Suffering (A Proposal)

    Jacqueline Lentzou, Greece, 2020, 14’

    Sofia is panicky again. The Universe decides to contact her—an other-worldly dialogue. Jacqueline Lentzou’s short film is a planet symphony for Mars, where people dream awake and fight for love.

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    Impossible Figures and Other Stories II

    Marta Pajek, Poland, 2016, 15’

    A woman trips and falls while rushing around the house. She gets up only to discover that her home has unusual features—it is built from paradoxes, filled with illusions, and covered with patterns.

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    Trains de plaisir

    Henri Storck, Belgium, 1930, 8’

    The beach and its sunbathers. A series of sketches, small moments that culminate in a wry, loving portrait of a Sunday at the beach.

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