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  • The End of Suffering (A Proposal)
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  • Language Greek
  • Subtitles English

part of
double bill #17

The End of Suffering (A Proposal)

Jacqueline Lentzou, Greece, 2020, 14’
Locarno Film Festival

2020

New York Film Festival

2020

Drama Int’l Short Film Festival

FIPRESCI Award 2020

Sofia is panicky again. The Universe decides to contact her—an other-worldly dialogue. Jacqueline Lentzou’s short film is a planet symphony for Mars, where people dream awake and fight for love.

Bio Jacqueline Lentzou

Greek director Jacqueline Lentzou is one of the most exciting talents in today’s European cinema. Her work often revolves around atypical family structures, and her cinematic language finds poetry in seemingly mundane premises. Lentzou’s films have been presented at festivals such as Berlinale, Locarno, and Semaine de la Critique in Cannes.

In The End of Suffering (A Proposal), Sofia hears the comforting voice of the universe that counters the endless gloom that has taken the best of her. This earthly suffering leads her to a newfound home: Mars. Unbeknownst to Sofia, this is, in fact, her place of birth. She learns her discomfort may stem from displacement, and she rekindles a sense of belonging to others. “Is there life on Mars?” Unlike the David Bowie song, Lentzou’s film offers a clear vision of the different possibilities of life on the Red Planet. Lentzou presents Mars in more detail than ever before: a fertile terrain that dismantles preconceived notions from the past and proposes a new understanding of our future. On this planet, life (not death) blooms, and love (not war) prevails. A lively dream that easily hooks us to the silver screen.

Teresa Vieira
© The End of Suffering (A Proposal) (Jacqueline Lentzou, 2020)
The End of Suffering (A Proposal) (Jacqueline Lentzou, 2020)
interview
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Everything Is Already Inside

Jacqueline Lentzou on The End of Suffering (A Proposal)

Kathy Vanhout
02.10.2024

Greek filmmaker Jacqueline Lentzou does not look for inspiration; inspiration finds her. In her artistic practice, vague ideas slowly develop into something more comprehensible, more tactile. In The End of Suffering (A Proposal), she renders the mere act of “understanding” palpable.

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© The End of Suffering (A Proposal) (Jacqueline Lentzou, 2020)
essay
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Troostende sterrenbeelden

Jacqueline Lentzou’s The End of Suffering (A Proposal)

Michiel Philippaerts
17.03.2025

Het is verleidelijk om de esthetiek van de Griekse filmmaker Jacqueline Lentzou, die al enkele jaren een begrip is binnen het kortefilmcircuit, te reduceren tot louter meanderend. Haar werk tast doorgaans wat in het rond, meer op zoek naar de texturen van haar protagonisten dan naar enige plot of narratieve logica. Lentzou is geïnteresseerd in de manier waarop het zonlicht door een vuil raam binnenvalt en hoe de gebroken stralen langzaam een huilend gezicht onthullen, niet zozeer in waarom er wordt gehuild.

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Credits

Script
Jacqueline Lentzou
Cast
Sofia Kokkali
Camera
Konstantinos Koukoulios
Editor
Smaro Papaevaneglou
Sound
Leandros Ntounis
Producer
Fenia Cossovitsa
Distributor
Square Eyes
242
fiction mystery science fiction

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Nowhere Else

Lee Kyeong-won, South Korea, 2021, 28’

After going missing, a woman is unable to remember her past until her former husband pays her a visit and she recalls a memory of where she lived with the man a long time ago.

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Un Chien Andalou

Luis Buñuel, France, 1929, 21’

Spanish surrealist Luis Buñuel wrote his first feat together with Salvador Dalí, based on their dreams. Don’t get stuck on the plot. Buñuel deliberately omits chronology and opts for Freudian dream logic, in which scenes do not necessarily follow one another logically.

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what else grows on the palm of your hand?

Dhiaa Biya, Morocco, Belgium, 2023, 16’

The routines of two women fuse together over time. One is busy with her bread, the other with her memories. Their similar gestures, repeated again and again, slowly unfold the special bond that unites them.

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Language of the Entrails

Luciana Decker Orozco, Bolivia, USA, 2025, 12’

A journey to the underworld begins within our own entrails. This film explores the intimate rhythm of digestion only to next investigate the becoming of geological eras, inspired by Gamaliel Churata’s El Pez de Oro, in which he states, “we all carry the dead alive; that the dead live.”

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A film about highways, tourists, concrete picnic tables, and lukewarm melons. About a man who wants to leave and a child who stops him. A summer movie.

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On Its Way Down

Sebastian Schaevers, Belgium, 2022, 22’

Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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Sirens

Raoul Servais, Belgium, 1968, 9’

A lonesome angler becomes witness to an eccentric idyll between a cabin boy and a mermaid. Dream or reality?

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Da-Dzma

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Winter. A fifteen-year-old girl in a remote Georgian town tries to get closer to her older brother just as he decides to leave home in search of work abroad.

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