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  • Gestes du repas
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  • Language French
  • Subtitles Dutch, English

part of
double bill #16

Gestes du repas

Luc de Heusch, Belgium, 1958, 23’

This satirical ethnographic film shows eating Belgians in diverse contexts. Gestes du repas captures authentic moments starring workers, peasants, and middle-class people in their most familiar habitat. Dinner scenes at weddings, funerals, Christmas, and New Year’s Eve portray a country: loneliness and community alternate, just as wealth and poverty.

Bio Luc de Heusch

Luc de Heusch (1927-2012) was a Belgian filmmaker, writer and social anthropologist. He was a prominent figure both in art and academia, especially in Francophone milieus. As a filmmaker, he started out as an assistant to Belgian filmmaker Henri Storck. In 1951, using the pseudonym Luc Zangrie, he directed his first film Perséphone, the only film produced under the auspices of the artistic movement CoBrA. He produced a series of films on major artists such as Pierre Alechinsky, Christian Dotremont, Reinhoud, James Ensor, René Magritte, Pierre Lahaut, and Michel de Ghelderode, among others. Along with his friend Jean Rouch, de Heusch was one o …

Credits

Script
Jacques Delcorde, Luc de Heusch
Cast
Dario Moreno, Paul Anrieu
Camera
Charles Abel
Sound
Paul Leponce
Music
Fernand De Geneffe
230
documentary portrait

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Noonlight

Kayt Schneider, Belgium, 1991, 10’

Passing through the Noon Market in Brussels, filmmaker Kayt Schneider captures the peaceful, poetic coexistence of people and cultures.

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I Don’t Feel At Home Anywhere Anymore

Viv Li, Belgium, China, 2020, 16’

A wistful but witty account of a trip to Beijing by filmmaker Viv Li, a Chinese art student who has been living abroad for ten years. Her stay with her family mercilessly exposes how uprooted she has become by her life abroad.

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À l’usage des vivants

Pauline Fonsny, Belgium, 2019, 28’

In 1998, Semira Adamu, a 20-year-old Nigerian immigrant, died on Belgian soil of suffocation under a police pillow. Twenty years later, two women tell her story in a cry for justice.

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Love Goes Through The Stomach

NEOZOON, Germany, 2017, 15’

Dedicated to nutrition and the human attitude towards “production animals”, this YouTube-found footage collage provides disturbing insights into the behaviour of a Western affluent society towards animal products.

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The Migrating Image

Stefan Kruse Jørgensen, Denmark, 2018, 28’

Following a fictional group of refugees across Europe, the film questions the overproduction of images surrounding real-life tragedies and deaths.

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The Jungle Knows You Better Than You Do

Juanita Onzaga, Belgium, Colombia, 2017, 20’

Two siblings roam the mystical landscapes of Colombia, searching for their dead father's spirit. Their journey takes them from the city of Bogotá to the jungle, through realms of thought and deep into their haunted dreams.

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Magic, a portrait of Joris

Chloë Delanghe, Belgium, 2018, 15’

In Magic, a portrait of Joris, images sourced from different periods in time are glued together. Worn-out VHS footage filmed by the artist’s father is placed beside 8mm images she filmed herself. Both have the same subject: one boy, both a son and a brother. Connecting images of then and now, a new narrative of remembering opens up.

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All We Ever Wanted Was Everything

Enzo Smits, Belgium, 2014, 19’

A portrait of young skateboarders growing up in a Flemish suburban town. We meet different characters going through their daily routines: riding around on their skateboards, waiting, hanging out, daydreaming...

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