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Waithood

Waithood
Louisiana Mees-Fongang, Belgium, 2019, 21’
VAF Wildcard Fictie

2018

Athens, 2018. 44% of youth are unemployed. A generation lost in a no man's land, wandering outside the classroom and labour market amid a booming sharing economy and gentrification. Five youngsters avoid waiting for an empty future by seeking entertainment in the luxurious Airbnb establishments that one of them is cleaning for a meagre fee. On the rooftops, they look out over a city in turmoil, daydreaming about a world of possibilities.

Waithood (Louisiana Mees-Fongang, 2019)
Waithood (Louisiana Mees-Fongang, 2019)
essay
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In limbo

Louisiana Mees-Fongang’s Waithood

Benjamin Antonissen
02.02.2022

Athens often is perceived as the ideal holiday destination. It is the birthplace of democracy, overflowing with culture, and has exceptional cuisine and countless picturesque squares to spend time carelessly. This, however, isn’t the image the five twentysomethings in Waithood have of the Greek capital. For them, Athens feels like a prison where they are forced to kill time together. Christos, the only one in the group with a stable job, cleans up luxurious Airbnbs. When the tourists leave, he and his friends take over the apartments. And then the waiting takes over. Christos and his friends are insecure about their future. Waithood refers to the stagnation recent graduates can find themselves in, especially in economically challenged regions.

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Credits

Script
Louisiana Mees-Fongang
Cast
Christos Kavallaris, Jacques Simha, Maro Prasino, Yannis Sanidas
Camera
Louisiana Mees-Fongang
Editor
Louisiana Mees-Fongang
Music
Jaime Villalonga
Film school
KASK School of Arts
Producer
Louisiana Mees-Fongang, Philip Heremans
99
drama portrait

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All We Ever Wanted Was Everything

Enzo Smits, Belgium, 2014, 19’

A portrait of young skateboarders growing up in a Flemish suburban town. We meet different characters going through their daily routines: riding around on their skateboards, waiting, hanging out, daydreaming...

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I Am Good At Karate

Jess Dadds, United Kingdom, 2021, 11’

Portrait of a young teenager with mental health issues who is passionate about karate. They wander around a housing estate in East Kent, locked in verbal and physical battles with a hallucinatory demon.

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Old Child

Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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I Don’t Feel At Home Anywhere Anymore

Viv Li, Belgium, China, 2020, 16’

A wistful but witty account of a trip to Beijing by filmmaker Viv Li, a Chinese art student who has been living abroad for ten years. Her stay with her family mercilessly exposes how uprooted she has become by her life abroad.

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On Its Way Down

Sebastian Schaevers, Belgium, 2022, 22’

Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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Da-Dzma

Jaro Minne, Belgium, 2019, 16’

Winter. A fifteen-year-old girl in a remote Georgian town tries to get closer to her older brother just as he decides to leave home in search of work abroad.

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+6 Gain

Jorn Plucieniczak, Belgium, 2019, 26’

Symen and Sam pass their time in the monotony of a post-industrial suburb. They seem to linger in a kind of perpetual twilight countered by the invisible presence of ‘hardcore’. While gaming, they end up searching for the core of their desires.

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Empty House

Gina Kim, South Korea, USA, 1999, 24’

This video diary depicts a young woman’s flat, the fears and fantasies about her body plainly revealed as she wakes up with a bloated face, full of self-loathing after a night of compulsive over-eating.

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