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Scorpio Rising
Scorpio Rising (Kenneth Anger, 1964)

    Scorpio Rising

    Kenneth Anger, USA, 1964, 27’

    One of the first openly gay filmmakers in the United States, the work of Kenneth Anger was crucial within the queer cinema movement. His films often mix homoeroticism with surrealism.

    Scorpio Rising is perhaps Anger’s best-known work. Set to the beats of 1960s pop music, the film follows a group of bikers and explores the occult, homosexuality, and Nazism. It also idolises rebellious public figures such as James Dean and Marlon Brando.

    Its 1963 premiere in New York did not go unnoticed: the American Nazi Party filed a lawsuit, and the Lutheran Church accused Anger of plagiarism. Nevertheless, critics hailed the film as a game-changer. It not only inspired a lot of music videos but also filmmakers such as Martin Scorsese and Nicolas Winding Refn.

    Bio Kenneth Anger

    American underground legend Kenneth Anger (1927-2023) produced almost forty experimental short films, nine of which in particular have been grouped together as the ‘Magick Lantern Cycle’. They are the basis of Anger’s reputation as one of the most influential independent filmmakers in cinema history. His films variously merge surrealism with the occult and contain elements of documentary, psychodrama, and spectacle. Anger himself has been described as “one of America’s first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner,” and his “role in rendering gay culture visi …
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    • This film was #8 in the “Greatest” Short Films of All Time 2025
      voted by Carmen Gray, Didi Cheeka, Tianyu Jiang, Sanchai Chotirosseranee, Veton Nurkollari, Kyle Turner, Andrew Reichel, Paul Landriau, Daniel Mattes, Nuno Rodrigues, Taryn Joffe, Koyo Yamashita, Sven Pötting, Bennett Glace, Christoffer Ode, Michiel Philippaerts, Jade Wiseman, Simone Bardoni
    experimental avant-garde queer

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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    Swollen Stigma

    Sarah Pucill, United Kingdom, 1998, 21’

    Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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    Downside Up

    Tony Hill, United Kingdom, 1984, 18’

    With a single camera movement, this film explores humankind’s relationship to the ground. The viewpoint continuously changes. Places, objects, people, and events come in and out of focus. These observations gradually speed up and reveal a double-sided ground, flipping like a tossed coin, which then slows again to oscillate around the Earth’s edge.

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    Yarokamena

    Andrés Jurado, Colombia, Portugal, 2022, 21’

    In 20th-century Colombia, resistance fighter Yarokamena, a member of the indigenous Uitoto tribe, called for rebellion against violent exploitation of the rubber mining industry in the Amazone and invoked the spiritual powers of war.

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