This is the story of Copa-Loca. Paulina is the girl at the heart of this abandoned Greek summer resort. Everyone cares for her and she cares about everyone – in every possible way.
Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.
During his heyday, Buster Keaton was also known as The Great Stone Face. The American comedian is best known for his silent films, which focus on physical comedy and his deadpan facial expressions.
Dedicated to nutrition and the human attitude towards “production animals”, this YouTube-found footage collage provides disturbing insights into the behaviour of a Western affluent society towards animal products.
In this short animated film by Wallace and Gromit creator Nick Park, various zoo animals are interviewed about their living conditions. The film points to issues regarding the living conditions of wild animals, but succeeds in doing so with a lot of humour.
An authoritative voice-over pre-empts the events in the image, seeming to order not only the people, cars, and moving objects on the screen but also the actual camera movements on the street in view. John Smith draws attention to how controlling and directional the practice of voice-over actually is.
In the Oscar-winning The Wrong Trousers, the kind-hearted, cheese-loving bachelor and inventor Wallace rents out his loyal and intelligent anthropomorphic dog’s bedroom to a penguin.
This bittersweet film from Jean Renoir, based on a story by Guy de Maupassant, is a tenderly comic idyll about a city family’s picnic in the French countryside and the romancing of the mother and grown daughter by two local men.
A little girl is taken on a mind-bending tour of her distant future. An element of childhood whimsy is integral to balancing out the film’s dark absurdism, paving the way for its core theme: life is precious, and the sadness permeating our day-to-day is a reminder to cherish it.
A wistful but witty account of a trip to Beijing by filmmaker Viv Li, a Chinese art student who has been living abroad for ten years. Her stay with her family mercilessly exposes how uprooted she has become by her life abroad.
Through dancing, The Motherfucker’s Birthday shows the evil of the dictator and the horror people endure under powerful political leaders. The film presents dancing, a universal and uniquely human activity often representing joy, with eerie footage of Saddam and his sons’ torture tools while they dance.
After managing to scrape together money to pay for an abortion, the director decides to celebrate with a party. In attendance are her geriatric ska musician neighbor, semi-retired gang affiliates, her gay roommate, and ever-present bedbugs.
In this hybrid 3D animated film, a pseudo-intellectual menagerie reflects on the contemporary political landscape on the other side of the Corsican Sea through dry wit and Disney fonts.
Charel, a bored, balding man in his fifties, still lives with his mother. The clumsy bachelor sees in her pet—a bass in a fishbowl that is far too small—the grandchild he never could give her.
London’s cultural diversity unfolds as Vivienne Dick portrays her friends, their lifestyles, what they talk about, and how they talk in this kaleidoscopic arrangement of encounters and re-enactments.
