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  • 3723 km As the Crow Flies
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  • Language French, Greek
  • Subtitles Dutch, English, French, Spanish

part of
double bill #32

3723 km As the Crow Flies

Oksana Luyssen, Ysé Auguste-Dormeuil, Belgium, 2024, 15’

Obtaining official documents is a symbol of coveted freedom and security for migrants. But how do you navigate the administrative labyrinth, where your application might be rejected by nothing more than a poorly cropped photo? 

Set in Greece, this film explores the relationship between identity, race, and European bureaucracy. To meet the Greek government’s strict criteria, Nick, a photographer in Piraeus, finds himself forced to retouch the features of those who are refused entry. Two immigrants take us through the streets of Athens, where their place in society is being built step by step.

Bio Oksana Luyssen

Oksana Kobeleva Luyssen is a French cinematographer and director, a graduate of INSAS in Brussels. 3723 km As the Crow Flies (2024) is her first joint venture with Ysé Auguste-Dormeuil.

Bio Ysé Auguste-Dormeuil

Ysé Auguste-Dormeuil is a French editor. She made 3723 km As the Crow Flies with filmmaker Oksana Kobeleva Luyssen.

Credits

Script
Oksana Luyssen, Ysé Auguste-Dormeuil
Film school
INSAS
Producer
Manon Ledune
507

This film is part of yanco’s streaming library

essay documentary politics

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The Living Wardrobe

Martí Madaula Esquirol, Spain, USA, 2024, 18’

Martí arrives in Bilbao for an artistic residency. In his new room, his clothes occupy only a small portion of the enormous wardrobe. But when he meets someone, the wardrobe slowly begins to fill up. Where has the emptiness gone, the free space, the little corner that was his?

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The White Elephant

Shuruq Harb, Palestine, 2018, 12’

Using images shared on the Internet by Israelis during the Gulf War, the First Intifada, and trance music gatherings, Shuruq Harb paints the portrait of a Palestinian teenager in the 1990s. In the midst of Israeli pop culture and the political climate of the Oslo Accords, she comes to grips with her anxiety.

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Magic, a portrait of Joris

Chloë Delanghe, Belgium, 2018, 15’

In Magic, a portrait of Joris, images sourced from different periods in time are glued together. Worn-out VHS footage filmed by the artist’s father is placed beside 8mm images she filmed herself. Both have the same subject: one boy, both a son and a brother. Connecting images of then and now, a new narrative of remembering opens up.

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Workers Leaving the Lumière Factory

Louis Lumière, France, 1895, 1’

A man opens the large gate of the Lumière factory in Lyon, France, in 1895. Through the gate and a smaller door next to it, workers stream out for lunch. Once all the workers have left the factory, the gatekeeper closes the gate again.

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Love Goes Through The Stomach

NEOZOON, Germany, 2017, 15’

Dedicated to nutrition and the human attitude towards “production animals”, this YouTube-found footage collage provides disturbing insights into the behaviour of a Western affluent society towards animal products.

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Scum Mutation

Ov, France, 2020, 10’

In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.

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Before Then

Mengzhu Xue, China, Germany, 2024, 30’

Every form of communication involves deciphering codes. In Before Then, Mengzhu Xue attempts to confess a secret in the form of a letter in English, which she writes out phonetically in Chinese, and asks her grandmother to read out loud.

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she asked me where i was from

Aulona Fetahaj, Belgium, Kosovo, 2020, 24’

Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.

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