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  • MY BBY 8L3W
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MY BBY 8L3W

NEOZOON, France, Germany, 2014, 3’

In unison, the clips in MY BBY 8L3W confront us with collective perversion. Artist duo NEOZOON gather videos from the vast, wild landscape of YouTube and present them with minimal intervention. The found footage is edited together side by side, revealing eerie similarities that unambiguously lay bare a pattern: boundaries are being crossed in the relationship between humans and animals.

MY BBY 8L3W masterfully lures us into a false sense of comfort through the innocence and humour of home videos. Dozens of women introduce their pets to the camera—their ‘babies’, whom they shower with belittling and almost identical terms. The endearing collage initially makes us laugh. But when the perfectly timed little kisses turn into intense make-out sessions, the innocence and comedy give way to unease and, later, revulsion. Other body parts also present themselves to be licked or sucked. The silence at the end of MY BBY 8L3W is deafening.

NEOZOON tugs at a thread that quickly unravels an entire framework of thought. What kind of relationship do we tolerate between pet and owner? At what point do the images go too far? The film poses these questions silently and without mercy. As viewers, we are laid bare, stripped of our innocence. For our watching turns out to have been little more than voyeurism.

Laïka Planchenault

Bio NEOZOON

NEOZOON is a female art collective. Its work is based on the principle of collage and investigates sociological questions about speciesism in the Anthropocene. Recontextualisation of found footage and/or YouTube material is a recurring element. NEOZOON´s work was exhibited at Centre Pompidou in Paris, at ZKM in Karlsruhe, at Kunstwerke Berlin and has also been shown at festivals in Oberhausen, Rotterdam, London and New York.
Sluiten
© LITTLE LOWER THAN THE ANGELS (NEOZOON, 2019)
interview
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There Must Be a Way Out of This Disaster

A conversation with NEOZOON

Savina Petkova
25.07.2025

Do you like cat videos? Try watching a thousand in a row, spread them on a timeline, and map out the similarities and differences between them. This experiment could serve as a primer for the work of two-person art collective NEOZOON, whose preoccupation is human-animal relationality. Using only found footage and social media archives, the duo aims to expose the oppressive power structures that position humans as exceptional, and non-human animals as anything but.

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Credits

Editor
NEOZOON
Producer
NEOZOON
521
experimental satire found footage

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Love Goes Through The Stomach

NEOZOON, Germany, 2017, 15’

Dedicated to nutrition and the human attitude towards “production animals”, this YouTube-found footage collage provides disturbing insights into the behaviour of a Western affluent society towards animal products.

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Loveboard

Felipe Casanova, Belgium, Switzerland, 2023, 17’

A broken phone and the digital memory of a broken queer relationship. Through the careful manipulation of discarnate metal components and the filmmaker’s attentive look at an intimate archive, a fading first love surfaces. Loveboard is a playful reflection on what remains.

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Working Knowledge of Ritual

Hannan Jones, Australia, 2023, 4’

By interweaving esoteric texts and images, Working Knowledge of Ritual underscores the interconnectedness of spirituality and nature. The film muses on our energies alongside the natural world, inspired by the writings of Leonard Jones.

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Scum Mutation

Ov, France, 2020, 10’

In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.

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The White Elephant

Shuruq Harb, Palestine, 2018, 12’

Using images shared on the Internet by Israelis during the Gulf War, the First Intifada, and trance music gatherings, Shuruq Harb paints the portrait of a Palestinian teenager in the 1990s. In the midst of Israeli pop culture and the political climate of the Oslo Accords, she comes to grips with her anxiety.

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Snow Edge

Juan Francisco Rodríguez, Colombia, 2021, 15’

The thaw of the so-called eternal snow of Páramo, a neotropical alpine ecosystem in the high Andes, exposes a layer of meaning about the origins and survival of the landscape.

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Un Chien Andalou

Luis Buñuel, France, 1929, 21’

Spanish surrealist Luis Buñuel wrote his first feat together with Salvador Dalí, based on their dreams. Don’t get stuck on the plot. Buñuel deliberately omits chronology and opts for Freudian dream logic, in which scenes do not necessarily follow one another logically.

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The Hymns of Muscovy

Dimitri Venkov, Russia, 2018, 14’

The Hymns of Muscovy is a trip to the eponymous planet, which is an upside-down space twin of the city of Moscow. Gliding along its surface, we look down at the sky and see historic architectural styles fly by—the exuberant Socialist Classicism, aka the Stalinist Empire, the laconic and brutalist Soviet Modernism, and the hodgepodge of their contemporary knock-offs and revivals.

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