Skip to main content
yanco Home
Menu
  • Home
  • watch
  • magazine
  • calendar
  • index
  • Subscribe
Search Log in
  • nl
  • en
You are here
  • Home
  • Watch
  • Love Goes Through The Stomach
watch as a subscriber € 30
Rent this film € 2,5
  • Availability worldwide
  • Language English
  • Subtitles English

part of
double bill #16

Love Goes Through The Stomach

NEOZOON, Germany, 2017, 15’

Dedicated to nutrition and the human attitude towards “production animals”, this collage provides disturbing insights into the behaviour of a Western affluent society towards animal products. The film starts with YouTube videos pointing to internet phenomena such as ASMR, Mukbang, and Let’s Play Videos. The experimental narrative perspective and precise picture selection are both humorous and bitterly truthful, showcasing destructive aspects of global consumer behavior.

Bio NEOZOON

NEOZOON is a female art collective. Its work is based on the principle of collage and investigates sociological questions about speciesism in the Anthropocene. Recontextualisation of found footage and/or YouTube material is a recurring element. NEOZOON´s work was exhibited at Centre Pompidou in Paris, at ZKM in Karlsruhe, at Kunstwerke Berlin and has also been shown at festivals in Oberhausen, Rotterdam, London and New York.

While we traditionally associate food consumption with satisfying basic needs, daily meal preps, awkward family dinners, or culturally rooted collective rituals and celebrations, the media artistic duo NEOZOON offers a darker and more bizarre depiction of human eating habits. Love Goes Through The Stomach compiles images of food as an obsession, fetish, or a source of emotional and sensual satisfaction. Once again working with YouTube-found footage materials, NEOZOON playfully sequences a choir of lonely fans of rustling packaging, ASMRish sounds of munching and slurping, discount hunters, aspiring chefs, or followers of online trends such as #whatieatinaday. As the selection includes carnivores only, Love Goes Through The Stomach quickly takes a disturbing turn—not only uncomfortably reminding us of the political implications of our dietary choices but also stylistically evoking body horror. 

Emilia Mazik
© LITTLE LOWER THAN THE ANGELS (NEOZOON, 2019)
interview
Read more

There Must Be a Way out of This Disaster

A conversation with NEOZOON

Savina Petkova
25.07.2025
Read more

Credits

Editor
NEOZOON
Sound
Jochen Jessuzek
Producer
NEOZOON
231
documentary humour satire found footage

Watch more

Read more

Akaboum

Manon Vila, France, 2019, 30’

A portrait of contemporary suburban youth seeking to invent new contours of collective identity, against the backdrop of France in the throes of recession.

Read more
Read more

Old Child

Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

Read more
Read more

0.2 Milligrams of Gold

Diego Quinderé de Carvalho, Belgium, Hungary, Portugal, 2021, 24’

Eight thousand five hundred kilometres lie between the Amazon and the Ardennes. In his home country of Brazil, filmmaker Diego looks at the inaccessible forest from the outside. Its Belgian counterpiece, however, is easier to explore.

Read more
Read more

Note on Multitude

Ibro Hasanović, Belgium, Kosovo, 2015, 8’

Intimate, emotional, and sometimes violent moments of farewell: men, women, and children leave their homes for an (unknown) future as migrants.

Read more
Read more

Noonlight

Kayt Schneider, Belgium, 1991, 10’

Passing through the Noon Market in Brussels, filmmaker Kayt Schneider captures the peaceful, poetic coexistence of people and cultures.

Read more
Read more

Trains de plaisir

Henri Storck, Belgium, 1930, 8’

The beach and its sunbathers. A series of sketches, small moments that culminate in a wry, loving portrait of a Sunday at the beach.

Read more
Read more

elephantfish

Meltse Van Coillie, Belgium, 2018, 27’

A ship drifts in the middle of an endless sea. Aboard is a crew of five. They all cope with boredom — some by trying to overpower it; others by escaping into a parallel world guided by dreams.

Read more
Read more

Ours is a Country of Words

Mathijs Poppe, Belgium, Lebanon, 2017, 42’

Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

Read more
Log in or register to start watching.

Subscribe for €30 and get one-year access to the 70+ films in our streaming library. This supports not only our magazine but also the filmmakers we represent. 

subscribe

yanco is a magazine and streaming library for short-form moving image

kortfilm.be vzw
Boondaalse Steenweg 249
1050 Elsene
BE 0478 441 315
info@yanco.be

with the support of the Flanders Audiovisual Fund (VAF) of the Flemish Government

VAF
  • about
  • colophon
  • privacy policy
Facebook Instagram LinkedIn YouTube Letterboxd
design by de Ronners
website by eps en kaas