Mamada Perdida

Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

People are heading for a better place on either side of the ocean. Although their paths do cross at times, they never really seem to meet. Paradise is a light-hearted yet critical reflection on the ethics of tourism.

A series of cameo portraits of Barbara Hammer’s friends and lovers intercut with a playful celebration of fruits and vegetables in nature. The culminating footage evokes a tantric painting of sustained sexuality.

Martí arrives in Bilbao for an artistic residency. In his new room, his clothes occupy only a small portion of the enormous wardrobe. But when he meets someone, the wardrobe slowly begins to fill up. Where has the emptiness gone, the free space, the little corner that was his?

A woman trips and falls while rushing around the house. She gets up only to discover that her home has unusual features—it is built from paradoxes, filled with illusions, and covered with patterns.

A lonesome angler becomes witness to an eccentric idyll between a cabin boy and a mermaid. Dream or reality?

We all have a different rhythm. This film is a dance about individual rhythms that go together, seem to clash, or just stay separate.