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part of
double bill #32

Paradise

Het Paradijs
Laura Vandewynckel, Belgium, 2014, 6’
La Cinef - Festival de Cannes

2015

TIFF

2015

People are heading for a better place on either side of the ocean. Although their paths do cross at times, they never really seem to meet. Paradise is a light-hearted yet critical reflection on the ethics of tourism.

Bio Laura Vandewynckel

Laura Vandewynckel (1986, Belgium) graduated as a Philologist at Ghent University. She studied Dramatic Arts for three years and animation film at the RITCS School of Arts in Brussels. In her work, animation techniques, documentary film, and theatre intertwine. She graduated with Paradise in 2014, which was selected for the student competition in Cannes and TIFF. She also made the hybrid documentary Pharmakos (2017) and 3D-animated Le Crépuscule (2023). Currently, she is conducting doctoral research at Vrije Universiteit Brussel and RITCS, investigating the potential of automata (puppets, robots, and kinetic sculptures) as social game changer …
Paradise (Laura Vandewynckel, 2014)
Paradise (Laura Vandewynckel, 2014)
essay
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Impassable Gates

Laura Vandewynckel’s Paradise (2014)

Najrin Islam
13.06.2026

In five minutes, Paradise scans what determines movement for racially distinct peoples. Borders seek to contain, and any transgressions are preemptively curbed through restrictive legislation or bureaucratic rigmarole. As architect and researcher Shahram Khosravi and Mahmoud Keshavarz point out in their article, “The Magic of Borders”, border fortifications—materialised through visa protocols, military operations, or propaganda media—facilitate mobility for the white traveller as much as they restrict it for racialised refugees.

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Credits

Script
Laura Vandewynckel
Cast
Jerom Sturm, Liesje De Backer, Nico Sturm, Rocky Sturm, Thomas Bellinck
Music
Lode Wellens, Pedro Van der Eecken
Film school
RITCS School of Arts
506

This film is part of yanco’s streaming library

animation politics satire

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Eight thousand five hundred kilometres lie between the Amazon and the Ardennes. In his home country of Brazil, filmmaker Diego looks at the inaccessible forest from the outside. Its Belgian counterpiece, however, is easier to explore.

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NEOZOON, Germany, 2017, 15’

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Scum Mutation

Ov, France, 2020, 10’

In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.

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