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The Seasons
The Seasons (Artavazd Peleshian, 1975)

    The Seasons

    Տարվա եղանակները
    Artavazd Peleshian, Soviet Union, 1975, 29’

    According to Sergei Parajanov, the Armenian director of The Colour of Pomegranates (1969), his compatriot Artavazd Peleshian was “one of the few authentic geniuses of world cinema”. In The Seasons, Pelechian captures a reclusive farming community in its incessant struggle with the elements of nature. We see the villagers raising sheep and cattle, rolling haystacks down a hill, braving rain and storms, and celebrating a wedding. Accompanied by Vivaldi's “The Four Seasons”, these highlanders deliver feats of pure survival.

    The Seasons shows humanity trapped in a cruel but stunningly beautiful existence. Vast cloudscapes speedily glide across the Armenian highlands. To the melodious rhythm of camerawork, editing, and a lyrical score, Peleshian elevates this into a full-blown symphony of life.

    Bio Artavazd Peleshian

    Artavazd Peleshian is an Armenian director of essay films and documentaries. Creator of the “distange montage,” Peleshian removed the boundaries of feature and documentary films, editing both as a real poetic unity. Even his student works shot at VGIK, the oldest film school in Moscow, Russia, were awarded numerous prizes, and he gained recognition among filmmakers. Alongside his very successful solo career, which made him one of the key Soviet documentarians, Peleshian was invited to direct archive footage by such masters as Lev Kulidzhanov for Zvyozdnaya minuta (1972) and Andrey Konchalovskiy for Siberiada (1979). Peleshian is the author of a range of theoretical works, including his 1988 book Moyo kino (My Cinema).

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    238
    • This film was #16 in the “Greatest” Short Films of All Time 2025
      voted by Juliana Arana Toscano, Aylin Gökmen, Mariana Hristova, Nina de Vroome, Flavia Mazzarino, Heleen Gerritsen, Inge Coolsaet, Miguel Dias, Boris Hadžija, Eneos Çarka, Dane Komljen, Gunter Deller, Dario Oliveira
    documentary nature portrait

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    Language of the Entrails

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    A journey to the underworld begins within our own entrails. This film explores the intimate rhythm of digestion only to next investigate the becoming of geological eras, inspired by Gamaliel Churata’s El Pez de Oro, in which he states, “we all carry the dead alive; that the dead live.”

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    On Its Way Down

    Sebastian Schaevers, Belgium, 2022, 22’

    Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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    Trajectory Drift

    Iván Castiñeiras Gallego, France, United Kingdom, 2018, 24’

    In a container, sitting between crates of merchandise, two men talk about their exile. Their stories about the crossing of endless borders come together in a common dream: to reach England.

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    Atopia

    Olivier De Vos, Belgium, 2021, 18’

    An introspective essay about the search for a place between reality and imagination: a placeless place made up out of dreams and a longing for fluidity. Slowly, the grains of the compressed image become the sands of the atopic beach, revealing an imaginary place.

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    The Stopover

    Collectif Faire-part, Belgium, DR Congo, 2022, 14’

    Filmmakers Paul Shemisi and Nizar Saleh embark on a journey from the Democratic Republic of Congo to Germany to screen their latest film. However, during a layover in Angola, their trip takes a harrowing turn when airport authorities question the authenticity of their documents.

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    +6 Gain

    Jorn Plucieniczak, Belgium, 2019, 26’

    Symen and Sam pass their time in the monotony of a post-industrial suburb. They seem to linger in a kind of perpetual twilight countered by the invisible presence of ‘hardcore’. While gaming, they end up searching for the core of their desires.

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    Herman@s (Les Adelphes)

    Hélène Alix Mourrier, France, 2021, 29’

    Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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    Noonlight

    Kayt Schneider, Belgium, 1991, 10’

    Passing through the Noon Market in Brussels, filmmaker Kayt Schneider captures the peaceful, poetic coexistence of people and cultures.

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