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  • Gestes du repas
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  • Taal French
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part of
double bill #16

Gestes du repas

Luc de Heusch, Belgium, 1958, 23’

This satirical ethnographic film shows eating Belgians in diverse contexts. Gestes du repas captures authentic moments starring workers, peasants, and middle-class people in their most familiar habitat. Dinner scenes at weddings, funerals, Christmas, and New Year’s Eve portray a country: loneliness and community alternate, just as wealth and poverty.

Bio Luc de Heusch

Luc de Heusch (1927-2012) was a Belgian filmmaker, writer and social anthropologist. He was a prominent figure both in art and academia, especially in Francophone milieus. As a filmmaker, he started out as an assistant to Belgian filmmaker Henri Storck. In 1951, using the pseudonym Luc Zangrie, he directed his first film Perséphone, the only film produced under the auspices of the artistic movement CoBrA. He produced a series of films on major artists such as Pierre Alechinsky, Christian Dotremont, Reinhoud, James Ensor, René Magritte, Pierre Lahaut, and Michel de Ghelderode, among others. Along with his friend Jean Rouch, de Heusch was one o …

Credits

Script
Jacques Delcorde, Luc de Heusch
Cast
Dario Moreno, Paul Anrieu
Camera
Charles Abel
Sound
Paul Leponce
Music
Fernand De Geneffe
230
documentary portrait

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Ours is a Country of Words

Mathijs Poppe, Belgium, Lebanon, 2017, 42’

Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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Old Child

Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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The Stopover

Collectif Faire-part, Belgium, DR Congo, 2022, 14’

Filmmakers Paul Shemisi and Nizar Saleh embark on a journey from the Democratic Republic of Congo to Germany to screen their latest film. However, during a layover in Angola, their trip takes a harrowing turn when airport authorities question the authenticity of their documents.

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Because We Are Visual

Gerard-Jan Claes, Olivia Rochette, Belgium, 2010, 47’

By means of visual material gathered from online sources, filmmakers Olivia Rochette and Gerard-Jan Claes create a unique poetic realm in which thoughts, fears, desires, and worries are shared via webcam, and merge together.

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