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Radu Jude
Radu Jude participated in “Greatest” Short Films of All Time 2025, a first-ever poll of its kind as a collective love letter to the art of short-form moving image. yanco and Kurzfilm Festival Hamburg, in collaboration with Talking Shorts, invited filmmakers, curators, distributors, critics, and scholars worldwide to nominate 10 audiovisual works under sixty minutes that they personally consider the “greatest” of all time. This was Radu Jude’s submission:
I would add all the photographs in the world, all home movies, all Instagram and TikTok videos, etc., and all the videos in all the smartphones in the world because I believe in the infinite cinema: “A polymorphous camera has always turned, and will turn forever, its lenses focused upon all the appearances of the world. Before the invention of still photography, the frames of the infinite cinema were blank, black leader; then a few images began to appear upon the endless ribbon of film. Since the birth of the photographic cinema, all the frames are filled with images. There is nothing in the structural logic of the cinema filmstrip that precludes sequestering any single image. A still photograph is simply an isolated frame taken out of the infinite cinema.” (Hollis Frampton, For a Metahistory of Film: Commonplace Notes and Hypotheses)
— Radu Jude| Movie | Original Title | Director | Country | Year | Duration | |
|---|---|---|---|---|---|---|
| La Sortie de l’usine Lumière à Lyon Workers Leaving the Lumière Factory | Louis Lumière | France | 1895 | 1’ | ||
| Le Voyage dans la Lune | Georges Méliès | France | 1902 | 15’ | ||
| Cops | Buster Keaton , Edward F. Cline | USA | 1922 | 18’ | ||
| Un Chien Andalou | Luis Buñuel | France | 1928 | 21’ | ||
| Zéro de conduite : Jeunes diables au collège Zero for Conduct | Jean Vigo | France | 1933 | 41’ | ||
| La Jetée | Chris Marker | France | 1962 | 28’ | ||
| The House Is Black Khaneh siah ast | Forugh Farrokzhad | Iran | 1963 | 22’ | ||
| Return of an Adventurer Le retour d’un aventurier | Moustapha Alassane | France, Niger | 1966 | 34’ | ||
| Wavelength | Michael Snow | Canada, USA | 1967 | 45’ | ||
| De l’origine du XXIe siècle | Jean-Luc Godard | France, Switzerland | 2000 | 16’ | ||