Skip to main content
yanco Home
Menu
  • Home
  • watch
  • magazine
  • calendar
  • index
  • Subscribe
Search Log in
  • nl
  • en
You are here
  • Home
  • Watch
  • Loveboard
watch as a subscriber € 30
Rent this film € 2,5
  • Availability worldwide
  • Taal French
  • Subtitles English

part of
double bill #29

Loveboard

Felipe Casanova, Belgium, Switzerland, 2023, 17’
Int’l Kurzfilmtage Winterthur

2023

Kassel Dokfest

2024

Bucharest Int’l Experimental Film Festival

2024

A broken phone and the digital memory of a broken queer relationship. Through the careful manipulation of discarnate metal components and the filmmaker’s attentive look at an intimate archive, a fading first love surfaces. Loveboard is a playful reflection on what remains.

Bio Felipe Casanova

Born in 1995 in Zurich, Switzerland, Felipe Casanova spent most of his childhood in Rio de Janeiro. In 2021, he graduated with a Master's degree in film directing from the IAD (Institut des Arts de Diffusion) in Belgium. Nowadays, based between Brussels and Geneva, he continues to experiment with moving images, working as a director and editor. His films encourage research and experimentation.

Nothing is extraordinary – i.e. out of ordinary – in Felipe Casanova’s Loveboard, not the love story and even less so its images and sounds, all taken from a personal iPhone archive, and this is precisely what makes it extraordinary as cinema: using bits of apparent nothingness to create broken wholeness. The relationship failed, and, in a way, the images did too, as the film sets up a narrative in which the phone broke down and is getting repaired, with its data storage comprising of an involuntary, second-nature memory of this tender relationship, being recovered but as glitchy and faulty.

Călin Boto, Filmexplorer
Loveboard (Felipe Casanova, 2023)
Loveboard (Felipe Casanova, 2023)
Read more

Vicarious Recollections

Felipe Casanova’s Loveboard

Flavia Dima
24.01.2026
essay

Loveboard speaks to an era in which relationships are increasingly preserved through digital archives and the large amount of digital detritus this generates. Our personal troves of images have grown significantly in recent decades. The availability and cost of film stock constrained people to choose what to archive, and therefore, to also curate the image of their past. In this sense, digital media is counterintuitive, even antithetical to curatorship: it has the ability to seemingly conserve everything, including moments that seem utterly inconsequential, even banal, that are valued only in retrospect (if at all).

Read more

Credits

Script
Felipe Casanova
Camera
Felipe Casanova
Editor
Felipe Casanova, Nilenzo Clémentin
Sound editor
Valentin Mazingarbe
Film school
Institut des Arts de Diffusion - IAD
Producer
Felipe Casanova
Distributor
Kino Rebelde
494
experimental documentary queer romance found footage

Watch more

Read more

Ours is a Country of Words

Mathijs Poppe, Belgium, Lebanon, 2017, 42’

Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

Read more
Read more

Old Child

Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

Read more
Read more

Swollen Stigma

Sarah Pucill, United Kingdom, 1998, 21’

Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

Read more
Read more

Downside Up

Tony Hill, United Kingdom, 1984, 18’

With a single camera movement, this film explores humankind’s relationship to the ground. The viewpoint continuously changes. Places, objects, people, and events come in and out of focus. These observations gradually speed up and reveal a double-sided ground, flipping like a tossed coin, which then slows again to oscillate around the Earth’s edge.

Read more

Subscribe for €30 and get one-year access to our streaming library. This supports not only our magazine but also the filmmakers we represent. 

subscribe

yanco is a magazine and streaming library for short-form moving image

kortfilm.be vzw
Boondaalse Steenweg 249
1050 Elsene
BE 0478 441 315
info@yanco.be

with the support of the Flanders Audiovisual Fund (VAF) of the Flemish Government

VAF
  • about
  • colophon
  • privacy policy
Facebook Instagram LinkedIn YouTube Letterboxd
design by de Ronners
website by eps en kaas