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  • Old Child
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  • Availability worldwide
  • Language Arabic
  • Subtitles English, French, Italian

In solidarity with the Palestinian people, yanco will donate its part of the income made through transactional video on demand sales of Old Child to UNRWA, United Nations Relief and Works Agency for Palestine Refugees in the Near East.

part of
double bill #21

Old Child

Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’
Cinéma du Réel

2020

DocLisboa

2020

Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

Bio Elettra Bisogno

Born in Italy in 1993, Elettra Bisogno grew up in various European cities. After studying graphic design in Italy, where she specializes in experimental printmaking, she moves to Brussels and instinctively turns to the moving image. She draws inspiration and forges herself from watching and listening to the world, in its beauty and its injustice. Graduating in 2021 from KASK & Conservatorium in the film programme, she emerges as a documentary filmmaker with two short films: Ultima Cassa (2018) and Old Child (2020). She is now working with Mohanad Yaqubi on the research project, Aesthetics of Transnational Solidarity, at KASK & Conservatorium.

Bio Hazem Alqaddi

Hazem Alqaddi (1998) graduated from the UNRWA Schools in Gaza and arrived in Belgium in 2018, eager for a new life outside of occupied Palestine. He is a passionate rollerblader, kitemaker, chef, and storyteller. He discovered filmmaking in 2019 when he co-directed Old Child (2020) and has been recording with commitment ever since to express what’s on his mind. His feature debut, made together with Elettra Bisogno,The Roller, The Life, The Fight, premiered in 2024.
Old Child (Elettra Bisogno & Hazem Alqaddi, 2019)
Old Child (Elettra Bisogno & Hazem Alqaddi, 2019)
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Flickering Memories

Elettra Bisogno & Hazem Alqaddi’s Old Child

Savina Petkova
10.05.2025
essay

For a refugee or an immigrant, memories of a prior life are not simply broken; they are snapped in two, three, four, or more pieces and doomed to exist separately. These split memories can emit a particular shine, as attested by Elettra Bisogno and Hazem Alqaddi’s short Old Child. The film dwells in the paradox of its title, where old age and childhood are readily coupled, as if there were no time or space in between these two ends of a human life spectrum. Of course, the title also holds melancholy, which is only one feeling in the vast emotional landscape of Old Child.

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Old Child (Elettra Bisogno en Hazem Alqaddi, 2019)
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Rolschaatsen als verzet

Elettra Bisogno en Hazem Alqaddi’s Old Child

Yousra Benfquih
26.10.2024
artikel

In Old Child van Elettra Bisogno en Hazem Alqaddi schetsen droomachtige, onscherpe beelden de herinneringen van Hazem, die uit Gaza migreerde naar België. Halverwege de kortfilm, wanneer hij steile trappen af dendert, leren we dat Hazem een rolschaatser is. Meer dan een moment van kinderlijke vreugde middenin een stroom van complexere beelden en traumatische herinneringen die voor Hazem’s geestesoog verschijnen, symboliseert het rolschaatsen een verlangen naar beweging — in sterk contrast met de beperkingen op de bewegingsvrijheid van de Palestijnen in de context van hun koloniale bezetting.

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Credits

Cast
Hazem Alqaddi
Camera
Elettra Bisogno, Hazem Alqaddi
Editor
Elettra Bisogno
Sound
Elettra Bisogno, Hazem Alqaddi
Music
Ali Zeitoune, Fausto Romitelli
Producer
Geoffrey Devolder
Production
Tahin Productions
351
experimental documentary drama portrait

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Thiago Carvalhaes, Belgium, Portugal, 2017, 20’

The Brazilian trans woman Gisberta lived as an immigrant in Portugal. After she was brutally murdered, she became an icon for the transgender rights cause.

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D’un château l’autre

Emmanuel Marre, Belgium, 2018, 40’

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Punk author Kathy Acker’s work is the starting point for a conversation about gender identity and body transformation and is linked to the punk movement of the 1970s and 1980s.

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Cyclepaths

Anton Cla, Belgium, 2023, 12’

On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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elephantfish

Meltse Van Coillie, Belgium, 2018, 27’

A ship drifts in the middle of an endless sea. Aboard is a crew of five. They all cope with boredom — some by trying to overpower it; others by escaping into a parallel world guided by dreams.

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The Jungle Knows You Better Than You Do

Juanita Onzaga, Belgium, Colombia, 2017, 20’

Two siblings roam the mystical landscapes of Colombia, searching for their dead father's spirit. Their journey takes them from the city of Bogotá to the jungle, through realms of thought and deep into their haunted dreams.

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Before Then

Mengzhu Xue, China, Germany, 2024, 30’

Every form of communication involves deciphering codes. In Before Then, Mengzhu Xue attempts to confess a secret in the form of a letter in English, which she writes out phonetically in Chinese, and asks her grandmother to read out loud.

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