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part of
double bill #22

On Its Way Down

La Chute
Sebastian Schaevers, Belgium, 2022, 22’
Film Fest Gent

2022

Kortfilmfestival Leuven

2022

Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. What can they do? They can’t stop the world from falling apart. And when the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

La Chute (Sebastian Schaevers, 2022)
La Chute (Sebastian Schaevers, 2022)
article
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When the Sky Falls

Sebastian Schaevers’ On Its Way Down

Jannes Callens
10.10.2025

Sebastian Schaevers constantly seeks visual and narrative strategies to capture a man-made problem that has become so overwhelming it exceeds human capacity to cope. We are heading for an almost sublime aesthetic experience of our own demise. On Its Way Down leaves no scene unused to launch metaphors about human attitudes toward the impending ecological disaster.

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Credits

Script
Joren Peeters, Sebastian Schaevers
Cast
Alan Crettaz, Kylian Laude, Léa Guillou, Loris Guillaume, Luc Jotterand, Matteo Lochmatter
Camera
Sebastian Schaevers
Editor
Sebastian Schaevers
Sound
Laurens Desmet, Raf Enckels, Sebastian Schaevers
Music
Daan Geysen, Elisabeth Klinck, Michiel Renson
Film school
KASK School of Arts
Producer
Sebastian Schaevers
361
fiction politics drama nature

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Yarokamena

Andrés Jurado, Colombia, Portugal, 2022, 21’

In 20th-century Colombia, resistance fighter Yarokamena, a member of the indigenous Uitoto tribe, called for rebellion against violent exploitation of the rubber mining industry in the Amazone and invoked the spiritual powers of war.

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Trajectory Drift

Iván Castiñeiras Gallego, France, United Kingdom, 2018, 24’

In a container, sitting between crates of merchandise, two men talk about their exile. Their stories about the crossing of endless borders come together in a common dream: to reach England.

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Herman@s (Les Adelphes)

Hélène Alix Mourrier, France, 2021, 29’

Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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D’un château l’autre

Emmanuel Marre, Belgium, 2018, 40’

Pierre, 25 years old and on a scholarship for a prestigious Parisian university, is lodged by Francine, who is 75, disabled, and confined to her wheelchair. Both puzzled and disoriented, they witness the French presidential elections of 2017 play out.

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Da-Dzma

Jaro Minne, Belgium, 2019, 16’

Winter. A fifteen-year-old girl in a remote Georgian town tries to get closer to her older brother just as he decides to leave home in search of work abroad.

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Pirate Boys

Pol Merchan, Germany, 2018, 13’

Punk author Kathy Acker’s work is the starting point for a conversation about gender identity and body transformation and is linked to the punk movement of the 1970s and 1980s.

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À l’usage des vivants

Pauline Fonsny, Belgium, 2019, 27’

In 1998, Semira Adamu, a 20-year-old Nigerian immigrant, died on Belgian soil of suffocation under a police pillow. Twenty years later, two women tell her story in a cry for justice. Through this film, they highlight the reality of detention centres: the harsh conditions of confinement, the suffering of detainees and the abuse by guards and police officers.

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The Motherfucker’s Birthday

Saif Alsaegh, Iraq, USA, 2024, 6’

Through dancing, The Motherfucker’s Birthday shows the evil of the dictator and the horror people endure under powerful political leaders. The film presents dancing, a universal and uniquely human activity often representing joy, with eerie footage of Saddam and his sons’ torture tools while they dance.

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