Skip to main content
yanco Home
Menu
  • Home
  • watch
  • magazine
  • calendar
  • index
  • Subscribe
Search Log in
  • nl
  • en
You are here
  • Home
  • Index
  • Mother’s
This film is no longer available
  • Availability worldwide
  • Language French
  • Subtitles English

In honour of Pride Month, yanco offered this film free of charge during June 2026.

part of
blank space

Mother’s

Hippolyte Leibovici, Belgium, 2019, 22’

Even before there was talk of a drag queen scene in other Belgian cities, the eponymous Maman was running a bustling nightclub in the heart of Brussels. In Mother’s, Hippolyte Leibovici guides us into her universe. Focused and experienced, a handful of drag artists prepare for their metamorphosis, though behind those glamorous façades lie insecurities and sorrow. “Below the glitter there was the stress,” we hear. As a spectator, you are invited to the make-up table for fifteen minutes, whilst four drag queens reflect with humour and self-deprecation on their identity and the quest to find it.

As a mother figure, Maman is keen to take the next generation under her wing. She offers guidance and advice: blunt reprimands and a few harsh life lessons. The title of this documentary—the possessive form of ‘mother’—is therefore apt. But where does parenthood begin and end? How does one react when a gay son comes out for a second time, this time as a drag performer? Is a mother’s love unconditional?

“It’s not what you say, but how you say it,” one of them declares. That feigned self-assurance is not a given. It is preceded by a struggle—one Maman fought even harder many generations ago. The courage, the perseverance, and the shared pain of these queer artists are laid bare through close-ups and personal anecdotes. But then, it’s showtime.

Carmen van Cauwenberghe

Bio Hippolyte Leibovici

Hippolyte Leibovici is a Franco-Belgian filmmaker. He graduated from INSAS with Mother’s, which was awarded the Magritte for Best Short Documentary.

Credits

Camera
Julien De Keukeleire
Editor
Leole Poubelle
Sound
Louison Assie, Victor Crestani
Film school
INSAS
36
documentary portrait queer

Watch more

Read more

Noonlight

Kayt Schneider, Belgium, 1991, 10’

Passing through the Noon Market in Brussels, filmmaker Kayt Schneider captures the peaceful, poetic coexistence of people and cultures.

Read more
Read more

Herman@s (Les Adelphes)

Hélène Alix Mourrier, France, 2021, 29’

Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

Read more
Read more

Devotion

Cynthia Madansky, Turkey, 2003, 34’

A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of rituals.

Read more
Read more

D’un château l’autre

Emmanuel Marre, Belgium, 2018, 40’

Pierre, 25 years old and on a scholarship for a prestigious Parisian university, is lodged by Francine, who is 75, disabled, and confined to her wheelchair. Both puzzled and disoriented, they witness the French presidential elections of 2017 play out.

Read more
Read more

Ours is a Country of Words

Mathijs Poppe, Belgium, Lebanon, 2017, 42’

Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

Read more
Read more

3723 km As the Crow Flies

Oksana Luyssen, Ysé Auguste-Dormeuil, Belgium, 2024, 15’

Obtaining official documents is a symbol of coveted freedom and security for migrants. But how do you navigate the administrative labyrinth? This film explores the relationship between identity, race, and European bureaucracy.

Read more
Read more

Before Then

Mengzhu Xue, China, Germany, 2024, 30’

Every form of communication involves deciphering codes. In Before Then, Mengzhu Xue attempts to confess a secret in the form of a letter in English, which she writes out phonetically in Chinese, and asks her grandmother to read out loud.

Read more
Read more

Trains de plaisir

Henri Storck, Belgium, 1930, 8’

The beach and its sunbathers. A series of sketches, small moments that culminate in a wry, loving portrait of a Sunday at the beach.

Read more
Log in or register to start watching.

Subscribe for €30 and get one-year access to the 70+ films in our streaming library. This supports not only our magazine but also the filmmakers we represent. 

subscribe

yanco is a magazine and streaming library for short-form moving image

kortfilm.be vzw
Boondaalse Steenweg 249
1050 Elsene
BE 0478 441 315
info@yanco.be

with the support of the Flanders Audiovisual Fund (VAF) of the Flemish Government

VAF
  • about
  • colophon
  • privacy policy
Facebook Instagram LinkedIn YouTube Letterboxd
design by de Ronners
website by eps en kaas