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Sherlock Jr.
Sherlock Jr. (Buster Keaton, 1924)

    Sherlock Jr.

    Buster Keaton, USA, 1927, 44’

    During his heyday, Buster Keaton was also known as The Great Stone Face. The American comedian is best known for his silent films, which focus on physical comedy and his deadpan facial expressions.

    In Sherlock Jr., Buster Keaton plays a young projectionist who dreams of becoming a great detective. He tries to win a girl’s hand but is accused of stealing her father’s watch. When he falls asleep, he dreams of a life as the world's greatest detective.

    Bio Buster Keaton

    Joseph Frank “Buster” Keaton (1895–1966) was an American comic actor and filmmaker. Arguably the greatest comic genius of the silent era, Buster Keaton turned the adage “less is more” into slapstick gold, using his perpetually passive, poker-faced visage to wring laughs from the most absurd situations. His consistently stoic, deadpan expression earned him the nickname The Great Stone Face. With innovative films like Sherlock Jr., The General, and Steamboat Bill, Jr., Keaton took silent comedy to new heights of astonishing ambition. He was recognised by Entertainment Weekly as the seventh-greatest director of all time. In 1999, the American Film Institute ranked Keaton the 21st-greatest male star of all time.

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    194
    • This film was #16 in the “Greatest” Short Films of All Time 2025
      voted by José Emilio González, Pedro Emilio Segura Bernal, Arta Barzanji, Sanchai Chotirosseranee, Edo Choi, Will Sloan, Andreea Patru, Edith van der Heijde, Daniela Hanusová, Holly Knudsen, Greg Sorvig, Leonardo Martinelli, Adam Piron
    fiction humour

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    Oh Willy...

    Emma De Swaef, Marc James Roels, Belgium, 2011, 17’

    A gentle, middle-aged man returns to the nudist colony he grew up in to visit his elderly mother. Her sudden death leaves Willy in a state of sadness. He soon finds himself lost in the midst of a savage wilderness, trying to find comfort.

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    Trains de plaisir

    Henri Storck, Belgium, 1930, 8’

    The beach and its sunbathers. A series of sketches, small moments that culminate in a wry, loving portrait of a Sunday at the beach.

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    Under the Sun

    Eduardo Esquivel, Mexico, 2017, 15’

    Ana’s life changes radically when she divorces at the age of 40. In front of her family, it gets harder every day to keep pretending everything is fine.

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    I Am Good At Karate

    Jess Dadds, United Kingdom, 2021, 11’

    Portrait of a young teenager with mental health issues who is passionate about karate. They wander around a housing estate in East Kent, locked in verbal and physical battles with a hallucinatory demon.

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    Ours is a Country of Words

    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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    Language of the Entrails

    Luciana Decker Orozco, Bolivia, USA, 2025, 12’

    A journey to the underworld begins within our own entrails. This film explores the intimate rhythm of digestion only to next investigate the becoming of geological eras, inspired by Gamaliel Churata’s El Pez de Oro, in which he states, “we all carry the dead alive; that the dead live.”

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    Love Goes Through The Stomach

    NEOZOON, Germany, 2017, 15’

    Dedicated to nutrition and the human attitude towards “production animals”, this YouTube-found footage collage provides disturbing insights into the behaviour of a Western affluent society towards animal products.

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    Sirens

    Raoul Servais, Belgium, 1968, 9’

    A lonesome angler becomes witness to an eccentric idyll between a cabin boy and a mermaid. Dream or reality?

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