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One Week
One Week (Buster Keaton, 1920)

    One Week

    Buster Keaton, Edward F. Cline, USA, 1920, 24’

    One Week is the first independent film Buster Keaton released himself, full of new stunts in and around houses and on ladders. In it, a newlywed couple receives a kit house as a gift. But a spurned suitor secretly renumbers the various parts, resulting in a crooked house and spinning walls. Many impressive visual effects were not staged but filmed in real life, such as the house spinning around its axis and colliding with a train, resulting in scenes iconic to this day.

    Bio Buster Keaton

    Joseph Frank “Buster” Keaton (1895–1966) was an American comic actor and filmmaker. Arguably the greatest comic genius of the silent era, Buster Keaton turned the adage “less is more” into slapstick gold, using his perpetually passive, poker-faced visage to wring laughs from the most absurd situations. His consistently stoic, deadpan expression earned him the nickname The Great Stone Face. With innovative films like Sherlock Jr., The General, and Steamboat Bill, Jr., Keaton took silent comedy to new heights of astonishing ambition. He was recognised by Entertainment Weekly as the seventh-greatest director of all time. In 1999, the American Film Institute ranked Keaton the 21st-greatest male star of all time.

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    214
    • This film was #28 in the “Greatest” Short Films of All Time 2025
      voted by Catarina Mourao, Nuno Rodrigues, Scott Hoy, Bart Versteirt, Roee Rosen, Thomas Logoreci, Miguel Dias, Holly Knudsen
    fiction humour

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    Following the Object to Its Logical Beginning

    Lynne Sachs, USA, 1987, 7’

    Like an animal in one of Eadweard Muybridge’s scientific photo experiments, five undramatic moments in a man’s life are observed by a woman. A study in visual obsession and a twist on the notion of the “gaze”.

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    The Jungle Knows You Better Than You Do

    Juanita Onzaga, Belgium, Colombia, 2017, 20’

    Two siblings roam the mystical landscapes of Colombia, searching for their dead father's spirit. Their journey takes them from the city of Bogotá to the jungle, through realms of thought and deep into their haunted dreams.

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    Impossible Figures and Other Stories II

    Marta Pajek, Poland, 2016, 15’

    A woman trips and falls while rushing around the house. She gets up only to discover that her home has unusual features—it is built from paradoxes, filled with illusions, and covered with patterns.

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    Sirens

    Raoul Servais, Belgium, 1968, 9’

    A lonesome angler becomes witness to an eccentric idyll between a cabin boy and a mermaid. Dream or reality?

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    what else grows on the palm of your hand?

    Dhiaa Biya, Morocco, Belgium, 2023, 16’

    The routines of two women fuse together over time. One is busy with her bread, the other with her memories. Their similar gestures, repeated again and again, slowly unfold the special bond that unites them.

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    Meander

    Joke Liberge, Belgium, 2005, 15’

    On a hot summer day, five teenagers go to a river to cool off. They swim, they sleep, they eat snacks and ice cream. As music and dialogue are missing, everyday sounds attract attention: bicycles riding on gravel, feet gliding through water, gasps and splutters.

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    Under the Sun

    Eduardo Esquivel, Mexico, 2017, 15’

    Ana’s life changes radically when she divorces at the age of 40. In front of her family, it gets harder every day to keep pretending everything is fine.

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    Herman@s (Les Adelphes)

    Hélène Alix Mourrier, France, 2021, 29’

    Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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