Magazine

Felipe Casanova’s Loveboard

“War Is Not Over”

Els Opsomer’s 10th of November | 09:05

“solitude au masculin”

Sebastian Schaevers’ On Its Way Down

Felipe Casanova’s O Rio de Janeiro continua lindo

Fairuz & El Moïz Ghammam’s Oumoun

Juliette Le Monnyer’s Ramallah, Palestine, décembre 2018

Kayt Schneider’s Noonlight (1991)

“Why Don’t the Cops Fight Each Other?”

On Sarah Pucill’s Surrealism

Sachin’s In Flanders Fields

Emmanuel Van der Auwera’s White Cloud / 白云

A conversation with NEOZOON

Jonas Mekas’ Self Portrait (1980)

Jaro Minne’s Da-dzma

Mourad Ben Amor’s Bamssi

Elettra Bisogno & Hazem Alqaddi’s Old Child

On Towards the Sun, Far From the Center

Vanessa del Campo’s Mars, Oman

Chantal Akerman’s I’m Hungry, I’m Cold (1984)

Olivia Rochette & Gerard-Jan Claes’s Because We Are Visual (2010)

Viv Li’s I Don’t Feel at Home Anywhere Anymore

Whose mother tongue? A conversation with Eva Giolo on Memory is an Animal, It Barks with Many Mouths

Anton Cla’s Cyclepaths

On Omar Chowdhury’s BAN♡ITS

A Conversation with filmmaker Hoda Taheri

A Conversation About Eco-Activism in Cinema

Joke Van den hof’s Mamada Perdida

On Christoph Girardet and Matthias Müller’s Misty Picture

Chantal Akerman’s Portrait d’une paresseuse

Martijn Van de Wiele’s Carnations

Jacqueline Lentzou on The End of Suffering (A Proposal)

Mouaad el Salem’s This Day Won’t Last

Aulona Fetahaj’s she asked me where i was from

Juanita Onzaga’s The Jungle Knows You Better Than You Do

Thiago Carvalhaes’ À Gis

Emmanuel Marre’s D’un château l’autre

Enzo Smits’s All We Ever Wanted Was Everything

Pauline Fonsny’s À l’usage des vivants

Henri Storck’s Trains de plaisir (1930)

Meltse Van Coillie’s elephantfish

Ibro Hasanović’s Note on Multitude

Emmanuel Marre’s The Summer Movie

Raoul Servais’ Sirens (1968)

Luisa Mello’s Water and Salt

Louisiana Mees-Fongang’s Waithood