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part of
double bill #37

Oumoun

El MoÏz Ghammam, Fairuz Ghammam, Belgium, Tunisia, 2017, 14’
Courtisane

2017

Berwick Film and Media Arts Festival

2017

DocLisboa

2017

Int’l Kurzfilmtage Oberhausen

2018

Kurzfilm Festival Hamburg

2018

“Dear Grandma, you’ll be surprised to hear my voice in your language...”. These are the first words of a letter that was never sent, but was instead played aloud in real time by Brussels filmmaker Fairuz Ghammam to her elderly grandmother in Mahdia, Tunisia. In the company of the camera, the lines easily turn into a voiceover that, as one listens and looks attentively, gradually transforms into a dialogue that spans languages, cultures and generations.

Bio Fairuz Ghammam

Fairuz Ghammam graduated as an experimental filmmaker at a time when categorisation was still fashionable. In her practice, she mainly explores (auto)biography and dialogue, as well as themes like predetermination, abundance and scarcity, or co-creation. Since no one is truly the author of Oumoun (but her grandmother most of all), Fairuz has also co-credited her brother, El Moïz. He helped discover the film’s potential after Fairuz had left the rushes sitting in a drawer for five years. Without his involvement, the filming, and consequently the film, would never have existed.

© Oumoun (Fairuz & El Moïz Ghammam, 2017)
Oumoun (Fairuz & El Moïz Ghammam, 2017)
essay
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Listening Images

Fairuz & El Moïz Ghammam’s Oumoun

Arta Barzanji
08.10.2025

“Listen, Grandma.” These words appear on a black screen, a summons that feels more like a pact than a simple instruction. Before any image emerges, there is a clear call to pay attention. Next, the first image surfaces and does so without flourish: in a fixed frame, an old woman is seated amid a room where life has been packed up —boxes, bags, bedding, a stool with a pair of sandals. A bright red sheet draped over a box commands our attention; it is a rectangular blaze that both hides and announces its contents. The woman props her left arm and leans forward just enough to demonstrate that listening requires posture.

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Credits

Camera
El MoÏz Ghammam, Fairuz Ghammam
Producer
El MoÏz Ghammam, Fairuz Ghammam
Distributor
Auguste Orts
393
documentary portrait

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Herman@s (Les Adelphes)

Hélène Alix Mourrier, France, 2021, 29’

Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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The Migrating Image

Stefan Kruse Jørgensen, Denmark, 2018, 28’

Following a fictional group of refugees across Europe, the film questions the overproduction of images surrounding real-life tragedies and deaths.

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I Don’t Feel At Home Anywhere Anymore

Viv Li, Belgium, China, 2020, 16’

A wistful but witty account of a trip to Beijing by filmmaker Viv Li, a Chinese art student who has been living abroad for ten years. Her stay with her family mercilessly exposes how uprooted she has become by her life abroad.

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she asked me where i was from

Aulona Fetahaj, Belgium, Kosovo, 2020, 24’

Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.

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Yarokamena

Andrés Jurado, Colombia, Portugal, 2022, 21’

In 20th-century Colombia, resistance fighter Yarokamena, a member of the indigenous Uitoto tribe, called for rebellion against violent exploitation of the rubber mining industry in the Amazone and invoked the spiritual powers of war.

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This Day Won’t Last

Mouaad el Salem, Belgium, Tunisia, 2020, 25’

In this urgent diary film about longing for freedom and community, the filmmaker reflects on the individual yet collective experience of growing up queer in Tunisia today.

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New Shoes: An Interview in Exactly 5 Minutes

Ann Marie Fleming, Canada, 1990, 5’

A candid conversation between two women at a kitchen table. Full of astonishing details, it describes a memory from an abusive relationship and its disastrous end.

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elephantfish

Meltse Van Coillie, Belgium, 2018, 27’

A ship drifts in the middle of an endless sea. Aboard is a crew of five. They all cope with boredom — some by trying to overpower it; others by escaping into a parallel world guided by dreams.

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