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  • Sirens
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  • Language no dialogue

Sirens

Sirène
Raoul Servais, Belgium, 1968, 9’

Monstrous cranes and prehistoric flying reptiles dominate an inhospitable seaport. A lonely angler witnesses a strange idyll between a cabin boy and a mermaid. Dream or reality?

Credits

Script
Raoul Servais
Animation
Norbert Desyn, Raoul Servais, Willy Verschelde
Music
Lucien Goethals
Production
Absolon Films/Anagram
27
animation fiction fantasy

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On Its Way Down

Sebastian Schaevers, Belgium, 2022, 22’

Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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Scum Mutation

Ov, France, 2020, 10’

In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.

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Blow Up My Town

Chantal Akerman, Belgium, 1968, 13’

A young woman, played by Chantal Akerman herself, enters her flat in Brussels and begins a household routine that gradually degenerates. Parodying the everyday, she mops the floor, polishes her shoes, and sticks tape over the cracks in the door, thereby giving domestic life an explosive twist.

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Herman@s (Les Adelphes)

Hélène Alix Mourrier, France, 2021, 29’

Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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Da-Dzma

Jaro Minne, Belgium, 2019, 16’

Winter. A fifteen-year-old girl in a remote Georgian town tries to get closer to her older brother just as he decides to leave home in search of work abroad.

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Swollen Stigma

Sarah Pucill, United Kingdom, 1998, 21’

Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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Under the Sun

Eduardo Esquivel, Mexico, 2017, 15’

Ana’s life changes radically when she divorces at the age of 40. In front of her family, it gets harder every day to keep pretending everything is fine.

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Red Giant

Anne Verbeure, Belgium, 2021, 11’

Day and night, a giant sits on a hill, far away from his smaller fellow man. He fills his days organising things and making sure everything is in the right place at the right time.

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