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  • Gestes du repas
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  • Language French
  • Subtitles Dutch, English

part of
double bill #16

Gestes du repas

Luc de Heusch, Belgium, 1958, 23’

This satirical ethnographic film shows eating Belgians in diverse contexts. Gestes du repas captures authentic moments starring workers, peasants, and middle-class people in their most familiar habitat. Dinner scenes at weddings, funerals, Christmas, and New Year’s Eve portray a country: loneliness and community alternate, just as wealth and poverty.

Bio Luc de Heusch

Luc de Heusch (1927-2012) was a Belgian filmmaker, writer and social anthropologist. He was a prominent figure both in art and academia, especially in Francophone milieus. As a filmmaker, he started out as an assistant to Belgian filmmaker Henri Storck. In 1951, using the pseudonym Luc Zangrie, he directed his first film Perséphone, the only film produced under the auspices of the artistic movement CoBrA. He produced a series of films on major artists such as Pierre Alechinsky, Christian Dotremont, Reinhoud, James Ensor, René Magritte, Pierre Lahaut, and Michel de Ghelderode, among others. Along with his friend Jean Rouch, de Heusch was one o …

Credits

Script
Jacques Delcorde, Luc de Heusch
Cast
Dario Moreno, Paul Anrieu
Camera
Charles Abel
Sound
Paul Leponce
Music
Fernand De Geneffe
230
documentary portrait

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The Migrating Image

Stefan Kruse Jørgensen, Denmark, 2018, 28’

Following a fictional group of refugees across Europe, the film questions the overproduction of images surrounding real-life tragedies and deaths.

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Carnations

Martijn Van de Wiele, Belgium, 2021, 16’

An artificial summer rules the greenhouse. Workers tend to carnations. In a multitude of splendid colours, they grow towards the sun until they’re ready to fulfill their cut-flower destiny. Carnations is an audiovisual meditation on movements within a carnation nursery close to filmmaker Martijn van de Wiele’s home.

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Pirate Boys

Pol Merchan, Germany, 2018, 13’

Punk author Kathy Acker’s work is the starting point for a conversation about gender identity and body transformation and is linked to the punk movement of the 1970s and 1980s.

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Da-Dzma

Jaro Minne, Belgium, 2019, 16’

Winter. A fifteen-year-old girl in a remote Georgian town tries to get closer to her older brother just as he decides to leave home in search of work abroad.

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The Jungle Knows You Better Than You Do

Juanita Onzaga, Belgium, Colombia, 2017, 20’

Two siblings roam the mystical landscapes of Colombia, searching for their dead father's spirit. Their journey takes them from the city of Bogotá to the jungle, through realms of thought and deep into their haunted dreams.

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0.2 Milligrams of Gold

Diego Quinderé de Carvalho, Belgium, Hungary, Portugal, 2021, 24’

Eight thousand five hundred kilometres lie between the Amazon and the Ardennes. In his home country of Brazil, filmmaker Diego looks at the inaccessible forest from the outside. Its Belgian counterpiece, however, is easier to explore.

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Atopia

Olivier De Vos, Belgium, 2021, 18’

An introspective essay about the search for a place between reality and imagination: a placeless place made up out of dreams and a longing for fluidity. Slowly, the grains of the compressed image become the sands of the atopic beach, revealing an imaginary place.

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The Living Wardrobe

Martí Madaula Esquirol, Spain, USA, 2024, 18’

Martí arrives in Bilbao for an artistic residency. In his new room, his clothes occupy only a small portion of the enormous wardrobe. But when he meets someone, the wardrobe slowly begins to fill up. Where has the emptiness gone, the free space, the little corner that was his?

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