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Dyketactics
Dyketactics (Barbara Hammer, 1974)

    Dyketactics

    Barbara Hammer, USA, 1974, 4’

    Of the more than eighty moving-image works that Barbara Hammer created, her 1974 film Dyketactics remains her most iconic. A four-minute paean to lesbian sexuality, Dyketactics publicly announced Hammer’s blossoming sexual identity after the end of her heterosexual marriage and testified to the visionary power of a woman with a movie camera. The film is a revolutionary call for recognition, a how-to guide to sensuality, and a reflection of the utopian spirit that animated a generation of women in search of sexual pleasure and empowerment beyond heterosexuality.

    It is also one of the most joyful battle hymns ever recorded, pulsating with its author’s tactile, DIY approach: Handpainted credits bracket haptic images of women caressing each other’s bodies and discovering themselves anew. The film still feels as sweet as a kiss and as potent as a Molotov cocktail.

    Ara Osterweill, Artforum

    Bio Barbara Hammer

    Barbara Hammer (1939-2019) was an American feminist filmmaker, visual artist, and lesbian activist with a career spanning over fifty years—constructing revelations on gender and sexuality, and later illness and mortality. She produced over ninety films, ranging from experimental shorts to essays and full-length documentaries, as well as performances, installations, and photographs that illuminate the representation of lesbian lives. In her work, Hammer explodes traditional notions of female sexuality by showing it for what it is: complex, messy, human.
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    • This film was #44 in the “Greatest” Short Films of All Time 2025
      voted by Sasha Prokopenko, Matti Ullrich, Sebastian Apel, Aleksandra Ławska, Boris Hadžija, Anne Gaschütz
    experimental avant-garde eroticism nature queer

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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    Swollen Stigma

    Sarah Pucill, United Kingdom, 1998, 21’

    Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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    Downside Up

    Tony Hill, United Kingdom, 1984, 18’

    With a single camera movement, this film explores humankind’s relationship to the ground. The viewpoint continuously changes. Places, objects, people, and events come in and out of focus. These observations gradually speed up and reveal a double-sided ground, flipping like a tossed coin, which then slows again to oscillate around the Earth’s edge.

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    On Its Way Down

    Sebastian Schaevers, Belgium, 2022, 22’

    Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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