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One Week
One Week (Buster Keaton, 1920)

    One Week

    Buster Keaton, Edward F. Cline, USA, 1920, 24’

    One Week is the first independent film Buster Keaton released himself, full of new stunts in and around houses and on ladders. In it, a newlywed couple receives a kit house as a gift. But a spurned suitor secretly renumbers the various parts, resulting in a crooked house and spinning walls. Many impressive visual effects were not staged but filmed in real life, such as the house spinning around its axis and colliding with a train, resulting in scenes iconic to this day.

    Bio Buster Keaton

    Joseph Frank “Buster” Keaton (1895–1966) was an American comic actor and filmmaker. Arguably the greatest comic genius of the silent era, Buster Keaton turned the adage “less is more” into slapstick gold, using his perpetually passive, poker-faced visage to wring laughs from the most absurd situations. His consistently stoic, deadpan expression earned him the nickname The Great Stone Face. With innovative films like Sherlock Jr., The General, and Steamboat Bill, Jr., Keaton took silent comedy to new heights of astonishing ambition. He was recognised by Entertainment Weekly as the seventh-greatest director of all time. In 1999, the American Fi …
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    • This film was #28 in the “Greatest” Short Films of All Time 2025
      voted by Catarina Mourao, Nuno Rodrigues, Scott Hoy, Bart Versteirt, Roee Rosen, Thomas Logoreci, Miguel Dias, Holly Knudsen
    fiction humour

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    Ours is a Country of Words

    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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    Blow Up My Town

    Chantal Akerman, Belgium, 1968, 13’

    A young woman, played by Chantal Akerman herself, enters her flat in Brussels and begins a household routine that gradually degenerates. Parodying the everyday, she mops the floor, polishes her shoes, and sticks tape over the cracks in the door, thereby giving domestic life an explosive twist.

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    she asked me where i was from

    Aulona Fetahaj, Belgium, Kosovo, 2020, 24’

    Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.

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    The Summer Movie

    Emmanuel Marre, Belgium, 2017, 30’

    A film about highways, tourists, concrete picnic tables, and lukewarm melons. About a man who wants to leave and a child who stops him. A summer movie.

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    Atopia

    Olivier De Vos, Belgium, 2021, 18’

    An introspective essay about the search for a place between reality and imagination: a placeless place made up out of dreams and a longing for fluidity. Slowly, the grains of the compressed image become the sands of the atopic beach, revealing an imaginary place.

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    I Don’t Feel At Home Anywhere Anymore

    Viv Li, Belgium, China, 2020, 16’

    A wistful but witty account of a trip to Beijing by filmmaker Viv Li, a Chinese art student who has been living abroad for ten years. Her stay with her family mercilessly exposes how uprooted she has become by her life abroad.

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    On Its Way Down

    Sebastian Schaevers, Belgium, 2022, 22’

    Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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    The Motherfucker’s Birthday

    Saif Alsaegh, Iraq, USA, 2024, 6’

    Through dancing, The Motherfucker’s Birthday shows the evil of the dictator and the horror people endure under powerful political leaders. The film presents dancing, a universal and uniquely human activity often representing joy, with eerie footage of Saddam and his sons’ torture tools while they dance.

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