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part of
double bill #29

Loveboard

Felipe Casanova, Belgium, Switzerland, 2023, 17’
Int’l Kurzfilmtage Winterthur

2023

Kassel Dokfest

2024

Bucharest Int’l Experimental Film Festival

2024

A broken phone and the digital memory of a broken queer relationship. Through the careful manipulation of discarnate metal components and the filmmaker’s attentive look at an intimate archive, a fading first love surfaces. Loveboard is a playful reflection on what remains.

Bio Felipe Casanova

Born in 1995 in Zurich, Switzerland, Felipe Casanova spent most of his childhood in Rio de Janeiro. In 2021, he graduated with a Master's degree in film directing from the IAD (Institut des Arts de Diffusion) in Belgium. Nowadays, based between Brussels and Geneva, he continues to experiment with moving images, working as a director and editor. His films encourage research and experimentation.

Nothing is extraordinary – i.e. out of ordinary – in Felipe Casanova’s Loveboard, not the love story and even less so its images and sounds, all taken from a personal iPhone archive, and this is precisely what makes it extraordinary as cinema: using bits of apparent nothingness to create broken wholeness. The relationship failed, and, in a way, the images did too, as the film sets up a narrative in which the phone broke down and is getting repaired, with its data storage comprising of an involuntary, second-nature memory of this tender relationship, being recovered but as glitchy and faulty.

Călin Boto, Filmexplorer
Loveboard (Felipe Casanova, 2023)
Loveboard (Felipe Casanova, 2023)
essay
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Vicarious Recollections

Felipe Casanova’s Loveboard

Flavia Dima
24.01.2026

Loveboard speaks to an era in which relationships are increasingly preserved through digital archives and the large amount of digital detritus this generates. Our personal troves of images have grown significantly in recent decades. The availability and cost of film stock constrained people to choose what to archive, and therefore, to also curate the image of their past. In this sense, digital media is counterintuitive, even antithetical to curatorship: it has the ability to seemingly conserve everything, including moments that seem utterly inconsequential, even banal, that are valued only in retrospect (if at all).

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Credits

Script
Felipe Casanova
Camera
Felipe Casanova
Editor
Felipe Casanova, Nilenzo Clémentin
Sound editor
Valentin Mazingarbe
Film school
Institut des Arts de Diffusion - IAD
Producer
Felipe Casanova
Distributor
Kino Rebelde
494
experimental documentary queer romance found footage

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Diego Quinderé de Carvalho, Belgium, Hungary, Portugal, 2021, 24’

Eight thousand five hundred kilometres lie between the Amazon and the Ardennes. In his home country of Brazil, filmmaker Diego looks at the inaccessible forest from the outside. Its Belgian counterpiece, however, is easier to explore.

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Yarokamena

Andrés Jurado, Colombia, Portugal, 2022, 21’

In 20th-century Colombia, resistance fighter Yarokamena, a member of the indigenous Uitoto tribe, called for rebellion against violent exploitation of the rubber mining industry in the Amazone and invoked the spiritual powers of war.

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NEOZOON, Germany, 2017, 15’

Dedicated to nutrition and the human attitude towards “production animals”, this YouTube-found footage collage provides disturbing insights into the behaviour of a Western affluent society towards animal products.

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Expires in 27 days
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Barbara Hammer, USA, 1976, 23’

A series of cameo portraits of Barbara Hammer’s friends and lovers intercut with a playful celebration of fruits and vegetables in nature. The culminating footage evokes a tantric painting of sustained sexuality.

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Scum Mutation

Ov, France, 2020, 10’

In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.

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what else grows on the palm of your hand?

Dhiaa Biya, Morocco, Belgium, 2023, 16’

The routines of two women fuse together over time. One is busy with her bread, the other with her memories. Their similar gestures, repeated again and again, slowly unfold the special bond that unites them.

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elephantfish

Meltse Van Coillie, Belgium, 2018, 27’

A ship drifts in the middle of an endless sea. Aboard is a crew of five. They all cope with boredom — some by trying to overpower it; others by escaping into a parallel world guided by dreams.

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I Am Good At Karate

Jess Dadds, United Kingdom, 2021, 11’

Portrait of a young teenager with mental health issues who is passionate about karate. They wander around a housing estate in East Kent, locked in verbal and physical battles with a hallucinatory demon.

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