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Waithood

Waithood
Louisiana Mees-Fongang, Belgium, 2019, 21’
VAF Wildcard Fictie

2018

Athens, 2018. 44% of youth are unemployed. A generation lost in a no man's land, wandering outside the classroom and labour market amid a booming sharing economy and gentrification. Five youngsters avoid waiting for an empty future by seeking entertainment in the luxurious Airbnb establishments that one of them is cleaning for a meagre fee. On the rooftops, they look out over a city in turmoil, daydreaming about a world of possibilities.

Waithood (Louisiana Mees-Fongang, 2019)
Waithood (Louisiana Mees-Fongang, 2019)
essay
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In limbo

Louisiana Mees-Fongang’s Waithood

Benjamin Antonissen
02.02.2022

Athens often is perceived as the ideal holiday destination. It is the birthplace of democracy, overflowing with culture, and has exceptional cuisine and countless picturesque squares to spend time carelessly. This, however, isn’t the image the five twentysomethings in Waithood have of the Greek capital. For them, Athens feels like a prison where they are forced to kill time together. Christos, the only one in the group with a stable job, cleans up luxurious Airbnbs. When the tourists leave, he and his friends take over the apartments. And then the waiting takes over. Christos and his friends are insecure about their future. Waithood refers to the stagnation recent graduates can find themselves in, especially in economically challenged regions.

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Credits

Script
Louisiana Mees-Fongang
Cast
Christos Kavallaris, Jacques Simha, Maro Prasino, Yannis Sanidas
Camera
Louisiana Mees-Fongang
Editor
Louisiana Mees-Fongang
Music
Jaime Villalonga
Film school
KASK School of Arts
Producer
Louisiana Mees-Fongang, Philip Heremans
99
drama portrait

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Trains de plaisir

Henri Storck, Belgium, 1930, 8’

The beach and its sunbathers. A series of sketches, small moments that culminate in a wry, loving portrait of a Sunday at the beach.

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I Don’t Feel At Home Anywhere Anymore

Viv Li, Belgium, China, 2020, 16’

A wistful but witty account of a trip to Beijing by filmmaker Viv Li, a Chinese art student who has been living abroad for ten years. Her stay with her family mercilessly exposes how uprooted she has become by her life abroad.

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Under the Sun

Eduardo Esquivel, Mexico, 2017, 15’

Ana’s life changes radically when she divorces at the age of 40. In front of her family, it gets harder every day to keep pretending everything is fine.

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Gestes du repas

Luc de Heusch, Belgium, 1958, 23’

This satirical ethnographic film shows eating Belgians in diverse contexts. Dinner scenes at weddings, funerals, Christmas, and New Year’s Eve portray a country: loneliness and community alternate, just as wealth and poverty.

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The Summer Movie

Emmanuel Marre, Belgium, 2017, 30’

A film about highways, tourists, concrete picnic tables, and lukewarm melons. About a man who wants to leave and a child who stops him. A summer movie.

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Magic, a portrait of Joris

Chloë Delanghe, Belgium, 2018, 15’

In Magic, a portrait of Joris, images sourced from different periods in time are glued together. Worn-out VHS footage filmed by the artist’s father is placed beside 8mm images she filmed herself. Both have the same subject: one boy, both a son and a brother. Connecting images of then and now, a new narrative of remembering opens up.

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what else grows on the palm of your hand?

Dhiaa Biya, Morocco, Belgium, 2023, 16’

The routines of two women fuse together over time. One is busy with her bread, the other with her memories. Their similar gestures, repeated again and again, slowly unfold the special bond that unites them.

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Atopia

Olivier De Vos, Belgium, 2021, 18’

An introspective essay about the search for a place between reality and imagination: a placeless place made up out of dreams and a longing for fluidity. Slowly, the grains of the compressed image become the sands of the atopic beach, revealing an imaginary place.

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