Skip to main content
yanco Home
Menu
  • Home
  • watch
  • magazine
  • calendar
  • index
  • Subscribe
Search Log in
  • nl
  • en
You are here
  • Home
  • Watch
  • Pirate Boys
watch as a subscriber € 30
Rent this film € 2,5
  • Availability Worldwide
  • Language English
  • Subtitles Dutch, English

part of
double bill #14

Pirate Boys

Pol Merchan, Germany, 2018, 13’
Ann Arbor Film Festival

2019

Queer Lisboa

2019

Punk author Kathy Acker’s work is the starting point for a conversation about gender identity and body transformation and is linked to the punk movement of the 1970s and 1980s. This hybrid mix of documentary, fiction, photography, and literature aims to portray the plasticity of the cinematic body in a new way and explores traces of queerness in Acker’s work.

Mainstream discourses around the world define people in an unquestionable binary system. Pirate Boys and Atopia are both empowering and radical in showing how narrow these normative constructions are and how flexible and fluid gender is. Pol Merchan’s hybrid documentary moves smoothly from documentation of the punk era to a performative exploration of gender. The words of intersex photographer Del LaGrace Volcano describe transformative and self-determined bodies, souls, and scars.

Nastaran Tajeri-Foumani
© Atopia (Olivier De Vos, 2021)
interview
Read more

Queerness is geen status-quo

Olivier De Vos en Pol Merchan over queer cinema

Laïka Planchenault
15.05.2024

Met de essayistische kortfilms Atopia en Pirate Boys werpen Olivier De Vos en Pol Merchan een licht op queer thema’s. Hoe belangrijk is die representatie? De filmmakers delen hun bedenkingen over de verhouding tussen het medium film en de industrie daarrond.

Read more

Credits

Script
Pol Merchan
Cast
Del LaGrace Volcano, Eric Llaveria, Henri Steeg, Mat S., Mercedes Povedano, Pol Merchan, Ruvel Kovalevsky
Camera
Nadja Krüger, Zara Zandieh
Editor
Ginés Olivares
Sound
Gizem Oruç, Manuela Schininà
Music
Manuela Schininà
Producer
Nika Pecarina
189
essay documentary politics poetry queer

Watch more

Read more

The Stopover

Collectif Faire-part, Belgium, DR Congo, 2022, 14’

Filmmakers Paul Shemisi and Nizar Saleh embark on a journey from the Democratic Republic of Congo to Germany to screen their latest film. However, during a layover in Angola, their trip takes a harrowing turn when airport authorities question the authenticity of their documents.

Read more
Read more

I Am Good At Karate

Jess Dadds, United Kingdom, 2021, 11’

Portrait of a young teenager with mental health issues who is passionate about karate. They wander around a housing estate in East Kent, locked in verbal and physical battles with a hallucinatory demon.

Read more
Read more

Scum Mutation

Ov, France, 2020, 10’

In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.

Read more
Read more

Mars, Oman

Vanessa del Campo, Belgium, 2019, 20’

Oman’s vast plains look so much like Mars that they are used as a training ground for astronauts. Two local girls gaze at the starry sky like curious scientists while the astronauts philosophise about living on the Red Planet.

Read more
Read more

D’un château l’autre

Emmanuel Marre, Belgium, 2018, 40’

Pierre, 25 years old and on a scholarship for a prestigious Parisian university, is lodged by Francine, who is 75, disabled, and confined to her wheelchair. Both puzzled and disoriented, they witness the French presidential elections of 2017 play out.

Read more
Read more

Because We Are Visual

Gerard-Jan Claes, Olivia Rochette, Belgium, 2010, 47’

By means of visual material gathered from online sources, filmmakers Olivia Rochette and Gerard-Jan Claes create a unique poetic realm in which thoughts, fears, desires, and worries are shared via webcam, and merge together.

Read more
Read more

Water and Salt

Luisa Mello, Belgium, Brazil, 2019, 10’

A journey through the consciousness of a woman whose country is under threat from a fascist government.

Read more
Read more

À l’usage des vivants

Pauline Fonsny, Belgium, 2019, 27’

In 1998, Semira Adamu, a 20-year-old Nigerian immigrant, died on Belgian soil of suffocation under a police pillow. Twenty years later, two women tell her story in a cry for justice. Through this film, they highlight the reality of detention centres: the harsh conditions of confinement, the suffering of detainees and the abuse by guards and police officers.

Read more
Log in or register to start watching.

Subscribe for €30 and get one-year access to the 70+ films in our streaming library. This supports not only our magazine but also the filmmakers we represent. 

subscribe

yanco is a magazine and streaming library for short-form moving image

kortfilm.be vzw
Boondaalse Steenweg 249
1050 Elsene
BE 0478 441 315
info@yanco.be

with the support of the Flanders Audiovisual Fund (VAF) of the Flemish Government

VAF
  • about
  • colophon
  • privacy policy
Facebook Instagram LinkedIn YouTube Letterboxd
design by de Ronners
website by eps en kaas