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  • Language no dialogue

part of
double bill #34

Meander

Joke Liberge, Belgium, 2005, 15’
IFFR

Best Short Film - Prix UIP 2006

On a hot summer day, five teenagers go to a river to cool off. They swim, they sleep, they eat snacks and ice cream. Joke Liberge captures the skinny bodies and the surroundings with a keen eye for detail. As music and dialogue are missing, everyday sounds attract attention: bicycles riding on gravel, feet gliding through water, gasps and splutters. 

Bio Joke Liberge

Joke Liberge (1972) graduated from the Dutch Film Academy in Amsterdam in 2001 with the short film Jana. She then moved to Brussels, where she directed several music videos and Meander, which won several awards. 

Meander (Joke Liberge, 2005)
Meander (Joke Liberge, 2005)
essay
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The In-Between

Joke Liberge’s Meander (2005)

Boet Meijers
20.07.2026

As on any successful summer’s day, close to nothing happens. The boys compete for the girls’ attention, while the girls, for their part, see them as nothing more than little brothers. Still, they do steal glances from one another. This emptiness contrasts with a wealth of sensory experiences: gentle breezes rustling through the treetops, feet on wooden decking and a summer sun generously casting its light over everything—all of which make the season feel like the protagonist, so tangibly rendered on the big screen. But unlike how such an afternoon would actually sound, Meander is devoid of dialogue.

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Credits

Script
Joke Liberge
Camera
Nicolas Karakatsanis
Editor
Els Voorspoels
Producer
Els Voorspoels
511

This film is part of yanco’s streaming catalogue

fiction coming-of-age 35mm

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The End of Suffering (A Proposal)

Jacqueline Lentzou, Greece, 2020, 14’

Sofia is panicky again. The Universe decides to contact her—an other-worldly dialogue. Jacqueline Lentzou’s short film is a planet symphony for Mars, where people dream awake and fight for love.

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Blow Up My Town

Chantal Akerman, Belgium, 1968, 13’

A young woman, played by Chantal Akerman herself, enters her flat in Brussels and begins a household routine that gradually degenerates. Parodying the everyday, she mops the floor, polishes her shoes, and sticks tape over the cracks in the door, thereby giving domestic life an explosive twist.

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Following the Object to Its Logical Beginning

Lynne Sachs, USA, 1987, 7’

Like an animal in one of Eadweard Muybridge’s scientific photo experiments, five undramatic moments in a man’s life are observed by a woman. A study in visual obsession and a twist on the notion of the “gaze”.

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Akaboum

Manon Vila, France, 2019, 30’

A portrait of contemporary suburban youth seeking to invent new contours of collective identity, against the backdrop of France in the throes of recession.

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The White Elephant

Shuruq Harb, Palestine, 2018, 12’

Using images shared on the Internet by Israelis during the Gulf War, the First Intifada, and trance music gatherings, Shuruq Harb paints the portrait of a Palestinian teenager in the 1990s. In the midst of Israeli pop culture and the political climate of the Oslo Accords, she comes to grips with her anxiety.

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Water and Salt

Luisa Mello, Belgium, Brazil, 2019, 10’

A journey through the consciousness of a woman whose country is under threat from a fascist government.

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Language of the Entrails

Luciana Decker Orozco, Bolivia, USA, 2025, 12’

A journey to the underworld begins within our own entrails. This film explores the intimate rhythm of digestion only to next investigate the becoming of geological eras, inspired by Gamaliel Churata’s El Pez de Oro, in which he states, “we all carry the dead alive; that the dead live.”

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Under the Sun

Eduardo Esquivel, Mexico, 2017, 15’

Ana’s life changes radically when she divorces at the age of 40. In front of her family, it gets harder every day to keep pretending everything is fine.

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