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part of
double bill #11

Houses With Small Windows

Bülent Öztürk, Belgium, 2013, 15’
La Biennale di Venezia

2013

Twenty-two-year-old Dilan pays for her forbidden love for a young man in a neighbouring village with her life. She has shamed the family and, therefore, must die at the hands of her brothers. As tradition will have it, the killing must be compensated. Because of this, six-year-old Emine is given to Dilan’s relatives.

Houses With Small Windows (Bülent Öztürk, 2013)
Houses With Small Windows (Bülent Öztürk, 2013)
essay
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Where Silence Reigns

Bülent Öztürk’s Houses With Small Windows (2013)

Öykü Sofuoğlu
08.04.2024

In this land where the currency is family honour, life and death become transactional realities, and people mere commodities. Debts are paid by the blood of victims and the tears of torn-apart families. However, far from calculatedly leading up to a dramatic climax, Houses With Small Windows follows an ethics of representation. The violent, sensationalist aspects of honour killings are not its primary concern. With its careful respect for those women left unseen and unheard throughout their lives, the film asks: Do we have to see it happen when we understand her death is unavoidable?

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Credits

Script
Bülent Öztürk, Mizgin Mujde Arslan
Cast
Emine Korkmaz, Mizgin Mujde Arslan
Camera
Hadewych Cocquyt
Editor
Bert Jacobs, Jan Hameeuw, Pieter Smet
Sound
Pol Vanlaer
Producer
Antoine Vermeesch, Hanne Phlypo
165
fiction drama

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Meander

Joke Liberge, Belgium, 2005, 15’

On a hot summer day, five teenagers go to a river to cool off. They swim, they sleep, they eat snacks and ice cream. As music and dialogue are missing, everyday sounds attract attention: bicycles riding on gravel, feet gliding through water, gasps and splutters.

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D’un château l’autre

Emmanuel Marre, Belgium, 2018, 40’

Pierre, 25 years old and on a scholarship for a prestigious Parisian university, is lodged by Francine, who is 75, disabled, and confined to her wheelchair. Both puzzled and disoriented, they witness the French presidential elections of 2017 play out.

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Oh Willy...

Emma De Swaef, Marc James Roels, Belgium, 2011, 17’

A gentle, middle-aged man returns to the nudist colony he grew up in to visit his elderly mother. Her sudden death leaves Willy in a state of sadness. He soon finds himself lost in the midst of a savage wilderness, trying to find comfort.

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Following the Object to Its Logical Beginning

Lynne Sachs, USA, 1987, 7’

Like an animal in one of Eadweard Muybridge’s scientific photo experiments, five undramatic moments in a man’s life are observed by a woman. A study in visual obsession and a twist on the notion of the “gaze”.

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Sirens

Raoul Servais, Belgium, 1968, 9’

A lonesome angler becomes witness to an eccentric idyll between a cabin boy and a mermaid. Dream or reality?

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Herman@s (Les Adelphes)

Hélène Alix Mourrier, France, 2021, 29’

Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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Waithood

Louisiana Mees-Fongang, Belgium, 2019, 21’

In Athens, five youngsters avoid waiting for an empty future by seeking entertainment in the luxurious Airbnb establishments that one of them is cleaning for a meagre fee.

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The Summer Movie

Emmanuel Marre, Belgium, 2017, 30’

A film about highways, tourists, concrete picnic tables, and lukewarm melons. About a man who wants to leave and a child who stops him. A summer movie.

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