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  • Meander
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  • Language no dialogue

part of
double bill #34

Meander

Joke Liberge, Belgium, 2005, 15’
IFFR

Best Short Film - Prix UIP 2006

On a hot summer day, five teenagers go to a river to cool off. They swim, they sleep, they eat snacks and ice cream. Joke Liberge captures the skinny bodies and the surroundings with a keen eye for detail. As music and dialogue are missing, everyday sounds attract attention: bicycles riding on gravel, feet gliding through water, gasps and splutters. 

Bio Joke Liberge

Joke Liberge (1972) graduated from the Dutch Film Academy in Amsterdam in 2001 with the short film Jana. She then moved to Brussels, where she directed several music videos and Meander, which won several awards. 

Meander (Joke Liberge, 2005)
Meander (Joke Liberge, 2005)
essay
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The In-Between

Joke Liberge’s Meander (2005)

Boet Meijers
20.07.2026

As on any successful summer’s day, close to nothing happens. The boys compete for the girls’ attention, while the girls, for their part, see them as nothing more than little brothers. Still, they do steal glances from one another. This emptiness contrasts with a wealth of sensory experiences: gentle breezes rustling through the treetops, feet on wooden decking and a summer sun generously casting its light over everything—all of which make the season feel like the protagonist, so tangibly rendered on the big screen. But unlike how such an afternoon would actually sound, Meander is devoid of dialogue.

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Credits

Script
Joke Liberge
Camera
Nicolas Karakatsanis
Editor
Els Voorspoels
Producer
Els Voorspoels
511

This film is part of yanco’s streaming catalogue

fiction coming-of-age 35mm

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Nowhere Else

Lee Kyeong-won, South Korea, 2021, 28’

After going missing, a woman is unable to remember her past until her former husband pays her a visit and she recalls a memory of where she lived with the man a long time ago.

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Sirens

Raoul Servais, Belgium, 1968, 9’

A lonesome angler becomes witness to an eccentric idyll between a cabin boy and a mermaid. Dream or reality?

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Herman@s (Les Adelphes)

Hélène Alix Mourrier, France, 2021, 29’

Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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Because We Are Visual

Gerard-Jan Claes, Olivia Rochette, Belgium, 2010, 47’

By means of visual material gathered from online sources, filmmakers Olivia Rochette and Gerard-Jan Claes create a unique poetic realm in which thoughts, fears, desires, and worries are shared via webcam, and merge together.

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Language of the Entrails

Luciana Decker Orozco, Bolivia, USA, 2025, 12’

A journey to the underworld begins within our own entrails. This film explores the intimate rhythm of digestion only to next investigate the becoming of geological eras, inspired by Gamaliel Churata’s El Pez de Oro, in which he states, “we all carry the dead alive; that the dead live.”

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Water and Salt

Luisa Mello, Belgium, Brazil, 2019, 10’

A journey through the consciousness of a woman whose country is under threat from a fascist government.

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Following the Object to Its Logical Beginning

Lynne Sachs, USA, 1987, 7’

Like an animal in one of Eadweard Muybridge’s scientific photo experiments, five undramatic moments in a man’s life are observed by a woman. A study in visual obsession and a twist on the notion of the “gaze”.

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Blow Up My Town

Chantal Akerman, Belgium, 1968, 13’

A young woman, played by Chantal Akerman herself, enters her flat in Brussels and begins a household routine that gradually degenerates. Parodying the everyday, she mops the floor, polishes her shoes, and sticks tape over the cracks in the door, thereby giving domestic life an explosive twist.

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