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How Are You? (Caroline Poggi & Jonathan Vinel, 2025)
How Are You? (Caroline Poggi & Jonathan Vinel, 2025)

    How Are You?

    Comment ça va?
    Caroline Poggi, Jonathan Vinel, France, 2025, 31’

    Caroline Poggi and Jonathan Vinel’s How Are You? takes us to Roccapina, a paradise in minor key. In this hybrid 3D animated film, a pseudo-intellectual menagerie reflects on the contemporary political landscape on the other side of the Corsican Sea through dry wit and Disney fonts. Hope for progress is a scarce commodity, as the highly cuddly animals surrender to passivity.

    In her podcast, for instance, FanFan the literate elephant reflects on a revolution she will never start herself. A murderous penguin answers every question with “je sais pas”. Ideas that could turn the tide emerge aplenty from FanFan’s cosy monobloc chairs, but transforming theory into action is a bridge too far for everyone.

    Through their use of irony, Poggi and Vinel evoke an overwhelming sense of fatalism and inertia. Mankind is facing emptiness. Ignorance prevails over knowledge. Every news item is food for debate, rarely a call to action. Societal change is long overdue, but we seem to remain politically inert beings deliberately.

    Flo Vanhorebeek
    516

    This film is part of yanco’s December 2025 calendar

    animation experimental fiction politics humour satire

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    Impossible Figures and Other Stories II

    Marta Pajek, Poland, 2016, 15’

    A woman trips and falls while rushing around the house. She gets up only to discover that her home has unusual features—it is built from paradoxes, filled with illusions, and covered with patterns.

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    The Hymns of Muscovy

    Dimitri Venkov, Russia, 2018, 14’

    The Hymns of Muscovy is a trip to the eponymous planet, which is an upside-down space twin of the city of Moscow. Gliding along its surface, we look down at the sky and see historic architectural styles fly by—the exuberant Socialist Classicism, aka the Stalinist Empire, the laconic and brutalist Soviet Modernism, and the hodgepodge of their contemporary knock-offs and revivals.

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    The End of Suffering (A Proposal)

    Jacqueline Lentzou, Greece, 2020, 14’

    Sofia is panicky again. The Universe decides to contact her—an other-worldly dialogue. Jacqueline Lentzou’s short film is a planet symphony for Mars, where people dream awake and fight for love.

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    In Curve Notes _ Stream

    Flavia Regaldo, Portugal, 2023, 7’

    Hand-painted watercolours explore bodies, desire, and the tension between both in this experimental animated film. Due to an explosion of colour and movement that escapes classical animation, an unusual sensorial force is achieved. Alternating colours, lines, and density, the drawings question pornography and normative sexuality.

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    I Am Good At Karate

    Jess Dadds, United Kingdom, 2021, 11’

    Portrait of a young teenager with mental health issues who is passionate about karate. They wander around a housing estate in East Kent, locked in verbal and physical battles with a hallucinatory demon.

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    The Migrating Image

    Stefan Kruse Jørgensen, Denmark, 2018, 28’

    Following a fictional group of refugees across Europe, the film questions the overproduction of images surrounding real-life tragedies and deaths.

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    Following the Object to Its Logical Beginning

    Lynne Sachs, USA, 1987, 7’

    Like an animal in one of Eadweard Muybridge’s scientific photo experiments, five undramatic moments in a man’s life are observed by a woman. A study in visual obsession and a twist on the notion of the “gaze”.

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    Working Knowledge of Ritual

    Hannan Jones, Australia, 2023, 4’

    By interweaving esoteric texts and images, Working Knowledge of Ritual underscores the interconnectedness of spirituality and nature. The film muses on our energies alongside the natural world, inspired by the writings of Leonard Jones.

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