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  • La Soufrière: Waiting for an Inevitable Catastrophe
La Soufrière: Warten auf eine unausweichliche Katastrophe
La Soufrière: Warten auf eine unausweichliche Katastrophe (Werner Herzog, 1977)

    La Soufrière: Waiting for an Inevitable Catastrophe

    La Soufrière: Warten auf eine unausweichliche Katastrophe
    Werner Herzog, Germany, Guadeloupe, 1977, 31’

    In 1976, the announcement of the imminent eruption of La Soufrière, Guadeloupe’s main volcano, left Basse-Terre completely depopulated. Werner Herzog travels there with his team and two cameramen as the danger reaches its peak. The city he finds is ghostly, and the crater is inaccessible. But Herzog is there to meet a man who is said to have stayed behind. He meets three farmers. Like wandering souls on the eve of the apocalypse, they seem serene and display a fatalism of unshakeable wisdom. 

    Herzog’s penchant for extreme situations and characters is once again central to this film. And when disaster ultimately fails to materialize, he focuses on conversations with these men, black farmers who have been abandoned on French territory, continuing his anthropological quest to understand the suffering of people in their environment. In 2016, he returned to filming active volcanoes, this time from closer up, in the Netflix production Into the Inferno. 

    Madeline Robert, Visions du Réel

    Bio Werner Herzog

    Author, opera director, and filmmaker Werner Herzog (1942) is a pioneer of New German Cinema. His films often feature ambitious protagonists with impossible dreams, people with unique talents in obscure fields, or individuals in conflict with nature. He is known for his unique filmmaking process, such as disregarding storyboards, emphasising improvisation, and placing the cast and crew in situations similar to those of the characters in his films.  François Truffaut once called Herzog “the most important film director alive,” and American critic Roger Ebert said that Herzog “has never created a single film that is compromised, shameful, made …
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    • This film was #78 in the “Greatest” Short Films of All Time 2025
      voted by Ivan Ramljak, Courtney Stephens, Shuli Huang, Cátia Rodrigues
    documentary nature portrait

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    On Its Way Down

    Sebastian Schaevers, Belgium, 2022, 22’

    Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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    she asked me where i was from

    Aulona Fetahaj, Belgium, Kosovo, 2020, 24’

    Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.

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    I Don’t Feel At Home Anywhere Anymore

    Viv Li, Belgium, China, 2020, 16’

    A wistful but witty account of a trip to Beijing by filmmaker Viv Li, a Chinese art student who has been living abroad for ten years. Her stay with her family mercilessly exposes how uprooted she has become by her life abroad.

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    The Stopover

    Collectif Faire-part, Belgium, DR Congo, 2022, 14’

    Filmmakers Paul Shemisi and Nizar Saleh embark on a journey from the Democratic Republic of Congo to Germany to screen their latest film. However, during a layover in Angola, their trip takes a harrowing turn when airport authorities question the authenticity of their documents.

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    À Gis

    Thiago Carvalhaes, Belgium, Portugal, 2017, 20’

    The Brazilian trans woman Gisberta lived as an immigrant in Portugal. After she was brutally murdered, she became an icon for the transgender rights cause.

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    Carnations

    Martijn Van de Wiele, Belgium, 2021, 16’

    An artificial summer rules the greenhouse. Workers tend to carnations. In a multitude of splendid colours, they grow towards the sun until they’re ready to fulfill their cut-flower destiny. Carnations is an audiovisual meditation on movements within a carnation nursery close to filmmaker Martijn van de Wiele’s home.

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    0.2 Milligrams of Gold

    Diego Quinderé de Carvalho, Belgium, Hungary, Portugal, 2021, 24’

    Eight thousand five hundred kilometres lie between the Amazon and the Ardennes. In his home country of Brazil, filmmaker Diego looks at the inaccessible forest from the outside. Its Belgian counterpiece, however, is easier to explore.

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    Snow Edge

    Juan Francisco Rodríguez, Colombia, 2021, 15’

    The thaw of the so-called eternal snow of Páramo, a neotropical alpine ecosystem in the high Andes, exposes a layer of meaning about the origins and survival of the landscape.

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