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  • New Shoes: An Interview in Exactly 5 Minutes
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part of
double bill #37

New Shoes: An Interview in Exactly 5 Minutes

Ann Marie Fleming, Canada, 1990, 5’
IFFR

1991

Few women could tell the story of their first great love in just a few minutes. Fewer still could recount one that includes stalking, gunfire, and a shocking conclusion.

That’s precisely what happens in Ann Marie Fleming’s New Shoes: An Interview in Exactly Five Minutes. The Canadian filmmaker points her camera at a woman, seated at the kitchen table with a cup of tea. With striking candour, yet also an air of detachment, the woman recounts the physical and emotional abuse she endured.  Throughout the film, Fleming cuts away to a woman dressed as a princess, frolicking in the park as animated triangles dance around the screen. These cutaways are distracting—the story of the woman at the table is compelling enough. But perhaps that’s the point. The story grows ever more terrifying. The clock keeps ticking.

Bio Ann Marie Fleming

Canadian filmmaker Ann Marie Fleming has explored a wide range of formats and genres, including animation, documentary, experimental film, and fiction. Born on Japan’s Ryukyu Islands, Fleming now lives in Vancouver. Her films such as New Shoes: An Interview in Exactly Five Minutes (1990), The Magical Life of Long Tack Sam (2003), and I Was a Child of Holocaust Survivors (2010) explore themes of family, history, and memory. Fleming’s animated feature Window Horses (2016) earned dozens of awards and accolades worldwide.

551
documentary drama portrait

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I Am Good At Karate

Jess Dadds, United Kingdom, 2021, 11’

Portrait of a young teenager with mental health issues who is passionate about karate. They wander around a housing estate in East Kent, locked in verbal and physical battles with a hallucinatory demon.

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All We Ever Wanted Was Everything

Enzo Smits, Belgium, 2014, 19’

A portrait of young skateboarders growing up in a Flemish suburban town. We meet different characters as they go about their daily routines: riding their skateboards, hanging out, daydreaming.

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The Migrating Image

Stefan Kruse Jørgensen, Denmark, 2018, 28’

Following a fictional group of refugees across Europe, the film questions the overproduction of images surrounding real-life tragedies and deaths.

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Empty House

Gina Kim, South Korea, USA, 1999, 24’

This video diary depicts a young woman’s flat, the fears and fantasies about her body plainly revealed as she wakes up with a bloated face, full of self-loathing after a night of compulsive over-eating.

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Carnations

Martijn Van de Wiele, Belgium, 2021, 16’

An artificial summer rules the greenhouse. Workers tend to carnations. In a multitude of splendid colours, they grow towards the sun until they’re ready to fulfill their cut-flower destiny. Carnations is an audiovisual meditation on movements within a carnation nursery close to filmmaker Martijn van de Wiele’s home.

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Akaboum

Manon Vila, France, 2019, 30’

A portrait of contemporary suburban youth seeking to invent new contours of collective identity, against the backdrop of France in the throes of recession.

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Mars, Oman

Vanessa del Campo, Belgium, 2019, 20’

Oman’s vast plains look so much like Mars that they are used as a training ground for astronauts. Two local girls gaze at the starry sky like curious scientists while the astronauts philosophise about living on the Red Planet.

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10th of November | 09:05

Els Opsomer, Belgium, Turkey, 2008, 14’

Every year on the 10th of November, at 09:05 in the morning, individuals across Turkey cease all activities. Cars pull over, and pedestrians stop and stand still, in remembrance of Mustafa Kemal Atatürk (founder and first president of the Republic of Turkey), who died on this day and time in 1938. Els Opsomer captures such a moment on film.

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