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  • Note on Multitude
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  • Availability worldwide
  • Language no dialogue

part of
double bill #3

Note on Multitude

Ibro Hasanović, Belgium, Kosovo, 2015, 8’

A large and anxious crowd prevails in this chilling black-and-white short film, shot with one camera in Pristina, Kosovo, in 2015. Intimate, emotional, and sometimes violent moments of farewell: men, women, and children leave their homes for an (unknown) future as migrants.

Credits

Camera
Ibro Hasanović
Editor
Ibro Hasanović, Mathieu Jouffre
Sound
Nicolas Verhaeghe
Production
Neptune Barbu Films
63
documentary drama history portrait

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Oh Willy...

Emma De Swaef, Marc James Roels, Belgium, 2011, 17’

A gentle, middle-aged man returns to the nudist colony he grew up in to visit his elderly mother. Her sudden death leaves Willy in a state of sadness. He soon finds himself lost in the midst of a savage wilderness, trying to find comfort.

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Noonlight

Kayt Schneider, Belgium, 1991, 10’

Passing through the Noon Market in Brussels, filmmaker Kayt Schneider captures the peaceful, poetic coexistence of people and cultures.

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On Its Way Down

Sebastian Schaevers, Belgium, 2022, 22’

Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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I Am Good At Karate

Jess Dadds, United Kingdom, 2021, 11’

Portrait of a young teenager with mental health issues who is passionate about karate. They wander around a housing estate in East Kent, locked in verbal and physical battles with a hallucinatory demon.

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The Stopover

Collectif Faire-part, Belgium, DR Congo, 2022, 14’

Filmmakers Paul Shemisi and Nizar Saleh embark on a journey from the Democratic Republic of Congo to Germany to screen their latest film. However, during a layover in Angola, their trip takes a harrowing turn when airport authorities question the authenticity of their documents.

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I Don’t Feel At Home Anywhere Anymore

Viv Li, Belgium, China, 2020, 16’

A wistful but witty account of a trip to Beijing by filmmaker Viv Li, a Chinese art student who has been living abroad for ten years. Her stay with her family mercilessly exposes how uprooted she has become by her life abroad.

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Trains de plaisir

Henri Storck, Belgium, 1930, 8’

The beach and its sunbathers. A series of sketches, small moments that culminate in a wry, loving portrait of a Sunday at the beach.

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Herman@s (Les Adelphes)

Hélène Alix Mourrier, France, 2021, 29’

Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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