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  • Pirate Boys
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part of
double bill #14

Pirate Boys

Pol Merchan, Germany, 2018, 13’
Ann Arbor Film Festival

2019

Queer Lisboa

2019

Punk author Kathy Acker’s work is the starting point for a conversation about gender identity and body transformation and is linked to the punk movement of the 1970s and 1980s. This hybrid mix of documentary, fiction, photography, and literature aims to portray the plasticity of the cinematic body in a new way and explores traces of queerness in Acker’s work.

Mainstream discourses around the world define people in an unquestionable binary system. Pirate Boys and Atopia are both empowering and radical in showing how narrow these normative constructions are and how flexible and fluid gender is. Pol Merchan’s hybrid documentary moves smoothly from documentation of the punk era to a performative exploration of gender. The words of intersex photographer Del LaGrace Volcano describe transformative and self-determined bodies, souls, and scars.

Nastaran Tajeri-Foumani
© Atopia (Olivier De Vos, 2021)
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Queerness is geen status-quo

Olivier De Vos en Pol Merchan over queer cinema

Laïka Planchenault
15.05.2024
interview

Met de essayistische kortfilms Atopia en Pirate Boys werpen Olivier De Vos en Pol Merchan een licht op queer thema’s. Hoe belangrijk is die representatie? De filmmakers delen hun bedenkingen over de verhouding tussen het medium film en de industrie daarrond.

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Credits

Script
Pol Merchan
Cast
Del LaGrace Volcano, Eric Llaveria, Henri Steeg, Mat S., Mercedes Povedano, Pol Merchan, Ruvel Kovalevsky
Camera
Nadja Krüger, Zara Zandieh
Editor
Ginés Olivares
Sound
Gizem Oruç, Manuela Schininà
Music
Manuela Schininà
Producer
Nika Pecarina
189
essay documentary politics poetry queer

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Ours is a Country of Words

Mathijs Poppe, Belgium, Lebanon, 2017, 42’

Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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Cyclepaths

Anton Cla, Belgium, 2023, 12’

On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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Old Child

Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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Swollen Stigma

Sarah Pucill, United Kingdom, 1998, 21’

Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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