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Dyketactics
Dyketactics (Barbara Hammer, 1974)

    part of
    Barbara Hammer: A Short Film Retrospective

    Dyketactics

    Barbara Hammer, USA, 1974, 4’

    Of the more than eighty moving-image works that Barbara Hammer created, her 1974 film Dyketactics remains her most iconic. A four-minute paean to lesbian sexuality, Dyketactics publicly announced Hammer’s blossoming sexual identity after the end of her heterosexual marriage and testified to the visionary power of a woman with a movie camera. The film is a revolutionary call for recognition, a how-to guide to sensuality, and a reflection of the utopian spirit that animated a generation of women in search of sexual pleasure and empowerment beyond heterosexuality.

    It is also one of the most joyful battle hymns ever recorded, pulsating with its author’s tactile, DIY approach: Handpainted credits bracket haptic images of women caressing each other’s bodies and discovering themselves anew. The film still feels as sweet as a kiss and as potent as a Molotov cocktail.

    Ara Osterweill, Artforum

    Bio Barbara Hammer

    Barbara Hammer (1939-2019) was an American feminist filmmaker, visual artist, and lesbian activist with a career spanning over fifty years—constructing revelations on gender and sexuality, and later illness and mortality. She produced over ninety films, ranging from experimental shorts to essays and full-length documentaries, as well as performances, installations, and photographs that illuminate the representation of lesbian lives. In her work, Hammer explodes traditional notions of female sexuality by showing it for what it is: complex, messy, human.

    La Jetée
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    02.02.2026

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    experimental avant-garde eroticism nature queer

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    Gina Kim, South Korea, USA, 1999, 24’

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    Tony Hill, United Kingdom, 1984, 18’

    With a single camera movement, this film explores humankind’s relationship to the ground. The viewpoint continuously changes. Places, objects, people, and events come in and out of focus. These observations gradually speed up and reveal a double-sided ground, flipping like a tossed coin, which then slows again to oscillate around the Earth’s edge.

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    The Hymns of Muscovy is a trip to the eponymous planet, which is an upside-down space twin of the city of Moscow. Gliding along its surface, we look down at the sky and see historic architectural styles fly by—the exuberant Socialist Classicism, aka the Stalinist Empire, the laconic and brutalist Soviet Modernism, and the hodgepodge of their contemporary knock-offs and revivals.

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    Portrait of a young teenager with mental health issues who is passionate about karate. They wander around a housing estate in East Kent, locked in verbal and physical battles with a hallucinatory demon.

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