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Abortion Party (Julia Mellen, 2025)
Abortion Party (Julia Mellen, 2025)

    Abortion Party

    Julia Mellen, Spain, 2025, 13’

    “Okay, there we go,” Julia Mellen declares in front of a webcam, her cat in her arms.  The Madrid-based Brazilian-American goes all out in her DIY-animated retelling of a garden party full of misfits that she organised at the age of twenty, following a successful (second) abortion. She’s not squeamish about poking fun at herself. Despite—or perhaps because of—her audiovisual bricolage, Mellen manages to embed herself seamlessly into the culture and slang of the digital generation, anno brat era.

    Mellen talks at breakneck speed. She recorded her canned voice on an iPhone because her sole pair of batteries needed to be shared between her keyboard and vibrator. The frame of her webcam nervously floats in all directions, and her animated 3D characters are often constructed from triangles, squares, and trapezoids. The result resembles a PowerPoint presentation, complete with crazy text animations. The chaotic Abortion Party is wildly funny but also painfully relevant, as Mellen herself concludes. “I didn’t think I was going to make this film anymore, but unfortunately it’s become topical again (...) Y’all love that.”

    Flo Vanhorebeek
    498

    This film was part of yanco’s April 2026 calendar

    animation documentary politics humour satire

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    In Curve Notes _ Stream

    Flavia Regaldo, Portugal, 2023, 7’

    Hand-painted watercolours explore bodies, desire, and the tension between both in this experimental animated film. Due to an explosion of colour and movement that escapes classical animation, an unusual sensorial force is achieved. Alternating colours, lines, and density, the drawings question pornography and normative sexuality.

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    A Letter to Mohamed

    Christine Moderbacher, Belgium, Tunisia, Austria, 2013, 35’

    This is a cinematic letter to the title character, who left Tunisia and now lives in Belgium. Shot in the first year after the Tunisian revolution, this is a poetic journey through a troubled landscape. Between order and chaos, the film reveals a land of disillusionment but also of humour and hope.

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    10th of November | 09:05

    Els Opsomer, Belgium, Turkey, 2008, 14’

    Every year on the 10th of November, at 09:05 in the morning, individuals across Turkey cease all activities. Cars pull over, and pedestrians stop and stand still, in remembrance of Mustafa Kemal Atatürk (founder and first president of the Republic of Turkey), who died on this day and time in 1938. Els Opsomer captures such a moment on film.

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    she asked me where i was from

    Aulona Fetahaj, Belgium, Kosovo, 2020, 24’

    Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.

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    Trajectory Drift

    Iván Castiñeiras Gallego, France, United Kingdom, 2018, 24’

    In a container, sitting between crates of merchandise, two men talk about their exile. Their stories about the crossing of endless borders come together in a common dream: to reach England.

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    Cyclepaths

    Anton Cla, Belgium, 2023, 12’

    On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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    Noonlight

    Kayt Schneider, Belgium, 1991, 10’

    Passing through the Noon Market in Brussels, filmmaker Kayt Schneider captures the peaceful, poetic coexistence of people and cultures.

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    Expires in 12 days
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    Mother’s

    Hippolyte Leibovici, Belgium, 2019, 22’

    In the dressing room of Cabaret Mademoiselle, Brussels’ hotspot for drag queens, four queer performers are getting ready in front of the mirror. It’s the perfect moment to talk and open up: an intergenerational conversation about coming out and a mother’s love.

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