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The Seasons
The Seasons (Artavazd Peleshian, 1975)

    The Seasons

    Տարվա եղանակները
    Artavazd Peleshian, Soviet Union, 1975, 29’

    According to Sergei Parajanov, the Armenian director of The Colour of Pomegranates (1969), his compatriot Artavazd Peleshian was “one of the few authentic geniuses of world cinema”. In The Seasons, Pelechian captures a reclusive farming community in its incessant struggle with the elements of nature. We see the villagers raising sheep and cattle, rolling haystacks down a hill, braving rain and storms, and celebrating a wedding. Accompanied by Vivaldi's “The Four Seasons”, these highlanders deliver feats of pure survival.

    The Seasons shows humanity trapped in a cruel but stunningly beautiful existence. Vast cloudscapes speedily glide across the Armenian highlands. To the melodious rhythm of camerawork, editing, and a lyrical score, Peleshian elevates this into a full-blown symphony of life.

    Bio Artavazd Peleshian

    Artavazd Peleshian is an Armenian director of essay films and documentaries. Creator of the “distange montage,” Peleshian removed the boundaries of feature and documentary films, editing both as a real poetic unity. Even his student works shot at VGIK, the oldest film school in Moscow, Russia, were awarded numerous prizes, and he gained recognition among filmmakers. Alongside his very successful solo career, which made him one of the key Soviet documentarians, Peleshian was invited to direct archive footage by such masters as Lev Kulidzhanov for Zvyozdnaya minuta (1972) and Andrey Konchalovskiy for Siberiada (1979). Peleshian is the author of a range of theoretical works, including his 1988 book Moyo kino (My Cinema).

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    238
    • This film was #16 in the “Greatest” Short Films of All Time 2025
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    documentary nature portrait

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    Dhiaa Biya, Morocco, Belgium, 2023, 16’

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    Meltse Van Coillie, Belgium, 2018, 27’

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    Martijn Van de Wiele, Belgium, 2021, 16’

    An artificial summer rules the greenhouse. Workers tend to carnations. In a multitude of splendid colours, they grow towards the sun until they’re ready to fulfill their cut-flower destiny. Carnations is an audiovisual meditation on movements within a carnation nursery close to filmmaker Martijn van de Wiele’s home.

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    À Gis

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    The Brazilian trans woman Gisberta lived as an immigrant in Portugal. After she was brutally murdered, she became an icon for the transgender rights cause.

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    Emmanuel Marre, Belgium, 2018, 40’

    Pierre, 25 years old and on a scholarship for a prestigious Parisian university, is lodged by Francine, who is 75, disabled, and confined to her wheelchair. Both puzzled and disoriented, they witness the French presidential elections of 2017 play out.

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    +6 Gain

    Jorn Plucieniczak, Belgium, 2019, 26’

    Symen and Sam pass their time in the monotony of a post-industrial suburb. They seem to linger in a kind of perpetual twilight countered by the invisible presence of ‘hardcore’. While gaming, they end up searching for the core of their desires.

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    3723 km As the Crow Flies

    Oksana Luyssen, Ysé Auguste-Dormeuil, Belgium, 2024, 15’

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