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La Jetée
La Jetée (Chris Marker, 1962)

    La Jetée

    Chris Marker, France, 1962, 28’

    Set in a post-apocalyptic near-future, La Jetée tells the story of an unnamed man whose vivid childhood recollections make him the perfect guinea pig for an experiment in time travel. After a lengthy and nightmarish period of conditioning, he is sent into the past, where he falls in love with a woman whom he once saw on a pier. 

    A milestone in film history, this short was made by French filmmaker Chris Marker, often referred to as the “creator of the film essay”. Marker, whose private life is little known, was just like Alain Resnais and Agnès Varda, part of the French Rive Gauche group—parallel to but distinct from the Nouvelle Vague.

    Told almost entirely through a montage of still photographs, there are several theories about the correct reading of this science-fiction film, which regularly appears in ‘best films of all time’ lists; probably, all are somewhat correct. A formalist experiment on the one hand, an atmospheric fable on the other, La Jetée is a singular experience.

    Bio Chris Marker

    Chris Marker (France, 1921-2012) was a writer, poet, photographer, multimedia artist, and documentary filmmaker. He began his career as part of the French Rive Gauche group—parallel to but distinct from the Nouvelle Vague—with which he would later share certain themes and collaborators. Marker is considered a pioneer of subjective documentary and collective cinema. His films, such as La Jetée (1962) and Sans soleil (1983), are known for their poetic, essayistic, and often experimental qualities, blending a reflective voice with a fascination for memory, art, war, and politics. Over six decades of work, he observed the world with meticulous curiosity, irony, and compassion, continually experimenting with new forms of image manipulation and montage.

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    106
    • This film was #1 in the “Greatest” Short Films of All Time 2025
      voted by Maike Höhne, Kornél Szilágyi, Hadi Alipanah, Yorgos Angelopoulos, Giselle Lin, Nicolas Pedrero-Setzer, Didi Cheeka, Oana Ghera, Yun-hua Chen, Radu Jude, Arta Barzanji, Salome Lamas, Tianyu Jiang, Srikanth Srinivasan, Najrin Islam, Dora Leu, Veton Nurkollari, Juan Barquin, Rubén Corral Giménez, Öykü Sofuoğlu, Jason Tan Liwag, Ivan Ramljak, Leonardo Pirondi, Paul Landriau, Sofia Topi, Athina Rachel Tsangari, Ngọc Duy Lê, Jose Cabrera, Matti Ullrich, Nuno Rodrigues, Ben Nicholson, Scott Hoy, Olivia Hunter Willke, Bart Versteirt, Gerald Weber, Ana Bilankov, Ryan Swen, Edith van der Heijde, Patrick Gamble, Helen Faradji, Sven Pötting, Eroll Bilibani, Anas Sareen, Wim Vanacker, Henni Berger, Koen de Rooij, Naomi Pacifique, Joana Gusmão, Cátia Rodrigues, Laurence Boyce, Carlos Velandia, Michiel Philippaerts, Eneos Çarka, Azin Feizabadi, Jason Anderson, Simone Bardoni
    experimental fiction poetry romance science fiction

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    what else grows on the palm of your hand?

    Dhiaa Biya, Morocco, Belgium, 2023, 16’

    The routines of two women fuse together over time. One is busy with her bread, the other with her memories. Their similar gestures, repeated again and again, slowly unfold the special bond that unites them.

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    The Motherfucker’s Birthday

    Saif Alsaegh, Iraq, USA, 2024, 6’

    Through dancing, The Motherfucker’s Birthday shows the evil of the dictator and the horror people endure under powerful political leaders. The film presents dancing, a universal and uniquely human activity often representing joy, with eerie footage of Saddam and his sons’ torture tools while they dance.

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    The Jungle Knows You Better Than You Do

    Juanita Onzaga, Belgium, Colombia, 2017, 20’

    Two siblings roam the mystical landscapes of Colombia, searching for their dead father's spirit. Their journey takes them from the city of Bogotá to the jungle, through realms of thought and deep into their haunted dreams.

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    Following the Object to Its Logical Beginning

    Lynne Sachs, USA, 1987, 7’

    Like an animal in one of Eadweard Muybridge’s scientific photo experiments, five undramatic moments in a man’s life are observed by a woman. A study in visual obsession and a twist on the notion of the “gaze”.

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    Copa-Loca

    Christos Massalas, Greece, 2017, 14’

    This is the story of Copa-Loca. Paulina is the girl at the heart of this abandoned Greek summer resort. Everyone cares for her and she cares about everyone – in every possible way.

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    Meander

    Joke Liberge, Belgium, 2005, 15’

    On a hot summer day, five teenagers go to a river to cool off. They swim, they sleep, they eat snacks and ice cream. As music and dialogue are missing, everyday sounds attract attention: bicycles riding on gravel, feet gliding through water, gasps and splutters.

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    Empty House

    Gina Kim, South Korea, USA, 1999, 24’

    This video diary depicts a young woman’s flat, the fears and fantasies about her body plainly revealed as she wakes up with a bloated face, full of self-loathing after a night of compulsive over-eating.

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    The Room

    Chantal Akerman, Belgium, 1972, 11’

    Panning shots in a repeating full-circle movement show a room as a succession of still lives: a chair, some fruit on a table, a collection of solitary, waiting objects. There is the presence of a young woman: filmmaker Chantal Akerman herself, sitting on the bed eating an apple.

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