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Water and Salt

Água e sal
Luisa Mello, Belgium, Brazil, 2019, 10’

During the 2018 Brazilian presidential elections, a woman floats in waters far from home. When everything seems calm, a wave hits and carries her to the depths of her being. Water and Salt is a journey through the consciousness of someone whose country is under threat of a fascist government.

Water and Salt (Luisa Mello, 2019)
Water and Salt (Luisa Mello, 2019)
essay
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Watery tensions

Luisa Mello’s Water and Salt

Kathy Vanhout
03.04.2022

Apart from water, salt, and clouds, Mello’s work often features young and older people, artists, animals, and cities; these things are the source of her documentaries. Her films always leave room for fictive contemplation and interpretations. Water and Salt, for that matter, hardly reads as a documentary. In these reflective ten minutes, she attempts to translate a thought, a feeling, an observation. In situations like this, where words are insufficient, and the outside world offers few answers, Mello constructs her own images. Or she turns to archival ones.

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Credits

Script
Luisa Mello
Camera
Hanna Hovitie
Editor
Luisa Mello
Sound
António Porém Pires
Production
DocNomads
85
essay documentary coming-of-age poetry

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Red Giant

Anne Verbeure, Belgium, 2021, 11’

Day and night, a giant sits on a hill, far away from his smaller fellow man. He fills his days organising things and making sure everything is in the right place at the right time.

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Working Knowledge of Ritual

Hannan Jones, Australia, 2023, 4’

By interweaving esoteric texts and images, Working Knowledge of Ritual underscores the interconnectedness of spirituality and nature. The film muses on our energies alongside the natural world, inspired by the writings of Leonard Jones.

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The Living Wardrobe

Martí Madaula Esquirol, Spain, USA, 2024, 18’

Martí arrives in Bilbao for an artistic residency. In his new room, his clothes occupy only a small portion of the enormous wardrobe. But when he meets someone, the wardrobe slowly begins to fill up. Where has the emptiness gone, the free space, the little corner that was his?

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Snow Edge

Juan Francisco Rodríguez, Colombia, 2021, 15’

The thaw of the so-called eternal snow of Páramo, a neotropical alpine ecosystem in the high Andes, exposes a layer of meaning about the origins and survival of the landscape.

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Mars, Oman

Vanessa del Campo, Belgium, 2019, 20’

Oman’s vast plains look so much like Mars that they are used as a training ground for astronauts. Two local girls gaze at the starry sky like curious scientists while the astronauts philosophise about living on the Red Planet.

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D’un château l’autre

Emmanuel Marre, Belgium, 2018, 40’

Pierre, 25 years old and on a scholarship for a prestigious Parisian university, is lodged by Francine, who is 75, disabled, and confined to her wheelchair. Both puzzled and disoriented, they witness the French presidential elections of 2017 play out.

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Before Then

Mengzhu Xue, China, Germany, 2024, 30’

Every form of communication involves deciphering codes. In Before Then, Mengzhu Xue attempts to confess a secret in the form of a letter in English, which she writes out phonetically in Chinese, and asks her grandmother to read out loud.

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Self-Portrait

Jonas Mekas, USA, 1980, 20’

In what one could call Jonas Mekas’ first video blog, the Lithuanian avant-garde filmmaker reflects on his life and the art of cinema and representation.

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