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Skateboard Sense

Sidney Davis, USA, 1975, 9’

As well as (later often justifiably criticised) educational films on safe driving, drug use and homosexuality, American filmmaker Sidney Davis also made a safety video about skateboarding. Here, fortunately, he leaves behind his exaggerated, fear-mongering rhetoric from the 1950s: Skateboard Sense warns of the ‘dangers’ of skateboarding in a light-hearted manner.

The film offers a basic guide for the novice skater: regularly check the bolts on your wheels, find a spot with few people around, and learn to fall correctly. The most important thing, of course, is a helmet, but don’t forget your knee and elbow pads either. Skateboard Sense illustrates, in an almost slapstick manner, what happens if you don’t follow these rules.

Niels Putman

Bio Sidney Davis

A former Hollywood stand-in for John Wayne, Sid(ney) Davis made educational, cautionary films such as Girls Beware (1961) and Boys Beware (1961). In the 1950s and 1960s, Davis tackled ‘social-hygiene’ subjects most educational filmmakers considered taboo at the time: sex, drugs, and alcohol. He made over 150 films. 

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Image-making in Skate Culture

Tianyu Jiang
14.11.2026

In 1998, Nike launched an ad series, “What If We Treated All Athletes the Way We Treat Skateboarders?”, featuring parodies that portrayed runners, golfers, and tennis players being regulated and harassed for simply playing their sports. The quirky subversion of the public scrutiny skaters face reveals the brand’s ambition to enter the lucrative market of underground youth by showing it gets the community. Now considered iconic for its creativity, the campaign was received poorly by the skaters themselves at the time. Their skepticism toward outsiders’ image-making attests to the subculture’s anti-establishment values, which have long found expression in DIY practices of self-documentation.

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Loveboard

Felipe Casanova, Belgium, Switzerland, 2023, 17’

A broken phone and the digital memory of a broken queer relationship. Through the careful manipulation of discarnate metal components and the filmmaker’s attentive look at an intimate archive, a fading first love surfaces. Loveboard is a playful reflection on what remains.

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Yarokamena

Andrés Jurado, Colombia, Portugal, 2022, 21’

In 20th-century Colombia, resistance fighter Yarokamena, a member of the indigenous Uitoto tribe, called for rebellion against violent exploitation of the rubber mining industry in the Amazone and invoked the spiritual powers of war.

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Old Child

Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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Noonlight

Kayt Schneider, Belgium, 1991, 10’

Passing through the Noon Market in Brussels, filmmaker Kayt Schneider captures the peaceful, poetic coexistence of people and cultures.

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Oumoun

El MoÏz Ghammam, Fairuz Ghammam, Belgium, Tunisia, 2017, 14’

These words of a letter that was never sent turn into a voiceover in the presence of a camera. As one listens and looks attentively, it gradually transforms into a dialogue that spans languages, cultures, and generations.

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Carnations

Martijn Van de Wiele, Belgium, 2021, 16’

An artificial summer rules the greenhouse. Workers tend to carnations. In a multitude of splendid colours, they grow towards the sun until they’re ready to fulfill their cut-flower destiny. Carnations is an audiovisual meditation on movements within a carnation nursery close to filmmaker Martijn van de Wiele’s home.

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New Shoes: An Interview in Exactly 5 Minutes

Ann Marie Fleming, Canada, 1990, 5’

A candid conversation between two women at a kitchen table. Full of astonishing details, it describes a memory from an abusive relationship and its disastrous end.

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Note on Multitude

Ibro Hasanović, Belgium, Kosovo, 2015, 8’

Intimate, emotional, and sometimes violent moments of farewell: men, women, and children leave their homes for an (unknown) future as migrants.

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