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World of Tomorrow
World of Tomorrow (Don Hertzfeldt, 2015)

    World of Tomorrow

    Don Hertzfeldt, USA, 2015, 17’

    A little girl is taken on a mind-bending tour of her distant future. Originally conceived as a way to practice digital animation, Don Hertzfeldt’s short film features deceptively simple stick-figure characters amid abstract backgrounds. Its macabre humor, delivered primarily through Julia Pott’s monotone narration as clone Emily, is interspersed by the amusing, unscripted recordings of Winona Mae, Hertzfeldt’s then-four-year-old niece, as the original Emily. 

    This element of childhood whimsy is integral to balancing out the film’s dark absurdism, paving the way for its core theme: life is precious, and the sadness permeating our day-to-day is a reminder to cherish it.

    AFI Silver

    Bio Don Hertzfeldt

    Two-time Academy Award nominee Don Hertzfeldt (1976) is known for animated films such as It’s Such a Beautiful Day (2012), the World of Tomorrow series, and Rejected (2000). His work received hundreds of awards worldwide. At the Sundance Film Festival, he is the only filmmaker to have won the Grand Jury Prize for Short Film twice. After animating for over twenty years using traditional tools (pencil, paper, and 35mm cameras), World of Tomorrow was Hertzfeldt’s first digital production.

    La Jetée
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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    374
    • This film was #44 in the “Greatest” Short Films of All Time 2025
      voted by Veton Nurkollari, Marcin Luczaj, Taryn Joffe, Fabian Driehorst, Marie Ketzscher, Holly Knudsen
    animation fiction humour science fiction

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    Oh Willy...

    Emma De Swaef, Marc James Roels, Belgium, 2011, 17’

    A gentle, middle-aged man returns to the nudist colony he grew up in to visit his elderly mother. Her sudden death leaves Willy in a state of sadness. He soon finds himself lost in the midst of a savage wilderness, trying to find comfort.

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    Scum Mutation

    Ov, France, 2020, 10’

    In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.

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    Herman@s (Les Adelphes)

    Hélène Alix Mourrier, France, 2021, 29’

    Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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    Meander

    Joke Liberge, Belgium, 2005, 15’

    On a hot summer day, five teenagers go to a river to cool off. They swim, they sleep, they eat snacks and ice cream. As music and dialogue are missing, everyday sounds attract attention: bicycles riding on gravel, feet gliding through water, gasps and splutters.

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    Impossible Figures and Other Stories II

    Marta Pajek, Poland, 2016, 15’

    A woman trips and falls while rushing around the house. She gets up only to discover that her home has unusual features—it is built from paradoxes, filled with illusions, and covered with patterns.

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    The End of Suffering (A Proposal)

    Jacqueline Lentzou, Greece, 2020, 14’

    Sofia is panicky again. The Universe decides to contact her—an other-worldly dialogue. Jacqueline Lentzou’s short film is a planet symphony for Mars, where people dream awake and fight for love.

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    Language of the Entrails

    Luciana Decker Orozco, Bolivia, USA, 2025, 12’

    A journey to the underworld begins within our own entrails. This film explores the intimate rhythm of digestion only to next investigate the becoming of geological eras, inspired by Gamaliel Churata’s El Pez de Oro, in which he states, “we all carry the dead alive; that the dead live.”

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    Following the Object to Its Logical Beginning

    Lynne Sachs, USA, 1987, 7’

    Like an animal in one of Eadweard Muybridge’s scientific photo experiments, five undramatic moments in a man’s life are observed by a woman. A study in visual obsession and a twist on the notion of the “gaze”.

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