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  • Ours is a Country of Words
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part of
double bill #23

Ours is a Country of Words

Mathijs Poppe, Belgium, Lebanon, 2017, 42’
Visions du Réel

2018

Film Fest Gent

2017

VAF Wildcard Documentaire

2017

The story is filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality. Yet, while families prepare for their return, it slowly becomes clear that this dream is far removed from their daily lives in the camp.

Ours is a Country of Words (Mathijs Poppe, 2017)
Ours is a Country of Words (Mathijs Poppe, 2017)
article
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Recurring Dreams

Mathijs Poppe’s Ours is a Country of Words (2017)

Yara Yuri Safadi
20.09.2025

The voice-over of a man with a Palestinian accent informs viewers that they are watching a “film”, highlighting the artifice of the images while also linking it to the reality of the Nakba. The man’s voice situates us as viewers within an imagined future, one “in which Palestine is free again.” Ironically, we watch this film in 2025, amidst the ongoing genocide in Gaza and the ethnic cleansing and apartheid in the West Bank. Juxtaposed with the harsh realities of the genocidal present, Ours is a Country of Words’s sci-fi-like imagination shows the desire for a future that is increasingly fought for. As the first dialogue unfolds, we are invited into this brighter future: Palestine is liberated, and refugees can return.

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Credits

Script
Mathijs Poppe
Cast
Ahmad Al-Jomaa, Bassem Dawood, Farah Hendawi, Hanan Hendawi, Hussein Deeb, Jamal Hendawi, Jihad Hendawi, Mo, Mohammad Abbas, Mohammad Hassan, Mohammad Zayat, Mona Hendawi, Nader Saed, Naim Abbas, Nidal Hendawi, Omran Kablawi, Sultane El Hasan, Wassim Saed
Camera
Mathijs Poppe
Editor
Mathijs Poppe
Sound
Ben De Raes, David Slotema, Ernst van Hagen, Kwinten Van Laethem, Michel Coquette
Film school
KASK School of Arts
Producer
Elisa Heene
387
documentary fiction politics history

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Herman@s (Les Adelphes)

Hélène Alix Mourrier, France, 2021, 29’

Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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À l’usage des vivants

Pauline Fonsny, Belgium, 2019, 27’

In 1998, Semira Adamu, a 20-year-old Nigerian immigrant, died on Belgian soil of suffocation under a police pillow. Twenty years later, two women tell her story in a cry for justice. Through this film, they highlight the reality of detention centres: the harsh conditions of confinement, the suffering of detainees and the abuse by guards and police officers.

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The White Elephant

Shuruq Harb, Palestine, 2018, 12’

Using images shared on the Internet by Israelis during the Gulf War, the First Intifada, and trance music gatherings, Shuruq Harb paints the portrait of a Palestinian teenager in the 1990s. In the midst of Israeli pop culture and the political climate of the Oslo Accords, she comes to grips with her anxiety.

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The Summer Movie

Emmanuel Marre, Belgium, 2017, 30’

A film about highways, tourists, concrete picnic tables, and lukewarm melons. About a man who wants to leave and a child who stops him. A summer movie.

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Houses With Small Windows

Bülent Öztürk, Belgium, 2013, 15’

Dilan pays with her life for her forbidden love for a young man in a neighbouring village—a powerful poetic portrait of an honour killing in the rural Kurdish southeast of Turkey.

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The End of Suffering (A Proposal)

Jacqueline Lentzou, Greece, 2020, 14’

Sofia is panicky again. The Universe decides to contact her—an other-worldly dialogue. Jacqueline Lentzou’s short film is a planet symphony for Mars, where people dream awake and fight for love.

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Old Child

Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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Oh Willy...

Emma De Swaef, Marc James Roels, Belgium, 2011, 17’

A gentle, middle-aged man returns to the nudist colony he grew up in to visit his elderly mother. Her sudden death leaves Willy in a state of sadness. He soon finds himself lost in the midst of a savage wilderness, trying to find comfort.

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