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This Day Won’t Last

This Day Won’t Last
Mouaad el Salem, Belgium, Tunisia, 2020, 25’
New York Film Festival

2020

Berwick Film and Media Arts Festival

2020

Courtisane

2021

Kurzfilm Festival Hamburg

2021

In this urgent diary film about longing for freedom and community, the filmmaker reflects on the individual yet collective experience of growing up queer in Tunisia today. Through personal videos and photographs, the film draws attention to the still-existing Article 230 brought by the French colonisers to criminalise homosexuality.

This Day Won’t Last (Mouaad el Salem, 2020)
This Day Won’t Last (Mouaad el Salem, 2020)
essay
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“Queers Were Here”

Mouaad el Salem’s This Day Won’t Last

Sanne Jehoul
22.04.2024

This Day Won’t Last carries risk in every shot; through el Salem’s urgency to film, his constraints of what he can film, the aesthetics of lo-fi phone footage, and the images captured on cheap disposable cameras. Even if the undeveloped film can contain desires and identities without danger, even if these clips do not contain immediate reveals, the images we receive are still constrained and chased by fears and threats. However, they are also an assertion of identity and belonging.

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Credits

Camera
Mouaad el Salem
Sound
David Chaloiti
Music
Huda Asfour
Producer
Mouaad el Salem, Nour Al Amal
167

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Akaboum

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The End of Suffering (A Proposal)

Jacqueline Lentzou, Greece, 2020, 14’

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A Letter to Mohamed

Christine Moderbacher, Belgium, Tunisia, Austria, 2013, 35’

This is a cinematic letter to the title character, who left Tunisia and now lives in Belgium. Shot in the first year after the Tunisian revolution, this is a poetic journey through a troubled landscape. Between order and chaos, the film reveals a land of disillusionment but also of humour and hope.

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Impossible Figures and Other Stories II

Marta Pajek, Poland, 2016, 15’

A woman trips and falls while rushing around the house. She gets up only to discover that her home has unusual features—it is built from paradoxes, filled with illusions, and covered with patterns.

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Mars, Oman

Vanessa del Campo, Belgium, 2019, 20’

Oman’s vast plains look so much like Mars that they are used as a training ground for astronauts. Two local girls gaze at the starry sky like curious scientists while the astronauts philosophise about living on the Red Planet.

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À Gis

Thiago Carvalhaes, Belgium, Portugal, 2017, 20’

The Brazilian trans woman Gisberta lived as an immigrant in Portugal. After she was brutally murdered, she became an icon for the transgender rights cause.

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3723 km As the Crow Flies

Oksana Luyssen, Ysé Auguste-Dormeuil, Belgium, 2024, 15’

Obtaining official documents is a symbol of coveted freedom and security for migrants. But how do you navigate the administrative labyrinth? This film explores the relationship between identity, race, and European bureaucracy.

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