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World of Tomorrow
World of Tomorrow (Don Hertzfeldt, 2015)

    World of Tomorrow

    Don Hertzfeldt, USA, 2015, 17’

    A little girl is taken on a mind-bending tour of her distant future. Originally conceived as a way to practice digital animation, Don Hertzfeldt’s short film features deceptively simple stick-figure characters amid abstract backgrounds. Its macabre humor, delivered primarily through Julia Pott’s monotone narration as clone Emily, is interspersed by the amusing, unscripted recordings of Winona Mae, Hertzfeldt’s then-four-year-old niece, as the original Emily. 

    This element of childhood whimsy is integral to balancing out the film’s dark absurdism, paving the way for its core theme: life is precious, and the sadness permeating our day-to-day is a reminder to cherish it.

    AFI Silver

    Bio Don Hertzfeldt

    Two-time Academy Award nominee Don Hertzfeldt (1976) is known for animated films such as It’s Such a Beautiful Day (2012), the World of Tomorrow series, and Rejected (2000). His work received hundreds of awards worldwide. At the Sundance Film Festival, he is the only filmmaker to have won the Grand Jury Prize for Short Film twice. After animating for over twenty years using traditional tools (pencil, paper, and 35mm cameras), World of Tomorrow was Hertzfeldt’s first digital production.

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    374
    • This film was #44 in the “Greatest” Short Films of All Time 2025
      voted by Veton Nurkollari, Marcin Luczaj, Taryn Joffe, Fabian Driehorst, Marie Ketzscher, Holly Knudsen
    animation fiction humour science fiction

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    Love Goes Through The Stomach

    NEOZOON, Germany, 2017, 15’

    Dedicated to nutrition and the human attitude towards “production animals”, this YouTube-found footage collage provides disturbing insights into the behaviour of a Western affluent society towards animal products.

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    she asked me where i was from

    Aulona Fetahaj, Belgium, Kosovo, 2020, 24’

    Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.

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    Paradise

    Laura Vandewynckel, Belgium, 2014, 6’

    People are heading for a better place on either side of the ocean. Although their paths do cross at times, they never really seem to meet. Paradise is a light-hearted yet critical reflection on the ethics of tourism.

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    On Its Way Down

    Sebastian Schaevers, Belgium, 2022, 22’

    Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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    Impossible Figures and Other Stories II

    Marta Pajek, Poland, 2016, 15’

    A woman trips and falls while rushing around the house. She gets up only to discover that her home has unusual features—it is built from paradoxes, filled with illusions, and covered with patterns.

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    Trains de plaisir

    Henri Storck, Belgium, 1930, 8’

    The beach and its sunbathers. A series of sketches, small moments that culminate in a wry, loving portrait of a Sunday at the beach.

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    Houses With Small Windows

    Bülent Öztürk, Belgium, 2013, 15’

    Dilan pays with her life for her forbidden love for a young man in a neighbouring village—a powerful poetic portrait of an honour killing in the rural Kurdish southeast of Turkey.

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    Scum Mutation

    Ov, France, 2020, 10’

    In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.

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