Skip to main content
yanco Home
Menu
  • Home
  • watch
  • magazine
  • calendar
  • index
  • Subscribe
Search Log in
  • nl
  • en
You are here
  • Home
  • Index
  • La Jetée
La Jetée
La Jetée (Chris Marker, 1962)

    La Jetée

    Chris Marker, France, 1962, 28’

    Set in a post-apocalyptic near-future, La Jetée tells the story of an unnamed man whose vivid childhood recollections make him the perfect guinea pig for an experiment in time travel. After a lengthy and nightmarish period of conditioning, he is sent into the past, where he falls in love with a woman whom he once saw on a pier. 

    A milestone in film history, this short was made by French filmmaker Chris Marker, often referred to as the “creator of the film essay”. Marker, whose private life is little known, was just like Alain Resnais and Agnès Varda, part of the French Rive Gauche group—parallel to but distinct from the Nouvelle Vague.

    Told almost entirely through a montage of still photographs, there are several theories about the correct reading of this science-fiction film, which regularly appears in ‘best films of all time’ lists; probably, all are somewhat correct. A formalist experiment on the one hand, an atmospheric fable on the other, La Jetée is a singular experience.

    Bio Chris Marker

    Chris Marker (France, 1921-2012) was a writer, poet, photographer, multimedia artist, and documentary filmmaker. He began his career as part of the French Rive Gauche group—parallel to but distinct from the Nouvelle Vague—with which he would later share certain themes and collaborators. Marker is considered a pioneer of subjective documentary and collective cinema. His films, such as La Jetée (1962) and Sans soleil (1983), are known for their poetic, essayistic, and often experimental qualities, blending a reflective voice with a fascination for memory, art, war, and politics. Over six decades of work, he observed the world with meticulous cu …
    106
    • This film was #1 in the “Greatest” Short Films of All Time 2025
      voted by Maike Höhne, Kornél Szilágyi, Hadi Alipanah, Yorgos Angelopoulos, Giselle Lin, Nicolas Pedrero-Setzer, Didi Cheeka, Oana Ghera, Yun-hua Chen, Radu Jude, Arta Barzanji, Salome Lamas, Tianyu Jiang, Srikanth Srinivasan, Najrin Islam, Dora Leu, Veton Nurkollari, Juan Barquin, Rubén Corral Giménez, Öykü Sofuoğlu, Jason Tan Liwag, Ivan Ramljak, Leonardo Pirondi, Paul Landriau, Sofia Topi, Athina Rachel Tsangari, Ngọc Duy Lê, Jose Cabrera, Matti Ullrich, Nuno Rodrigues, Ben Nicholson, Scott Hoy, Olivia Hunter Willke, Bart Versteirt, Gerald Weber, Ana Bilankov, Ryan Swen, Edith van der Heijde, Patrick Gamble, Helen Faradji, Sven Pötting, Eroll Bilibani, Anas Sareen, Wim Vanacker, Henni Berger, Koen de Rooij, Naomi Pacifique, Joana Gusmão, Cátia Rodrigues, Laurence Boyce, Carlos Velandia, Michiel Philippaerts, Eneos Çarka, Azin Feizabadi, Jason Anderson, Simone Bardoni
    experimental fiction poetry romance science fiction

    Watch more

    Read more

    Ours is a Country of Words

    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

    Read more
    Read more

    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

    Read more
    Read more

    Swollen Stigma

    Sarah Pucill, United Kingdom, 1998, 21’

    Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

    Read more
    Read more

    Downside Up

    Tony Hill, United Kingdom, 1984, 18’

    With a single camera movement, this film explores humankind’s relationship to the ground. The viewpoint continuously changes. Places, objects, people, and events come in and out of focus. These observations gradually speed up and reveal a double-sided ground, flipping like a tossed coin, which then slows again to oscillate around the Earth’s edge.

    Read more

    Subscribe for €30 and get one-year access to our streaming library. This supports not only our magazine but also the filmmakers we represent. 

    subscribe

    yanco is a magazine and streaming library for short-form moving image

    kortfilm.be vzw
    Boondaalse Steenweg 249
    1050 Elsene
    BE 0478 441 315
    info@yanco.be

    with the support of the Flanders Audiovisual Fund (VAF) of the Flemish Government

    VAF
    • about
    • colophon
    • privacy policy
    Facebook Instagram LinkedIn YouTube Letterboxd
    design by de Ronners
    website by eps en kaas