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part of
double bill #22

On Its Way Down

La Chute
Sebastian Schaevers, Belgium, 2022, 22’
Film Fest Gent

2022

Kortfilmfestival Leuven

2022

Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. What can they do? They can’t stop the world from falling apart. And when the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

La Chute (Sebastian Schaevers, 2022)
La Chute (Sebastian Schaevers, 2022)
article
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When the Sky Falls

Sebastian Schaevers’ On Its Way Down

Jannes Callens
10.10.2025

Sebastian Schaevers constantly seeks visual and narrative strategies to capture a man-made problem that has become so overwhelming it exceeds human capacity to cope. We are heading for an almost sublime aesthetic experience of our own demise. On Its Way Down leaves no scene unused to launch metaphors about human attitudes toward the impending ecological disaster.

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Credits

Script
Joren Peeters, Sebastian Schaevers
Cast
Alan Crettaz, Kylian Laude, Léa Guillou, Loris Guillaume, Luc Jotterand, Matteo Lochmatter
Camera
Sebastian Schaevers
Editor
Sebastian Schaevers
Sound
Laurens Desmet, Raf Enckels, Sebastian Schaevers
Music
Daan Geysen, Elisabeth Klinck, Michiel Renson
Film school
KASK School of Arts
Producer
Sebastian Schaevers
361
fiction politics drama nature

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The Migrating Image

Stefan Kruse Jørgensen, Denmark, 2018, 28’

Following a fictional group of refugees across Europe, the film questions the overproduction of images surrounding real-life tragedies and deaths.

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Paradise

Laura Vandewynckel, Belgium, 2014, 6’

People are heading for a better place on either side of the ocean. Although their paths do cross at times, they never really seem to meet. Paradise is a light-hearted yet critical reflection on the ethics of tourism.

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she asked me where i was from

Aulona Fetahaj, Belgium, Kosovo, 2020, 24’

Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.

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Ours is a Country of Words

Mathijs Poppe, Belgium, Lebanon, 2017, 42’

Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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Meander

Joke Liberge, Belgium, 2005, 15’

On a hot summer day, five teenagers go to a river to cool off. They swim, they sleep, they eat snacks and ice cream. As music and dialogue are missing, everyday sounds attract attention: bicycles riding on gravel, feet gliding through water, gasps and splutters.

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Old Child

Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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Herman@s (Les Adelphes)

Hélène Alix Mourrier, France, 2021, 29’

Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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Yarokamena

Andrés Jurado, Colombia, Portugal, 2022, 21’

In 20th-century Colombia, resistance fighter Yarokamena, a member of the indigenous Uitoto tribe, called for rebellion against violent exploitation of the rubber mining industry in the Amazone and invoked the spiritual powers of war.

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