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  • I Don’t Feel At Home Anywhere Anymore
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  • Language Chinese, English
  • Subtitles English

part of
double bill #25

I Don’t Feel At Home Anywhere Anymore

Viv Li, Belgium, China, 2020, 16’
IDFA

Special Mention 2020

Filmfest Dresden

2020

Beijing International Short Film Festival

2020

Thirty-year-old Viv Li is studying art in Belgium and hasn’t lived in her native China for ten years. During the Christmas holidays, she pays a nine-day visit to her family in Beijing, where it soon becomes clear that she feels like an outsider. Her grandmother thinks she’s too thin (“What kind of crap do you eat when you’re abroad?”), her uncle wants to know what she actually does for work, and a meeting with her ex-boyfriend causes grief. Political discussions reveal a deep information gap.

Losing your roots is a painful process, Li shows, though it has its humorous moments. In brief, unsubtitled scenes (the dialogue is summarized in titles above), this short film portrays the discomfort of the bird that has flown but temporarily returns to the nest. Li misses Beijing when she’s not there, but it drives her crazy if she stays there too long—the cruel fate of the migrant, subtly captured in modest but telling scenes. When Li returns to her home in Belgium, the alienation is complete.

IDFA

Bio Viv Li

Viv Li is a Chinese filmmaker and artist based in Berlin. Born and raised in Beijing, Viv spent the past fifteen years living in Europe, South America, and Southeast Asia. She holds a master’s in Directing from DocNomads. Viv also participated in Sundance Institute, Berlinale Talents, Chicken & Egg, IDFAcademy, Pop Up Film Residency, and received the Erasmus Mundus Scholarship. Her narrative short, Across the Waters, was nominated for the Short Film Palme d’Or at the 77th Cannes Film Festival and won the Lights On Women’s Worth Award. Her documentary, I Don't Feel At Home Anywhere Anymore, was awarded a special mention at IDFA. Currently, she is working on her first feature project in Berlin.

I Don’t Feel at Home Anywhere Anymore (Viv Li, 2020)
I Don’t Feel at Home Anywhere Anymore (Viv Li, 2020)
essay
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No Place Like Home

Viv Li’s I Don’t Feel at Home Anywhere Anymore

Bo Alfaro Decreton
22.02.2025

Li’s I Don’t Feel at Home Anywhere Anymore begins at the Beijing airport and ends in a grey Brussels shopping street where the word ‘home’ is ostentatiously and tackily displayed on a large shop window. She frames her return with the cold presence of non-lieux: places that, according to French anthropologist Marc Augé, have no history or identity and do not encourage interaction. Here, everyone remains anonymous. Li places these non-lieux in stark contrast to the home. A home that is not merely synonymous with the parental home or the city where she grew up, but also arises from friendships, memories, and familiar sights and views.

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Credits

Script
Viv Li
Camera
Viv Li
Editor
Viv Li
Sound
Viv Li
Film school
DocNomads
486
documentary drama humour

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10th of November | 09:05

Els Opsomer, Belgium, Turkey, 2008, 14’

Every year on the 10th of November, at 09:05 in the morning, individuals across Turkey cease all activities. Cars pull over, and pedestrians stop and stand still, in remembrance of Mustafa Kemal Atatürk (founder and first president of the Republic of Turkey), who died on this day and time in 1938. Els Opsomer captures such a moment on film.

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Waithood

Louisiana Mees-Fongang, Belgium, 2019, 21’

In Athens, five youngsters avoid waiting for an empty future by seeking entertainment in the luxurious Airbnb establishments that one of them is cleaning for a meagre fee.

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À Gis

Thiago Carvalhaes, Belgium, Portugal, 2017, 20’

The Brazilian trans woman Gisberta lived as an immigrant in Portugal. After she was brutally murdered, she became an icon for the transgender rights cause.

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Gestes du repas

Luc de Heusch, Belgium, 1958, 23’

This satirical ethnographic film shows eating Belgians in diverse contexts. Dinner scenes at weddings, funerals, Christmas, and New Year’s Eve portray a country: loneliness and community alternate, just as wealth and poverty.

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Love Goes Through The Stomach

NEOZOON, Germany, 2017, 15’

Dedicated to nutrition and the human attitude towards “production animals”, this YouTube-found footage collage provides disturbing insights into the behaviour of a Western affluent society towards animal products.

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Yarokamena

Andrés Jurado, Colombia, Portugal, 2022, 21’

In 20th-century Colombia, resistance fighter Yarokamena, a member of the indigenous Uitoto tribe, called for rebellion against violent exploitation of the rubber mining industry in the Amazone and invoked the spiritual powers of war.

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Carnations

Martijn Van de Wiele, Belgium, 2021, 16’

An artificial summer rules the greenhouse. Workers tend to carnations. In a multitude of splendid colours, they grow towards the sun until they’re ready to fulfill their cut-flower destiny. Carnations is an audiovisual meditation on movements within a carnation nursery close to filmmaker Martijn van de Wiele’s home.

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The Summer Movie

Emmanuel Marre, Belgium, 2017, 30’

A film about highways, tourists, concrete picnic tables, and lukewarm melons. About a man who wants to leave and a child who stops him. A summer movie.

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