Skip to main content
yanco Home
Menu
  • Home
  • watch
  • magazine
  • calendar
  • index
  • Subscribe
Search Log in
  • nl
  • en
You are here
  • Home
  • Index
  • La Soufrière: Waiting for an Inevitable Catastrophe
La Soufrière: Warten auf eine unausweichliche Katastrophe
La Soufrière: Warten auf eine unausweichliche Katastrophe (Werner Herzog, 1977)

    La Soufrière: Waiting for an Inevitable Catastrophe

    La Soufrière: Warten auf eine unausweichliche Katastrophe
    Werner Herzog, Germany, Guadeloupe, 1977, 31’

    In 1976, the announcement of the imminent eruption of La Soufrière, Guadeloupe’s main volcano, left Basse-Terre completely depopulated. Werner Herzog travels there with his team and two cameramen as the danger reaches its peak. The city he finds is ghostly, and the crater is inaccessible. But Herzog is there to meet a man who is said to have stayed behind. He meets three farmers. Like wandering souls on the eve of the apocalypse, they seem serene and display a fatalism of unshakeable wisdom. 

    Herzog’s penchant for extreme situations and characters is once again central to this film. And when disaster ultimately fails to materialize, he focuses on conversations with these men, black farmers who have been abandoned on French territory, continuing his anthropological quest to understand the suffering of people in their environment. In 2016, he returned to filming active volcanoes, this time from closer up, in the Netflix production Into the Inferno. 

    Madeline Robert, Visions du Réel

    Bio Werner Herzog

    Author, opera director, and filmmaker Werner Herzog (1942) is a pioneer of New German Cinema. His films often feature ambitious protagonists with impossible dreams, people with unique talents in obscure fields, or individuals in conflict with nature. He is known for his unique filmmaking process, such as disregarding storyboards, emphasising improvisation, and placing the cast and crew in situations similar to those of the characters in his films.  François Truffaut once called Herzog “the most important film director alive,” and American critic Roger Ebert said that Herzog “has never created a single film that is compromised, shameful, made …
    412
    • This film was #78 in the “Greatest” Short Films of All Time 2025
      voted by Ivan Ramljak, Courtney Stephens, Shuli Huang, Cátia Rodrigues
    documentary nature portrait

    Watch more

    Read more

    Note on Multitude

    Ibro Hasanović, Belgium, Kosovo, 2015, 8’

    Intimate, emotional, and sometimes violent moments of farewell: men, women, and children leave their homes for an (unknown) future as migrants.

    Read more
    Read more

    what else grows on the palm of your hand?

    Dhiaa Biya, Morocco, Belgium, 2023, 16’

    The routines of two women fuse together over time. One is busy with her bread, the other with her memories. Their similar gestures, repeated again and again, slowly unfold the special bond that unites them.

    Read more
    Read more

    Pirate Boys

    Pol Merchan, Germany, 2018, 13’

    Punk author Kathy Acker’s work is the starting point for a conversation about gender identity and body transformation and is linked to the punk movement of the 1970s and 1980s.

    Read more
    Read more

    The Migrating Image

    Stefan Kruse Jørgensen, Denmark, 2018, 28’

    Following a fictional group of refugees across Europe, the film questions the overproduction of images surrounding real-life tragedies and deaths.

    Read more
    Read more

    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

    Read more
    Read more

    Da-Dzma

    Jaro Minne, Belgium, 2019, 16’

    Winter. A fifteen-year-old girl in a remote Georgian town tries to get closer to her older brother just as he decides to leave home in search of work abroad.

    Read more
    Read more

    Ours is a Country of Words

    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

    Read more
    Read more

    À l’usage des vivants

    Pauline Fonsny, Belgium, 2019, 27’

    In 1998, Semira Adamu, a 20-year-old Nigerian immigrant, died on Belgian soil of suffocation under a police pillow. Twenty years later, two women tell her story in a cry for justice. Through this film, they highlight the reality of detention centres: the harsh conditions of confinement, the suffering of detainees and the abuse by guards and police officers.

    Read more
    Log in or register to start watching.

    Subscribe for €30 and get one-year access to the 70+ films in our streaming library. This supports not only our magazine but also the filmmakers we represent. 

    subscribe

    yanco is a magazine and streaming library for short-form moving image

    kortfilm.be vzw
    Boondaalse Steenweg 249
    1050 Elsene
    BE 0478 441 315
    info@yanco.be

    with the support of the Flanders Audiovisual Fund (VAF) of the Flemish Government

    VAF
    • about
    • colophon
    • privacy policy
    Facebook Instagram LinkedIn YouTube Letterboxd
    design by de Ronners
    website by eps en kaas