Arta Barzanji

Arta Barzanji is an Iranian filmmaker, critic, curator, and lecturer based in London. He is an AHRC-funded PhD candidate at the University of Roehampton, where his practice-based research focuses on film criticism and dialectical thought. He is an alumnus of the critics’ programmes at the Locarno and Ghent Film Festivals, and his writing—in both Farsi and English—has appeared in outlets such as Cineaste, MUBI Notebook, Sabzian, and Documentary Magazine. Arta’s forthcoming academic publications include an essay for Routledge Resources Online and a book chapter for Edinburgh University Press.

As a curator, Arta has collaborated with London’s Institute of Contemporary Arts (ICA), UCLA Film and Television Archive, and The Cinema Museum, programming seasons dedicated to Serge Daney, Cinema-ye Azad, and Amir Naderi. Arta’s filmmaking practice encompasses wordless avant-garde shorts and experimental-narrative hybrids, engaging with the work of filmmakers such as Stan Brakhage and Malcolm Le Grice, and exploring the relationship between the viewer and the screen. His current project is a feature-length documentary titled Unfinished: Kamran Shirdel.

Arta Barzanji participated in “Greatest” Short Films of All Time 2025, a first-ever poll of its kind as a collective love letter to the art of short-form moving image. yanco and Kurzfilm Festival Hamburg, in collaboration with Talking Shorts, invited filmmakers, curators, distributors, critics, and scholars worldwide to nominate 10 audiovisual works under sixty minutes that they personally consider the “greatest” of all time. This was Arta Barzanji’s submission:

Movie Original Title Director Country Year Duration
Another Occupation Ken Jacobs USA 2011 15’

You will be missed dearly, Ken Jacobs.

La Jetée Chris Marker France 1962 28’

“Nothing tells memories from ordinary moments. Only afterwards do they claim remembrance, on account of their scars.” A film that scars me deeper with each passing year.

Remains to Be Seen Phil Solomon USA 1989 17’

Celluloid ruins. One of the greatest American filmmakers of the post-war era takes Bresson’s maxim on creation, “not by adding but by taking away”, to the level of the negative itself. I could have picked at least 4 or 5 other films by Solomon in this place.

Threshold Malcolm Le Grice United Kingdom 1972 13’

The spectre of a film or a film of spectres. Moved me so much to create my bachelor’s thesis film “halluCINEtions,” around it.

Swing You Sinners! Dave Fleischer USA 1930 9’
Liberty and Homeland Liberté et Patrie Jean-Luc Godard , Anne-Marie Miéville Switzerland, France 2002 21’
Sherlock Jr. Buster Keaton USA 1927 44’
Instructions for a Light and Sound Machine Peter Tscherkassky Austria 2005 16’
Trees of Syntax, Leaves of Axis Daïchi Saïto Canada 2009 10’
I, Dalio Mark Rappaport USA 2015 33’