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  • In Curve Notes _ Stream
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part of
double bill #30

In Curve Notes _ Stream

Flavia Regaldo, Portugal, 2023, 7’
IndieLisboa

2023

Queer Porto

2023

Hand-painted watercolours explore bodies, desire, and the tension between both in this experimental animated film. Due to an explosion of colour and movement that escapes classical animation, an unusual sensorial force is achieved. Alternating colours, lines, and density, the drawings question pornography and normative sexuality.

Carlos Ramos, IndieLisboa

Bio Flavia Regaldo

Flavia Regaldo (1984) is a visual artist from Belo Horizonte, Brazil, currently living in Lisbon, Portugal. Her work seeks to give shape to invisible tensions. It rethinks natural and social dichotomies and considers rhythm and chaos through both micro- and macro-perspectives.

In times of global violence, Flavia Regaldo’s pornographic animation In Curve Notes_Stream comes as an unintentional “make love, not war” message. The film depicts diverse sexual acts in a bold visual language where tensions of bodies are formed through lines and curves, rhythm and chaos. Its vibrant, ever-shifting watercolour drawings mirror the fluidity of genders, sexualities, and emotions. Regaldo shows us the emancipatory side of passionate lovemaking, unbound by the hostile world. 

Jelena Radić

In Curve Notes_Stream raises questions of sexual liberation and pleasure as an act of freedom. By subverting traditional erotic representations and transforming them into vivid, near-abstract drawings, Regaldo challenges the male gaze, celebrates queer love, and redefines eroticism as a space of equality, fluidity, and empowerment. Playful sex scenes set in contextless surroundings, guided only by music, avoid overdefined sex roles and leave space for imagination and arousal.

Jelena Radić

Credits

Editor
Flavia Regaldo
Sound
Vanessa de Michelis
Producer
Flavia Regaldo
485
animation eroticism queer

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Cyclepaths

Anton Cla, Belgium, 2023, 12’

On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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Swollen Stigma

Sarah Pucill, United Kingdom, 1998, 21’

Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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Back and Forth

Lisa Foster, Belgium, 2018, 4’

We all have a different rhythm. This film is a dance about individual rhythms that go together, seem to clash, or just stay separate.

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Atopia

Olivier De Vos, Belgium, 2021, 18’

An introspective essay about the search for a place between reality and imagination: a placeless place made up out of dreams and a longing for fluidity. Slowly, the grains of the compressed image become the sands of the atopic beach, revealing an imaginary place.

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