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  • Da-Dzma
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  • Language Georgian
  • Subtitles English

part of
double bill #18

Da-Dzma

Da-Dzma
Jaro Minne, Belgium, 2019, 16’
Int’l Kurzfilmtage Oberhausen

2020

DokuFest

2020

Winter. A fifteen-year-old girl in a remote Georgian town tries to get closer to her older brother just as he decides to leave home in search of work abroad.

Da-dzma (Jaro Minne, 2019)
Da-dzma (Jaro Minne, 2019)
essay
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The Last Winter

Jaro Minne’s Da-dzma

Savina Petkova
30.05.2025

In his work, Belgian director Jaro Minne frequently explores the crossovers between East and West. He spent time in Georgia, resulting in the photography series “Passenger”, interested in the human face and the human scale of things in an overwhelming world. Rather painterly aesthetics are used to subtly convey a socio-political point. In Da-Dzma, Minne does something similar: through sparse compositions, little dialogue, and minimal sound design, the short lets us peek into a world of feelings one frame at a time.

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Credits

Script
Jaro Minne
Cast
Dali Resuridze, Malkhaz Dzirkvadze, Mukho Shavadze
Camera
Jaro Minne
Sound
Aline Gavroy, Flora Pop, Ingrid Simon
Producer
Jaro Minne
276
fiction portrait

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Atopia

Olivier De Vos, Belgium, 2021, 18’

An introspective essay about the search for a place between reality and imagination: a placeless place made up out of dreams and a longing for fluidity. Slowly, the grains of the compressed image become the sands of the atopic beach, revealing an imaginary place.

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I Am Good At Karate

Jess Dadds, United Kingdom, 2021, 11’

Portrait of a young teenager with mental health issues who is passionate about karate. They wander around a housing estate in East Kent, locked in verbal and physical battles with a hallucinatory demon.

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Impossible Figures and Other Stories II

Marta Pajek, Poland, 2016, 15’

A woman trips and falls while rushing around the house. She gets up only to discover that her home has unusual features—it is built from paradoxes, filled with illusions, and covered with patterns.

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+6 Gain

Jorn Plucieniczak, Belgium, 2019, 26’

Symen and Sam pass their time in the monotony of a post-industrial suburb. They seem to linger in a kind of perpetual twilight countered by the invisible presence of ‘hardcore’. While gaming, they end up searching for the core of their desires.

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Nowhere Else

Lee Kyeong-won, South Korea, 2021, 28’

After going missing, a woman is unable to remember her past until her former husband pays her a visit and she recalls a memory of where she lived with the man a long time ago.

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what else grows on the palm of your hand?

Dhiaa Biya, Morocco, Belgium, 2023, 16’

The routines of two women fuse together over time. One is busy with her bread, the other with her memories. Their similar gestures, repeated again and again, slowly unfold the special bond that unites them.

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Akaboum

Manon Vila, France, 2019, 30’

A portrait of contemporary suburban youth seeking to invent new contours of collective identity, against the backdrop of France in the throes of recession.

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On Its Way Down

Sebastian Schaevers, Belgium, 2022, 22’

Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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